Fri, Apr 27, 2007 - Page 17 News List

Life is like riding a bike...


Taiwan is brought to life by En Chen, who's protagonist cycles round the island. Chen has produced a debut feature about the country's culture and people that may not be riveting or thrilling, but it comes from the heart.


A child of Taiwan's New Wave cinema, award-winning cinematographer En Chen (陳懷恩) has been a long-term collaborator of Hou Hsiao-hsien (侯孝賢) and has worked with acclaimed directors such as Chang Tso-chi (張作驥) and Cheng Wen-tang (鄭文堂) since the 1980s.

After more than 20 years of working at the center of Taiwan's film industry, the veteran cinematographer has decided to tell a story of his own with a scanty government subsidy and lots of supports from friends and money of his own. The end result is his feature debut Island Etude (練習曲), a road movie about Taiwan's past and present, it's beauty and sorrow and the stories of its inhabitants.

With guest appearances by novelist, playwright and filmmaker Wu Nien-jen (吳念真), theater veterans Deng An-ning (鄧安寧) and Yang Li-ying (楊麗音), TV personality Hsu Hsiao-shun (許效舜), musician Kimbo Hu (胡德夫) and others, the film is centered on a hearing-impaired college student named Ming-hsiang and the people and their stories he encounters during his seven-day, round-the-island bike trip. He travels through the scenic seaside landscape in Hulien (花蓮) and along the western coastal highway, passes through the Matsu pilgrimage (媽祖遶境) and a protest by elderly female workers protesting the unannounced closure of the factory in which they had worked for lifetime. The film takes audiences deep into the corners of the country and presents intimate portraits of people from different cultural, social and ethnic backgrounds, all of whom have their own stories to tell.

As the writer, cinematographer and director, Chen makes a genuine effort to share his affection for the island and its people. The narrative is carried through Ming-hsiang's travels through different places, with the natural environment playing an important role and give the piece an unique rhythm and texture. In tune with the New Wave look and spirit, the travelogue ingenuously mixes history, myth, folk memories and contemporary issues of the country and its people.

Though some sections of the film seem over-produced and some less than articulate and rather dull, director Chen pulls off a human story about this diverse country. As the real-life round-the-island biker who inspired Chen to make the film said: "there is something that if you don't do it now, you will never do it for the rest of your life." Chen has certainly grasped the chance to realize his dream and has done a commendable job.

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