Last February, in the marble lobby of a midtown Manhattan hotel, there was a moment that seemed to sum up the whole concept of celebrity fashion designers. As photographers shoved each other with their oversized lenses, and gossip journalists shouted out questions, the designer Todd Smith, better known as LL Cool J, stood in the center of the throng, diamond stud in ear. Bored-looking models lounged around the room, the boys in crocodile jackets, the girls in tiny dresses, ignored by everyone.
What made LL Cool J think he could be a fashion designer? "I have the sensibility -- I am sensitive to pop culture," came the answer. So he designed his collection all by himself? A momentary beat. "I didn't have total input, but I was the one inspiring it." And off he was swept by his fearsome battalion of PRs and security men.
All in all, an experience pretty much on a par with the shows held in New York by P Diddy (brown suede hotpants) and Jennifer Lopez (fur-trimmed ponchos) in previous seasons. Such is the world of celebrity fashion shows: pushy PRs, perfunctory involvement by the celebrities and very poor clothes.
But across town, a smaller, quieter show suggested this trend was being bucked. In the house of actress/model Milla Jovovich, models strolled around cheerfully wearing clothes that were -- goodness! -- really, really good.
For the second full collection of her label Jovovich-Hawk, which she designs with fellow former model Carmen Hawk, the inspiration was "strong women," meaning that it was almost certainly the only show of the season that featured the words "Gertie Stein" on its press release and cited Katharine (as opposed to the more usual, and far less interesting, Audrey) Hepburn as inspiration. There were elegant patterned blouses, vintage-style tunics and impressively well-cut trousers -- all very cool but grown-up, pretty but modest, and with nary a crocodile jacket to be seen.
Sitting in a London hotel, laughing at one another's jokes and chattering away in their endearing Bill and Ted accents ("Totally dude"), Jovovich and Hawk are still shocked that what started as an afternoon hobby in each other's bedrooms four years ago is now about to be stocked in Harvey Nichols, "which is, like, insane," Jovovich practically yelps.
But despite the girlish breathiness, both women clearly take the job very seriously, and are in charge of everything from manufacturing to distribution, and only realized that they could hire others to help them last year. For one of their first collections, they sewed the clothes themselves in their bedrooms.
Jovovich and Hawk met more than 13 years ago and are now best friends, finishing each other's sentences and stealing Marlboro Lights off each other. With two models as designers and the frequent references to "vintage inspiration," one might assume that these are clothes for a small (in both number and physical shape) coterie. But both women, who are in their early 30s, are adamant that they are for all ages and sizes, even using Jovovich's mother as a size model.
"For us, it's about strong women or making women feel strong," says Jovovich, who is very pretty with a warm face. "When I first met Carmen, what I liked about her was that she was a strong but still feminine woman, and that she didn't have to show she was strong by wearing baggy jeans or whatever, like I was doing. But also, I look around America and there are so many girls who feel they have to walk around half-naked to attract men and we're just trying to say: Do you really have to do that? And would you really want to attract those kinds of men anyway?"
To say that Jovovich-Hawk is by far the best celebrity fashion range has more than a touch of the faint praise about it. But things are changing, now that celebrities are finally realizing that putting their name to a bunch of velour tracksuits (J-Lo by Jennifer Lopez) does no one's career any good.
There's Gwen Stefani's label, L.A.M.B, which the pop star not only seems to wear every day -- a sign of faith I've never seen Paris Hilton demonstrate with the Barbie-lite clothes she puts her name to -- but named her recent album after.
But Jovovich-Hawk has been the real surprise success. It was described in the New York Times this year as a fashion label, with no deflating celebrity prefix, and the press and buyers have been almost universally supportive. "We were so on the defensive," says Hawk, "waiting for people just to go, `Yeah, right, whatever.'" Jovovich would have been accustomed to this scepticism: ever since she began her career as a child, alternating between modelling, acting and singing, she has been accused of being a celebrity dilettante. But here, the proof was in the very good product.
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
This month the government ordered a one-year block of Xiaohongshu (小紅書) or Rednote, a Chinese social media platform with more than 3 million users in Taiwan. The government pointed to widespread fraud activity on the platform, along with cybersecurity failures. Officials said that they had reached out to the company and asked it to change. However, they received no response. The pro-China parties, the Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP), immediately swung into action, denouncing the ban as an attack on free speech. This “free speech” claim was then echoed by the People’s Republic of China (PRC),
Many people in Taiwan first learned about universal basic income (UBI) — the idea that the government should provide regular, no-strings-attached payments to each citizen — in 2019. While seeking the Democratic nomination for the 2020 US presidential election, Andrew Yang, a politician of Taiwanese descent, said that, if elected, he’d institute a UBI of US$1,000 per month to “get the economic boot off of people’s throats, allowing them to lift their heads up, breathe, and get excited for the future.” His campaign petered out, but the concept of UBI hasn’t gone away. Throughout the industrialized world, there are fears that
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on