With Taiwan's established English-language media outlets behind the Internet/multimedia curve, it's up to a new Web site run from a small office in Taipei's Central News Agency (CNA) building to lead the way.
Culture.tw, which is funded by the Executive Yuan's Council of Cultural Affairs and run by CNA, aims to be the main Internet portal for English speakers around the world who are interested in Taiwanese culture, arts and entertainment.
The project was launched quietly this summer and will only be promoted actively starting next month. Despite the lack of fanfare, though, it already draws most of its hits from abroad, with roughly half of them coming from the US.
PHOTOS: COURTESY OF CUTURE.TW
"The new Culture.tw Web site is a wonderful reference source for our students," said Dafydd Fell, an academic at London's School of Oriental and African Studies, in an e-mail exchange. Fell is in charge of the school's Centre of Taiwan Studies, which offers an MA and the widest range of postgraduate courses on Taiwan outside of Taiwan. "In the past students had to search through multiple sites, but now it's all under one roof," he said.
Miranda Loney, chief editor of Culture.tw, said that the site was unlike other cultural portals because, in addition to presenting links to local Web sites, it also offers information and articles in a foreign language. "Our site is not just a cultural portal. If we'd have just made a cultural portal it wouldn't have worked," she said. "We had to augment it with lots of English information that wasn't readily available."
She cited a thread on the Web forum ParentPages.net as an example of the kind of feedback Culture.tw has received from its readers. "I have spent hours on this site, reading all the articles and getting lost in links," wrote a poster under the name Asiababy. "I've been in Taiwan twelve years, actively involved in the community, and had NO IDEA there was so much cultural/arts stuff going on."
To be sure, many Taiwan-based English-language Web sites already cover Taiwanese culture, and a few offer a partial multimedia experience. Internet surfers can download podcasts from International Community Radio Taiwan's (ICRT) Web site, for example, or watch videos on the Taiwan News' site. And with 800 unique visitors per day, Culture.tw draws less traffic than several of the more well-known expat blogs.
But Culture.tw has access to CNA's extensive video and audio production resources and takes the multimedia experience to a new level, with videos, audio files and a well-managed collection of links, in addition to a growing collection of articles and pictures. There are plans to add Web 2.0 functions like blogging and user-generated content as part of a redesign next year. Readership is growing, and the site is already one of the first links that pops up when a person enters search terms like "Taiwan culture" or "Taiwanese art" on Google.
Culture.tw was conceived three years ago by a group of academics led by Wu Chin-fa (吳錦發), the assistant director of the Council of Cultural Affairs (CCA). Foreigners were enlisted for a focus group to brainstorm ideas for an "English Web portal" (英文入口網站). The CCA then submitted an RFP, or request for proposals, for companies who were interested in running the site. CNA, a news service that derives a portion of its revenue from the Taiwanese government, won the bid.
The site is run by Loney, an editor at Academia Sinica and former reporter and editor for the culture and arts section of Japan's Asahi Evening News, two editors, a project manager, two Web designers, six systems engineers and four translators. It employs one full-time reporter and has featured articles by 15 paid freelance writers.
The writers tend to be experts in a particular field, like Taiwanese visual arts or Aboriginal cultures, and Loney said she's always looking for more contributors.
Two early highlights are articles about Hoklo-language poet Chen Chao-cheng (陳昭誠), a taxi driver who was a victim of the White Terror period, and Tsui Kuang-yu (崔廣宇), a video/performance artist who has shown his work at Tate Liverpool. Readers can listen to Chen read three of his poems in a soulful baritone and watch a video of Tsui rolling bowling balls at pigeons in London.
"It's very exciting. And everybody loves working for us," Loney said. "Just think that just a few years Taiwanese weren't even allowed to speak their own language. And now we can broadcast it over the Internet for everyone to hear the beauty of their language. It's great, isn't it?"
The US war on Iran has illuminated the deep interdependence of Asia on flows of oil and related items as raw materials that become the basis of modern human civilization. Australians and New Zealanders had a wake up call. The crisis also emphasizes how the Philippines is a swatch of islands linked by jet fuel. These revelations have deep implications for an invasion of Taiwan. Much of the commentary on the Taiwan scenario has looked at the disruptions to world trade, which will be in the trillions. However, the Iran war offers additional specific lessons for a Taiwan scenario. An insightful
The problem with Marx’s famous remark that history repeats itself, first as tragedy, the second time as farce, is that the first time is usually farce as well. This week Chinese Nationalist Party (KMT) Chair Cheng Li-wun (鄭麗文) made a pilgrimage to the People’s Republic of China (PRC) “to confer, converse and otherwise hob-nob” with Chinese Communist Party (CCP) officials. The visit was an instant international media hit, with major media reporting almost entirely shorn of context. “Taiwan’s main opposition leader landed in China Tuesday for a rare visit aimed at cross-strait ‘peace’”, crowed Agence-France Presse (AFP) from Shanghai. Rare!
Polling data often confirms what we expect, but sometimes it throws up surprises. When examined over time, some patterns appear that speak to something bigger going on. In this column, whenever possible, Formosa’s polls are used. Despite the sometimes cringeworthy antics of Formosa’s Chairman, Wu Tzu-Chia (吳子嘉), the data produced includes detailed breakdowns crucial for analysis. It has also been conducted monthly 11-12 times a year for many years with many of the same questions, allowing for analysis over time. When big shifts do occur between one month and the next it is usually in response to some event in
April 6 to April 13 Few expected a Japanese manga adaptation featuring four tall, long-haired heartthrobs and a plucky heroine to transform Taiwan’s television industry. But Meteor Garden (流星花園) took the nation by storm after premiering on April 12, 2001, single-handedly creating the “idol drama” (偶像劇) craze that captivated young viewers across Asia. The show was so successful that Japan produced its own remake in 2005, followed by South Korea, China and Thailand. Other channels quickly followed suit, with more than 50 such shows appearing over the following two years. Departing from the melodramatic