Although the birth of Angelina Jolie's and Brad Pitt's new baby girl may be regarded as one of the biggest celebrity news items of the century by Western media,Chinese diva Faye Wang (王菲) took some of the limelight last week, giving birth to her second daughter on the same day. Wang's husband Li Ya-peng (李亞鵬) shed tears of delight at the sight of child, who weighed 4kg, a big child by Asian standards.
You would have thought that this would bring an end to the two-week stake out by Chinese-language media, who wouldn't let Wang out of their sight in the lead up to the birth. Hong Kong media estimated that the total cost of following the star day and night was around NT$4 million. But there is no rest for the paparazzi, who are in an all out race to take the first photo of the baby, a money shot worth NT$2 million. This is small potatoes compared to the NT$160 million which the photo of Jolie's baby fetched.
As for the future Wang's plans: to become the contracted star at Li's agency firm and work at giving him a son.
On the international scene, Taiwan's biggest-budget horror flick, Silk (
Love seemed to have been in the air at Cannes. Thailand-born, Hong Kong-based director Oxide Pang (彭順) was in high-spirits at the showing of his new horror flick, Re-cycle (鬼域), and opened his heart to the press about his romance with the film's leading actress, Angelica Lee (李心潔). "When I saw her for the first time, I knew she was mine," Pang said. Through reporters, he even proposed marriage, but Lee played cute saying "I'm not hearing you."
Local celebrities are now gearing up for the 17th Golden Melody Awards (金曲獎), Taiwan's equivalent of the US Grammies, which is ready to roll on June 10 at the Taipei Arena (台北巨蛋). The Internet is already buzzing with predictions as who will take away the big prizes at Taiwan's most important musical event, which will be attended by some of Asia's hottest musicians. Yet one can easily detect some friction in the heated discussion over this year's less than star-studded nomination list. The Double J pair of Jay Chou (周杰倫) and Jolin Tsai (蔡依林) are notably absent.
With significantly fewer consistent hit-song singers among the nominations, some people have questioned the jury members' expertise, suggesting that if the top-ten teen crowd is not catered to, nobody will pay much attention to the Golden Melody event. Others have praised the judges for sticking to principles and not bowing to popular taste.
Whatever the reasons, the pop idols have been squeezed out by the alternative crowd.
The biggest surprise is Best Male Singer nominee Puyuma folk singer Kimbo, also known as Hu De-fu (
Previously ignored by the Golden Melody, ABT R&B musician David Tao (陶吉吉) finds justice with the album The Great Leap Forward 2005 (太平盛世), which earned him six nominations in the Best Male Singer, Best Album and Best Song categories. To the dismay of many, Wang Lee-hom's (王力宏) Heroes of Earth, one of last year's best selling record, only earned him a single nomination for Best Male Singer, and with critics saying that his new album offers little that is different from his previous work, he is not favored for the prize.
According to an ongoing online poll at the official Golden Melody Awards Web site, it is the lesser known musician Ken Wu (
As for the female leads, Malaysia-born folk rock singer Penny Tai (
Taiwan alt-rock godfather Wu Bai (
Oct. 27 to Nov. 2 Over a breakfast of soymilk and fried dough costing less than NT$400, seven officials and engineers agreed on a NT$400 million plan — unaware that it would mark the beginning of Taiwan’s semiconductor empire. It was a cold February morning in 1974. Gathered at the unassuming shop were Economics minister Sun Yun-hsuan (孫運璿), director-general of Transportation and Communications Kao Yu-shu (高玉樹), Industrial Technology Research Institute (ITRI) president Wang Chao-chen (王兆振), Telecommunications Laboratories director Kang Pao-huang (康寶煌), Executive Yuan secretary-general Fei Hua (費驊), director-general of Telecommunications Fang Hsien-chi (方賢齊) and Radio Corporation of America (RCA) Laboratories director Pan
The classic warmth of a good old-fashioned izakaya beckons you in, all cozy nooks and dark wood finishes, as tables order a third round and waiters sling tapas-sized bites and assorted — sometimes unidentifiable — skewered meats. But there’s a romantic hush about this Ximending (西門町) hotspot, with cocktails savored, plating elegant and never rushed and daters and diners lit by candlelight and chandelier. Each chair is mismatched and the assorted tables appear to be the fanciest picks from a nearby flea market. A naked sewing mannequin stands in a dimly lit corner, adorned with antique mirrors and draped foliage
The consensus on the Chinese Nationalist Party (KMT) chair race is that Cheng Li-wun (鄭麗文) ran a populist, ideological back-to-basics campaign and soundly defeated former Taipei mayor Hau Lung-bin (郝龍斌), the candidate backed by the big institutional players. Cheng tapped into a wave of popular enthusiasm within the KMT, while the institutional players’ get-out-the-vote abilities fell flat, suggesting their power has weakened significantly. Yet, a closer look at the race paints a more complicated picture, raising questions about some analysts’ conclusions, including my own. TURNOUT Here is a surprising statistic: Turnout was 130,678, or 39.46 percent of the 331,145 eligible party
The election of Cheng Li-wun (鄭麗文) as chair of the Chinese Nationalist Party (KMT) marked a triumphant return of pride in the “Chinese” in the party name. Cheng wants Taiwanese to be proud to call themselves Chinese again. The unambiguous winner was a return to the KMT ideology that formed in the early 2000s under then chairman Lien Chan (連戰) and president Ma Ying-jeou (馬英九) put into practice as far as he could, until ultimately thwarted by hundreds of thousands of protestors thronging the streets in what became known as the Sunflower movement in 2014. Cheng is an unambiguous Chinese ethnonationalist,
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