Wed, Apr 26, 2006 - Page 13 News List

The quintessential Hakka village

Meinung is regarded as the town most representative of all that is Hakka, but it also has plenty of other attractions for the tourist or cultural enthusiast

By Wu Meng-fang and Max Hirsch  /  STAFF REPORTERS

Meinung is rich in cultural performances, handicrafts, Hakka traditions and architecture.

PHOTOS: WU MENG-FANG, TAIPEI TIMES

Surrounded by mountains, with lakes and babbling brooks to boot, Meinung (美濃) is the ideal getaway spot. The Hakka town boasts more than just scenic beauty -- the hardworking, familial spirit of traditional Hakka culture also imbues Meinung with oodles of charm.

The heart of Meinung's traditional Hakka culture is concentrated on the town's main street, Yungan Road (永安路). One end of the storied street is home to the funereal pogung (伯公) altars. A stroll in the direction of Ching Tzi Ting (敬字亭), the mini-pagodas dedicated to the pursuit of scholarly excellence, will take you past the East Gate (東門樓), once Meinung's first line of defense against marauders. Traditional courtyard-style homes line the street, including the old home of Lin Chun-yu (王春雨), Meinung's famed tobacco tycoon.

Bicycling is an excellent way to take in Meinung's sights. Seven paths, each color coded, are currently open to cyclists. The red line is devoted to cultural relics, the green line has a literary theme, and the blue line offers charming views of the irrigation canals that crisscross the landscape. The far-off silhouettes of mountains, the expanse of rice paddies, and the inverted, watery reflections of Chungcheng Lake (中正湖) have enchanted travelers for years. The delicious Hakka cuisine keeps visitors coming back.

Blue Hakka tunics

Blue tunics are a Hakka cultural mainstay. In the past, most Hakka women donned the baggy, loose blouse. The tunics were worn until they became dog-eared and tattered, and only then would new ones be bought -- a testament to the Hakka work ethic and their thriftiness. The versatility of the traditional tunic also extended to when one could wear it -- always. Loose-fitting and practical, the tunic was appropriate in both formal and informal circumstances, and comfortable in all seasons.

Of course, the popularity of the tunic has faded: Now Meinung residents rarely wear it, save for at Hakka cultural performances and other special occasions. As a result, Hakka tunic shops have all but disappeared. However, one shop still holds tenaciously to tradition, with its old-style tailoring services and handmade tunics. The Chinhsing Blue Tunic shop (錦興藍衫店) on Yongan Street is the last of its kind. Hsieh Ching-lai (謝景來), a spry nonagenarian, is still behind the scissors in his shop after more than 70 years of fashioning tunics. He was apprenticed at 17 and launched his own tunic-making business in his 20s. At the height of his business, Hsieh taught his trade to over 200 students. Later, however, the rising popularity of Western fashions affected the blue Hakka tunic industry. Although the tunics are not fancy, they are meticulously made and are high quality.

■ Price: NT$2000 per tunic

■ Can be custom-made in about two weeks

■ Chinhsing Blue Tunic Shop telephone: (07) 681 1191

Oilpaper umbrellas

Some folks believe that umbrellas make unlucky gifts. In Meinung, however, umbrellas are elegant, auspicious objects. Oilpaper umbrellas are Meinung's specialty. Moreover, a play on words makes these paper parasols especially propitious. The Chinese words for "paper" () and "son" () have similar pronunciations ("zhi" for paper; "zi" for son), and traditional Hakka families are considered very blessed if they count a promising son or two among their members.

Hakka oilpaper umbrellas were once practical necessities. Now, such parasols are considered more decorative than useful; nevertheless, they remain popular as mementos of trips to Meinung. Although the umbrellas are fashioned from simple materials like cotton paper, bamboo and twine, the production process is complicated. The bamboo is first boiled in water to leech the sugar from its core, after which it is cut into strips that are to be the umbrella's spokes. Once the spokes are attached to the shaft of the umbrella, concentric circles of twine are added. Then, the cotton paper is fastened to the umbrella's "skeleton." The paper is then decorated with colorful illustrations of natural landscapes, mythical creatures, or other traditional images. Finally, the umbrella is varnished and set out in the sun to dry.

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