Ellen DeGeneres is to awards shows what Jon Stewart is to political satire -- better at it than most. Standing out among all the flowing chiffon and plunging decolletage in a black tuxedo and black silk shirt, DeGeneres quickly and matter-of-factly acknowledged the victims of Hurricane Katrina, and then put that tragedy on hold for the evening. Noting that she had been the host of the show in 2001, which was delayed twice after Sept. 11, she paused and added, "Be sure to look for me next month when I host the North Korean People's Choice Awards."
Altruism and self-celebration are never a good mix, and almost always fatal at a Hollywood awards show, and DeGeneres wisely chose to keep the show lighthearted. Even the moment when Tyler James Williams, the young star of Everybody Hates Chris, introduced a boy who was left homeless by Hurricane Katrina was sweet, but not maudlin.
It was not the most electrifying Emmy Awards night, but much of it was brisk and good-humored, like its emcee. Not that DeGeneres lacks a mean streak. "Not winning does not mean you are a bad person," she said in her opening monologue: "It just means you're not a good actor."
It was a pretty tame evening, however. The closest thing to controversy was Blythe Danner stretching her time limit to make an anti-war statement. She paid tribute to "our kids in Iraq." As the music swelled in warning for her to get off the stage, Danner hurriedly added, "Let's get them the heck out of there."
There were few other unscripted moments, and nothing that came close to Kanye West's impromptu "George Bush doesn't care about black people" outburst on NBC's recent hurricane relief telethon. In a skit, Stewart poked fun at NBC's decision to edit West's remarks for the West Coast broadcast, but that was balanced by the actor Charles Dutton, who almost seemed to be rebutting West in his taped Emmy remembrance segment, recalling that he won his first award at a prison talent show. "America works," he said.
There were lots of African-Americans on stage and in the audience, and S. Epatha Merkerson was touchingly nervous when she accepted her award for best actress for the HBO mini-series Lackawanna Blues and admitted she dropped her notes down the bodice of her gown. But Hollywood looks a lot less multicultural behind the camera.
When the horde of white, male writers of The Daily Show With Jon Stewart gathered onstage in black tie to accept their award, they almost looked like a mock tableau of the past -- the Whiffenpoofs, circa 1961. Stewart joked about it, bragging that his staff members were only "80 percent Ivy League-educated Jews."
The memorial tribute Tom Brokaw and Dan Rather paid to their former rival, Peter Jennings, who died of lung cancer this summer, was well handled and touching. But Rather, who resigned this year after a flawed 60 Minutes report, looked sadly diminished next to Brokaw, who retired on a higher note.
It made sense to have CBS' David Letterman honor the late Johnny Carson because he had a far closer friendship with him than Carson's replacement on NBC, Jay Leno. But Letterman was surprisingly stiff in describing Carson's comic legacy.
Humor on these kinds of shows is not very dangerous these days. Nor are the Emmy Awards a place to go for daring fashion statements anymore. Almost all the women, from the cast of Desperate Housewives to Mariska Hargitay of Law & Order: SVU, wore tight, shiny dresses and tight, shiny foreheads -- they looked less like actresses than members of a new, genetically altered cult: Nicole Kidmanites.
That meant that the red-carpet arrival ceremony was not very exciting either, even though this year the E! channel decided to add some vinegar to the cloyingly saccharine questions of Star Jones with sharper-tongued co-hosts, including Carson Kressley of Queer Eye for the Straight Guy and the comedian Kathy Griffin. Kressley was no Joan Rivers, but Griffin got in a few digs. When Jesse Metcalfe, the exquisitely groomed actor who plays the randy young gardener on Desperate Housewives, walked past, Griffin took note of his "pretty, pretty lady drag queen eyebrows."
And the winners are ...
DRAMAS
■ Series - Lost
■ Actor - James Spader, Boston Legal
■ Actress - Patricia Arquette, Medium
■ Supporting Actor - William Shatner, Boston Legal
■ Supporting Actresss - Blythe Danner, Huff
■ Directing - J.J. Abrams, Lost
■ Writing - David Shore, House
COMEDIES
■ Series - Everybody Loves Raymond
■ Actor - Tony Shalhoub, Monk
■ Actress - Felicity Huffman, Desperate Housewives
■ Supporting Actor - Brad Garrett, Everybody Loves Raymond
■ Supporting Actress - Doris Roberts, Everybody Loves Raymond
■ Directing - Charles McDougall, Desperate Housewives
■ Writing - Mitchell Hurwitz, Jim Vallely, Arrested Development
MINISERIES OR TV MOVIES
■ Miniseries - The Lost Prince (Masterpiece Theater)
■ TV Movie - Warm Springs
■ Actor - Geoffrey Rush, The Life and Death of Peter Sellers
■ Actress - S. Epatha Merkerson, Lackawanna Blues
■ Supporting Actor - Paul Newman, Empire Falls
■ Supporting Actress - Jane Alexander, Warm Springs
■ Directing - Stephen Hopkins, The Life and Death of Peter Sellers
■ Writing - Christopher Markus, Stephen McFeely, The Life and Death of Peter Sellers
VARIETY, MUSIC OR COMEDY PROGRAMS
■ Series - The Daily Show with Jon Stewart
■ Performance - Hugh Jackman, 58th Annual Tony Awards
■ Directing - Bucky Gunts, The Games of the 28th Olympiad
■ Writing - The Daily Show with Jon Stewart
■ Reality/Competition Program - The Amazing Race
When Taiwan was battered by storms this summer, the only crumb of comfort I could take was knowing that some advice I’d drafted several weeks earlier had been correct. Regarding the Southern Cross-Island Highway (南橫公路), a spectacular high-elevation route connecting Taiwan’s southwest with the country’s southeast, I’d written: “The precarious existence of this road cannot be overstated; those hoping to drive or ride all the way across should have a backup plan.” As this article was going to press, the middle section of the highway, between Meishankou (梅山口) in Kaohsiung and Siangyang (向陽) in Taitung County, was still closed to outsiders
President William Lai (賴清德) has championed Taiwan as an “AI Island” — an artificial intelligence (AI) hub powering the global tech economy. But without major shifts in talent, funding and strategic direction, this vision risks becoming a static fortress: indispensable, yet immobile and vulnerable. It’s time to reframe Taiwan’s ambition. Time to move from a resource-rich AI island to an AI Armada. Why change metaphors? Because choosing the right metaphor shapes both understanding and strategy. The “AI Island” frames our national ambition as a static fortress that, while valuable, is still vulnerable and reactive. Shifting our metaphor to an “AI Armada”
US President Donald Trump may have hoped for an impromptu talk with his old friend Kim Jong-un during a recent trip to Asia, but analysts say the increasingly emboldened North Korean despot had few good reasons to join the photo-op. Trump sent repeated overtures to Kim during his barnstorming tour of Asia, saying he was “100 percent” open to a meeting and even bucking decades of US policy by conceding that North Korea was “sort of a nuclear power.” But Pyongyang kept mum on the invitation, instead firing off missiles and sending its foreign minister to Russia and Belarus, with whom it
The older you get, and the more obsessed with your health, the more it feels as if life comes down to numbers: how many more years you can expect; your lean body mass; your percentage of visceral fat; how dense your bones are; how many kilos you can squat; how long you can deadhang; how often you still do it; your levels of LDL and HDL cholesterol; your resting heart rate; your overnight blood oxygen level; how quickly you can run; how many steps you do in a day; how many hours you sleep; how fast you are shrinking; how
RSS