S.H.E.
Once Upon a Time(不想長大)
HiM
Having spent the past several months making their acting debuts in the hugely popular ETTV (東森) drama series Reaching for the Stars (真命天女), one of Taiwan's most talked about all girl combos, S.H.E returned to record store shelves this week with a new album entitled Once Upon a Time (不想長大).
Since the trio made its musical debut in 2001 with Girl Friend, Girl Dormitory (
Much of the material is predictable and mundane and unless you happen to be a long time fan of S.H.E. then the album could make you uncomfortable. It should be pointed out, however, that unlike some other well known local female acts, S.H.E can hold a tune.
The highlight of the album is the tune Sharpshooter (神槍手). By mixing basic Mando-pop with traces of nakashi and throwing in an Ennio Morricone spaghetti western-like theme in for good measure, S.H.E has managed to come up with a genuinely unique sound that is comical and entertaining.
Jeff and Machi (黃立成 & 麻吉)
Superman (超人)
Warner
Ex-LA Boy Jeff Huang (
The group has become one of Taiwan's hottest hip-hop acts and its third album, Superman (
If you not a fan of hip-hop then this album is best avoided as, unlike previous releases, where the combo kept it fresh by mixing it up with differing styles, Superman is unadulterated, in-your-face hip-hop. It could be one of the best locally produced Mando-hip-hop albums of the year.
In addition to the Jeff and Machi material, local turntable guru DJ Tommy also gets in on the act with the brilliant Super Machi Remix, which sees the popular DJ getting creative with a whole bunch of Machi material.
With the exception of the DJ Tommy remix the album's other highlight comes when Jeff and Machi veer away from generic North American-like hip-hop and get creative with a more localized sound. While I Love Chou Hsing Hsing (我愛周星星) is certainly not the best "East meets West" musical coupling of all times it does have a catchy tune.
Gou Wei (茍偉)
The Further You Fall the Deeper You Get (越陷越深)
Univresal
OK, so Gou Wei (
The album kicks in with a funky piece of hip-hop that gradually morphs into Mando-pop and then transforms itself into a guitar driven piece of Mando-rock entitled My Style My Show (
Along with his solo material the album also sees the chubby un-pop star like Gou Wei teaming up with Taiwan's Power Station (
Without Turning a Hair (
Kou Chou-ching (拷秋勤)
Taiwan Traditional Music Style (復刻)
Design Fascination
If you're fed up with local acts that lamely attempt to sound like they come from a North American ghetto, then Kou Chou-ching's (
Aptly titled Taiwan Traditional Music Style (
If it sounds a bit odd then you'd be right as the material is so far removed from any and all other types of localized rap that it actually takes some getting used to. Listen to it once and you'll hate it, give it another listen after you've had time to digest what you heard the first time around, however, and you'll be pleasantly surprised.
Kou Chou-ching employs a host of earthy local musical styles, such as nakashi, classical opera and temple music, as well as recording several of the tracks in a gnarly KTV manner. Vocally the combo waxes lyrical, albeit it in a tongue-in-cheek manner, about everything from noodles to red envelopes Sure, not all the tunes are musically pleasing, especially when the group dabbles with instrumentation more commonly associated with funerals, but if your eardrums can withstand the nanguan and cringingly kitsch call-in KTV radio moments then it's well worth it.
The breakwater stretches out to sea from the sprawling Kaohsiung port in southern Taiwan. Normally, it’s crowded with massive tankers ferrying liquefied natural gas from Qatar to be stored in the bulbous white tanks that dot the shoreline. These are not normal times, though, and not a single shipment from Qatar has docked at the Yongan terminal since early March after the Strait of Hormuz was shuttered. The suspension has provided a realistic preview of a potential Chinese blockade, a move that would throttle an economy anchored by the world’s most advanced and power-hungry semiconductor industry. It is a stark reminder of
May 11 to May 17 Traversing the southern slopes of the Yushan Range in 1931, Japanese naturalist Tadao Kano knew he was approaching the last swath of Taiwan still beyond colonial control. The “vast, unknown territory,” protected by the “fierce” Bunun headman Dahu Ali, was “filled with an utterly endless jungle that choked the mountains and valleys,” Kano wrote. He noted how the group had “refused to submit to the measures of our authorities and entrenched themselves deep in these mountains … living a free existence spent chasing deer in the morning and seeking serow in the evening,” even describing them as
The last couple of weeks spectators in Taiwan and abroad have been treated to a remarkable display of infighting in the Chinese Nationalist Party (KMT) over the supplementary defense budget. The party has split into two camps, one supporting an NT$800 billion special defense budget and one supporting an NT$380 billion budget with additional funding contingent on receiving letters of acceptance (LOA) from the US. Recent media reports have said that the Taiwan People’s Party (TPP) is leaning toward the latter position. President William Lai (賴清德) has proposed NT$1.25 trillion for purchases of US arms and for development of domestic weapons
As a different column was being written, the big news dropped that Chinese Nationalist Party (KMT) caucus whip Fu Kun-chi (傅?萁) announced that negotiations within his caucus, with legislative speaker Han Kuo-yu (韓國瑜) of the KMT, party Chair Cheng Li-wun (鄭麗文), Taichung Mayor Lu Shiow-yen (盧秀燕) and Taiwan People’s Party (TPP) Chair Huang Kuo-chang (黃國昌) had produced a compromise special military budget proposal. On Thursday morning, prior to meeting with Cheng over a lunch of beef noodles, Lu reiterated her support for a budget of NT$800 or NT$900 billion — but refused to comment after the meeting. Right after Fu’s