Although the birth of Angelina Jolie's and Brad Pitt's new baby girl may be regarded as one of the biggest celebrity news items of the century by Western media,Chinese diva Faye Wang (王菲) took some of the limelight last week, giving birth to her second daughter on the same day. Wang's husband Li Ya-peng (李亞鵬) shed tears of delight at the sight of child, who weighed 4kg, a big child by Asian standards.
You would have thought that this would bring an end to the two-week stake out by Chinese-language media, who wouldn't let Wang out of their sight in the lead up to the birth. Hong Kong media estimated that the total cost of following the star day and night was around NT$4 million. But there is no rest for the paparazzi, who are in an all out race to take the first photo of the baby, a money shot worth NT$2 million. This is small potatoes compared to the NT$160 million which the photo of Jolie's baby fetched.
As for the future Wang's plans: to become the contracted star at Li's agency firm and work at giving him a son.
On the international scene, Taiwan's biggest-budget horror flick, Silk (
Love seemed to have been in the air at Cannes. Thailand-born, Hong Kong-based director Oxide Pang (彭順) was in high-spirits at the showing of his new horror flick, Re-cycle (鬼域), and opened his heart to the press about his romance with the film's leading actress, Angelica Lee (李心潔). "When I saw her for the first time, I knew she was mine," Pang said. Through reporters, he even proposed marriage, but Lee played cute saying "I'm not hearing you."
Local celebrities are now gearing up for the 17th Golden Melody Awards (金曲獎), Taiwan's equivalent of the US Grammies, which is ready to roll on June 10 at the Taipei Arena (台北巨蛋). The Internet is already buzzing with predictions as who will take away the big prizes at Taiwan's most important musical event, which will be attended by some of Asia's hottest musicians. Yet one can easily detect some friction in the heated discussion over this year's less than star-studded nomination list. The Double J pair of Jay Chou (周杰倫) and Jolin Tsai (蔡依林) are notably absent.
With significantly fewer consistent hit-song singers among the nominations, some people have questioned the jury members' expertise, suggesting that if the top-ten teen crowd is not catered to, nobody will pay much attention to the Golden Melody event. Others have praised the judges for sticking to principles and not bowing to popular taste.
Whatever the reasons, the pop idols have been squeezed out by the alternative crowd.
The biggest surprise is Best Male Singer nominee Puyuma folk singer Kimbo, also known as Hu De-fu (
Previously ignored by the Golden Melody, ABT R&B musician David Tao (陶吉吉) finds justice with the album The Great Leap Forward 2005 (太平盛世), which earned him six nominations in the Best Male Singer, Best Album and Best Song categories. To the dismay of many, Wang Lee-hom's (王力宏) Heroes of Earth, one of last year's best selling record, only earned him a single nomination for Best Male Singer, and with critics saying that his new album offers little that is different from his previous work, he is not favored for the prize.
According to an ongoing online poll at the official Golden Melody Awards Web site, it is the lesser known musician Ken Wu (
As for the female leads, Malaysia-born folk rock singer Penny Tai (
Taiwan alt-rock godfather Wu Bai (
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
Desperate dads meet in car parks to exchange packets; exhausted parents slip it into their kids’ drinks; families wait months for prescriptions buy it “off label.” But is it worth the risk? “The first time I gave him a gummy, I thought, ‘Oh my God, have I killed him?’ He just passed out in front of the TV. That never happens.” Jen remembers giving her son, David, six, melatonin to help him sleep. She got them from a friend, a pediatrician who gave them to her own child. “It was sort of hilarious. She had half a tub of gummies,
The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping
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