A biting documentary about the twilight years of Yves Saint Laurent's haute couture fashion house screened at the Berlin Film Festival on Wednesday after a court blocked its release in France.
The French designer bid a graceful "adieu" to fashion after 44 years in 2002 with a show at which Catherine Deneuve sang and other famous clients and muses wept in the front row.
Celebration by Olivier Meyrou goes behind the scenes to show a much less elegant world.
PHOTO: AFP
The designer, who is credited with putting women in tuxedos, peacoats and sheer chiffon blouses, is losing his sharp eye and depends on his helpers who treat him like a child.
Shoes don't fit, silver dresses turn out gray and the seamstresses gossip but not as much as his close associates.
The camera captures it all, including staff members conferring about which dress house model Laetitia Casta should wear "because her breasts look too big in that one."
The film includes footage of an interview with a journalist in New York in which the famously tortured Saint Laurent declares that he has decided to "be happy and to work with joy."
At a birthday lunch, Peirre Berge his former lover who ran the business side of the fashion house makes a toast in which he tells the designer and his guests that fashion has destroyed him.
After the film was completed in 2001, Berge went to court in France and managed to prevent its commercial distribution.
The documentary is screening at the 57th Berlinale, which runs until Sunday.
The festival is entering the run-up to the end of the 10-day movie marathon with competition for its top honors starting to hot up.
South Korean director Park Chan-wook's off-the-wall romantic comedy I'm a Cyborg<, But That's Ok quickly emerged as such a point of discussion at the Berlinale, which is one of the world's top three film festivals.
Set in a psychiatric hospital and starring Asian pop sensation Rain, Park's zany, if at times almost baffling movie tells the story of a love affair between two inmates, one of whom thinks she is a human robot or cyborg.
But as the festival enters its final days, the favorites are staring to line up for the festival's coveted Golden Bear.
This includes Irina Palm, with Marianne Faithfull, a tragic comedy from Belgian director Sam Garbarski, about a middle-class London grandmother, Maggie, who is forced to take a job giving clients anonymous hand jobs to help pay her sick grandson's medical bills.
Also proving popular among those attending the Berlinale has been American actor-turned-director Robert De Niro's The Good Shepherd, which tells a John Le Carre-style story about the early days of the US Central Intelligence Agency.
Starring Matt Damon and Angelina Jolie, the sometimes slow-moving film focuses on how a young agent essentially sacrifices his family and private life for the sake of his CIA work.
A total of 22 films have been competing at the 2006 Berlinale for the festival's Golden and Silver Bears. The jury is to announce the award winners tomorrow.
Away from awards news, Legendary Godfather director Francis Ford Coppola is to make his second film in a year following a decade-long absence from the big screen. Coppola's last directed feature was the 1997 The Rainmaker.
The Oscar-winning maker of Apocalypse Now, who has recently completed Youth Without Youth, an adaptation of a novel by Romanian philosopher Mircea Eliade, is to direct Tetro, a drama about an Argentinian family.
The film will feature Matt Dillon in the lead role, movie industry daily Variety said.
Damon could team up on screen again with Mark Wahlberg for a biopic based on the life of former world champion boxer Micky Ward.
Wahlberg and Damon are being lined up to play the roles of Ward and his trainer half-brother Dicky, a boxer-turned-trainer who rebuilt his life after problems with drugs, Variety reported.
Massachusetts-born Ward, a former World Boxing Union lightweight champion, retired in 2003 following the third and final installment of a trilogy of bruising battles against Canada's Arturo Gatti.
The last movie made by stripper-turned-celebrity Anna Nicole Smith, a sci-fi comedy titled Illegal Aliens, will be released on DVD in May, its distributor said.
The film stars Smith, who died last week in Florida, as one of three aliens who transform themselves into "super-hot babes and arrive to protect the Earth from intergalactic forces of evil," according to press materials from MTI Home Video, which will distribute the movie.
MTI spokesman Ed Baran described Illegal Aliens, which is unrated, as a low-budget, deliberately "high-camp" production in which Smith lampoons her own ditsy sex-bomb image.
No release is planned for movie theaters, Baran said.
A trailer, posted on the Web site of the production company, Edgewood Studios (www.edgewoodstudios.com), shows Smith's character, Lucy, shouting, "Nobody sticks a missile in Lucy's butt and gets away with it!"
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby