If you wanted to write a resume for a spy novelist, you couldn't do much better than Charles McCarry. The 77-year-old author of 10 novels and numerous nonfiction works was a correspondent for Stars and Stripes in the US Army, a speechwriter in the Eisenhower administration and, from 1958 to 1967, a deep-cover CIA operative in Europe, Asia and Africa.
"I was sometimes gone for six weeks at a time," he told an interviewer a couple of years ago. "The phone would ring at midnight, 'You're needed in Mogadishu,' and off I would go. And my wife, who had either three or four little kids and was living in a foreign country, didn't know where I was going or when I was coming back."
Six of McCarry's novels tell the saga of the Christopher family, including his last, 2004's Old Boys, which finds the spy Paul Christopher taking on one last mission at the end of his life, having survived years in a Chinese prison.
McCarry backtracks in Christopher's Ghosts. Set on the eve of World War II, Ghosts is a high-caliber literary thriller with tension so thick and characters so twisted that you might consider reading it with a gun under your pillow.
Paul Christopher, future OSS and CIA master spy, is a boy of 16 in the new novel, living with his aristocratic, liberal German mother, Lori — well-educated, level-headed, free-spirited and, of course, sublimely beautiful — and his Ivy League father, Hubbard — "horse-faced," brilliant and completely without fear, guilt or inhibitions — in Berlin just before the war.
Hubbard, a novelist and adventurer, is writing The Experiment, in which he records each day's experience — no matter what happens — as fiction.
It is both a courageous and utterly ludicrous thing to do under the Third Reich, where everyone watches the neighbors for fissures in their Nazi armor.
In a previous book, McCarry detailed how the Christophers smuggled Jews and other enemies of the Nazi state to freedom from Lori's home island of Rugen across the Baltic Sea in their small yawl Mahican. The youngster Paul was discovered stowed away on one voyage and allowed to come along on subsequent ones.
Consequently, the Nazis, in the form of General Heydrich and Major Stutzer, top officials in the regime, have declared the Christophers enemies of the state and turned up the gas under the family, frequently pulling them off the street or out of their apartment for questions and "light" torture.
"There was no real need for the secret police to prove these charges. On his own authority Major Stutzer could send them to a concentration camp or even summarily execute them, but for reasons of his own he wanted to prolong the questioning, to maneuver them into full confessions."
Stutzer, whose conscience, like his compassion, was apparently retarded at birth, sees the arrogance of the Christophers as a challenge to his perfect record with suspects — that is, breaking them physically and mentally.
Heydrich, whose military posture is unbalanced by "broad womanly hips," wants to conquer the Baronesse Lori.
This "man who could order the immediate death of anyone in Germany and beyond" has special torture for Lori; when Stutzer grabs Paul and Hubbard, he spirits her off to his country lodge for elaborate "dates."
Paul falls in love with a remarkable young woman named Rima, whose father, a World War I hero and physician, has been classified a Jew and forced to suffer the persecution such an indictment carries.
In the Nazis arcane system, Rima is not technically Jewish; nevertheless, she is forced to bear Stutzer's wrath.
The women in Ghosts are its most tragic characters.
The last half of the book flashes forward to 1959, when Christopher, a cleanup hitter for the Outfit, discovers Stutzer in a gloomy European city.
Once quite the dandy (and presumably gay), Stutzer has adapted to the streets, his intense paranoia at being recognized fueling his survival. Stutzer eludes Christopher this time, but the spy is intent on revenge and tracks the unrepentant Nazi to still-desolated Berlin at the time when streets are being torn up and houses razed to make room for the wall.
"Cat stink and the acid smell of long-dead fires lingered in his nostrils. He heard tiny noises in the rubble — the cats again and the rodents. In the velvety darkness he apprehended movement, shapes, the first signs of first light. He tasted and felt a fragment of sausage between two of his teeth. He felt the rough ground beneath his feet. His head itched."
Many critics believe that Charles McCarry is the finest espionage writer working today. Count me in. He writes with precise attention to detail yet manages to encompass the big picture of the bloodiest century in history, avoiding unnecessary drama and excessive heroics. This is the way it really was, the reader thinks upon digesting a McCarry book, which is the finest compliment that can be paid any novelist.
Publication notes:
Christopher's Ghosts
By Charles McCarry
272 pages
Overlook
Oct. 27 to Nov. 2 Over a breakfast of soymilk and fried dough costing less than NT$400, seven officials and engineers agreed on a NT$400 million plan — unaware that it would mark the beginning of Taiwan’s semiconductor empire. It was a cold February morning in 1974. Gathered at the unassuming shop were Economics minister Sun Yun-hsuan (孫運璿), director-general of Transportation and Communications Kao Yu-shu (高玉樹), Industrial Technology Research Institute (ITRI) president Wang Chao-chen (王兆振), Telecommunications Laboratories director Kang Pao-huang (康寶煌), Executive Yuan secretary-general Fei Hua (費驊), director-general of Telecommunications Fang Hsien-chi (方賢齊) and Radio Corporation of America (RCA) Laboratories director Pan
The classic warmth of a good old-fashioned izakaya beckons you in, all cozy nooks and dark wood finishes, as tables order a third round and waiters sling tapas-sized bites and assorted — sometimes unidentifiable — skewered meats. But there’s a romantic hush about this Ximending (西門町) hotspot, with cocktails savored, plating elegant and never rushed and daters and diners lit by candlelight and chandelier. Each chair is mismatched and the assorted tables appear to be the fanciest picks from a nearby flea market. A naked sewing mannequin stands in a dimly lit corner, adorned with antique mirrors and draped foliage
The consensus on the Chinese Nationalist Party (KMT) chair race is that Cheng Li-wun (鄭麗文) ran a populist, ideological back-to-basics campaign and soundly defeated former Taipei mayor Hau Lung-bin (郝龍斌), the candidate backed by the big institutional players. Cheng tapped into a wave of popular enthusiasm within the KMT, while the institutional players’ get-out-the-vote abilities fell flat, suggesting their power has weakened significantly. Yet, a closer look at the race paints a more complicated picture, raising questions about some analysts’ conclusions, including my own. TURNOUT Here is a surprising statistic: Turnout was 130,678, or 39.46 percent of the 331,145 eligible party
The election of Cheng Li-wun (鄭麗文) as chair of the Chinese Nationalist Party (KMT) marked a triumphant return of pride in the “Chinese” in the party name. Cheng wants Taiwanese to be proud to call themselves Chinese again. The unambiguous winner was a return to the KMT ideology that formed in the early 2000s under then chairman Lien Chan (連戰) and president Ma Ying-jeou (馬英九) put into practice as far as he could, until ultimately thwarted by hundreds of thousands of protestors thronging the streets in what became known as the Sunflower movement in 2014. Cheng is an unambiguous Chinese ethnonationalist,