After the Taipei Golden Horse International Film Festival wrapped up this week, this year's film festival season will enjoy another boost with the arrival of the Latino American Film Festival (拉丁美洲影展).
Featuring 24 movies from across the continent, the festival opens up a window for audiences to see different aspects of Latin America other than Argentina's tango or Brazil's football team.
The festival, which started yesterday, will run to the new year and will stop off at four venues nationwide: SPOT -- Taipei Film House
As festival programmer Chang Chu-ti (
Arturo Ripstein, the director in focus, was born in Mexico City in 1943. Ripstein started his film career at the age of 19, working as an assistant director for Luis Bunuel on The Exterminating Angel (1962). In many of his films, the director explores the solitude of the human soul with a surrealistic bent, an aesthetic approach that has earned him a name as the successor of Bunuel, the cinema master of surrealism.
Adapted from the screenplay by Gabriel Garcia Marquez and Carlos Fuentes, Ripstein's directorial debut, Time to Die, initiated the director's long-term collaboration with the Latin American authors. The Realm of Fortune is based on Mexico writer Juan Rulfo's story about a poor peasant who gains wealth by raising gamecocks and loses his fortune when life takes an unexpected turn.
Devine presents the story of a teenage girl named Tomasa who is chosen to give birth to the New Messiah by the leader of the New Jerusalem cult. Unable to handle the power and pressure, Tomasa declares herself the Whore of Babylon and makes male followers have sex with her.
The Ruination of Men tells a bizarre tale that begins with two peasants murdering a man who has two wives. After taking the body home, the murderers find themselves trapped in an eerie situation in which the dead man's wives refuse to share their deceased husband and fight over the corpse.
The program "Nouvelle Vague of Latino Cinema" introduces a bevy of talented filmmakers who strive to combat the cultural hegemony of Hollywood.
Movie, Aspirin and Vultures follows two men, a German and a Brazilian, who travel through the backside in Brazil. They show a film to the locals, who have never seen cinema before, in an attempt to convince the peasants that the medicine they are hawking is the real deal.
Lost Embrace deals with the issues of immigration and identity. Set in the capital of Argentina where many young people want to find their ancestors' roots and obtain a foreign passport, the character Ariel wants to go back to Poland and to discover why his father abandoned the family to fight a war in Israel.
For those who have missed the cream of Latino cinema in recent years, the festival also offers a chance to review selected works on the big screen. Buena Vista Social Club and Musica Cubana trace the history of Cuban music and put the legendary musicians in the international spotlight. The Motorcycle Diaries by Walter Salles follows the road trip through South America made by a young Che Guevara who is later inspired to become a revolutionary. City of God is a well regarded violent gang flick that made Brazilian director Fernando Meirelles internationally famous overnight.
RSS