Hilary Duff is a real doll. A real Barbie doll.
Duff is the latest Hollywood star to take on 30cm proportions as the world's most popular fashion doll. She joins other famous (doll) faces such as Reese Witherspoon, Beyonce Knowles and Lucille Ball.
The Red Carpet Glam Hilary Duff Doll, which shows the 19-year-old's likeness in a polka-dot dress with a red satin sash, hits stores this month.
Duff, a singer, actress and fashion designer best known for playing TV's Lizzie McGuire, has also designed clothes for Barbie.
The iconic blonde doll and the young Hollywood beauty are "great role models to girls and the perfect design duo," Jamie Wood, Mattel's vice president of Barbie marketing, said in a statement.
"Not only are they two of the most stylish entertainers, actors and fashion designers, but they also show girls there are no limits to what they can do."
One pop star who will not be getting his own doll any time soon is Michael Jackson, who is now suing his former accountants, claiming they made unauthorized business deals while charging the entertainer millions of dollars.
The erstwhile "King of Pop" and his production company on Thursday filed a lawsuit in the Los Angeles Superior Court against the company Bernstein, Fox, Whitman, Goldman and Sloan, claiming negligence and breach of fiduciary duty.
Jackson is seeking unspecified damages and demanding a thorough audit of money paid to the company for services provided.
The lawsuit alleges the company entered into contracts on Jackson's behalf without his approval.
It also claimed the accountants did not keep Jackson properly informed of his financial affairs. Representatives of the accounting firm were not immediately available for comment.
Earlier this year Jackson's spokeswoman Raymone Bain said she suspected the singer's associates and business advisers of conspiring against him.
"Mr. Jackson is neither shocked nor surprised by these revelations," Bain said in an Aug. 7 statement.
"He has long been suspicious that some of those whom he entrusted to act on his behalf, and to advise him with respect to his personal and business affairs, may not have always acted in his best interest," Bain said.
Jackson's chief attorneys quit in August after accusing the singer of missing payments.
In April, the New York Times and Los Angeles Times reported that Jackson had incurred debts of US$270 million.
The papers wrote that Jackson was trying to stay afloat by offering Sony rights to shares of his profitable music copyrights catalogue, which also includes Beatles songs.
Jackson is struggling to rebuild his career since his acquittal on child molestation charges last year.
While the Gloved One has seen no end of trouble recently, things keep getting better for U2 frontman Bono.
The singer has been awarded an honorary knighthood by the British queen, the UK embassy in Dublin said Saturday.
The 46-year-old Irishman — whose real name is Paul Hewson — was granted the honor for "his services to the music industry and for his humanitarian work."
Bono will receive the honor in Dublin from the UK ambassador to Ireland early next year. But the singer will not be known as Sir Bono — the title is reserved for British citizens.
The singer has campaigned for the canceling of Third World debt and increased aid to developing countries.
UK Prime Minister Tony Blair congratulated the singer on his knighthood, saying: "You have tirelessly used your voice to speak up for Africa."
And Pottermania is back, as UK author J.K. Rowling revealed on Thursday that the long-awaited seventh and final book in her wizard saga will be called Harry Potter and the Deathly Hallows.
Fans of the series that has already sold an estimated 300 million copies worldwide were kept guessing with the publication date not set — although that did not stop one US bookseller from starting to take reservations.
Since its launch in 2014, the Taiwan Season has increasingly become a “must-see” at the Edinburgh Festival Fringe. So, when this year’s three-week Fringe became an early casualty of the COVID-19 coronavirus pandemic, Chen Pin-chuan (陳斌全) was determined that the Taiwan Season must continue in some form. Chen, director of the Cultural Division of the Taipei Representative Office in the UK, says that he and Taiwan Season curator and producer Yeh Jih-wen (葉紀紋) had been thinking of ways of growing and adding value to the season anyway. The crisis and the cancellation of the live performances brought those ideas forward as
The 22nd Taipei Arts Festival (臺北藝術節) opens tonight with three productions, a slightly scaled-down pandemic version that seeks to keep its tradition of big ideas, challenging programs and international connections alive and moving forward in an increasingly uncertain world. The theme of this year’s festival is “Super@#S%?” — as good a term as any when descriptives and superlatives seem not only inadequate, but somewhat irrelevant in a world where so many people cannot imagine being able to return to theaters, either as performers or audience members — they are too worried about having a job and their health. Technically, however, it is
Shuanglianpi (雙連埤) is both a Hakka outpost and a place of great ecological interest. The conjoined body of water from which it gets its name is the centerpiece of the 17.16-hectare Shuanglianpi Wildlife Refuge (雙連埤野生動物保護區). No waterways of significance fill or drain this scenic lake in Yilan County’s Yuanshan Township (員山鄉). During the 1895 to 1945 period of Japanese rule, the colonial authorities — struggling to secure Taiwan’s foothills — encouraged Han people to settle in areas adjacent to indigenous communities. Around 1910, a 49-year-old Hakka pioneer called Tsou Cheng-sheng (鄒成生) from what’s now Taoyuan decided to begin farming at
Wild Sparrow (野雀之詩) is simple and extremely slow paced, told through the eyes of Han (Kao Yu-hsia, 高於夏), an introspective, shy grade schooler who lives with his great-grandmother in the verdant countryside. Han has a fascination with sparrows, which are either flying high in the sky or trapped in cages and nets, providing a constant metaphor throughout the film. In the most ironic scene, a man catches the birds just to charge people to set them free again, taking advantage of Buddhists who engage in the ritual of “releasing” animals from captivity. Han takes a badly injured sparrow home and