The New Idea Theater Festival began last night at the National Theater of the CKS Memorial Hall with the first of three pieces by Taiwan's leading experimental theater troupes. Performances run tonight through June 5, in Chinese and Taiwanese.
Putting arguably the festival's best foot forward is one of Taiwan's more established experimental troupes, Golden Bough Theater (
It has given free reign to their players to script three vignettes that focus on friendship, love and death and the result is an evening of surprisingly mature and cohesive theater. This is experimental, and it works.
PHOTO: DAVID MOMPHARD, TAIPEI TIMES
Stage veteran Wu Peng-feng (
Meetai, in his scene, gives a memorable performance as a Hindu devotee who encounters a god. His musical use of Hindi overcomes what might otherwise be a language barrier.
In the decade since it was founded, Golden Bough Theater has made a name for itself by performing everywhere from formal theaters to small-town night markets throughout Taiwan. Their style is marked by a fusion of modern theater elements with traditional Taiwanese opera.
Audiences who caught Golden Bough players performing My Dinner with Shakespeare last month will recognize the troupe's preferred modus operandi in All in One; a series of scenes with a joining theme that are both far out and grounded in reality.
The coming two weekends will see another two of Taiwan's experimental troupes tread the boards. Xitian Society Musical Workshop (
2:30pm matinee on Sunday. Portrait of Love has similar showings next Thursday, May 26 through May 29 and Who is Planning a Scheme will run June 3 to June 5 at 7:30pm, with matinees on Saturday, June 4 and Sunday, June 5 at 2:30. All performances are at the Experimental Theater of the National Theater (國家戲劇院實驗劇場), 21-1, Zhongshan S Rd, Taipei (台北市中山南路21-1號). Tickets for each performance are NT$400 or NT$960 for all three and available at the CKS Cultural Center or on the Web at www.artsticket.com.tw. For more information, call (02) 3393 9888.
Jan. 5 to Jan. 11 Of the more than 3,000km of sugar railway that once criss-crossed central and southern Taiwan, just 16.1km remain in operation today. By the time Dafydd Fell began photographing the network in earnest in 1994, it was already well past its heyday. The system had been significantly cut back, leaving behind abandoned stations, rusting rolling stock and crumbling facilities. This reduction continued during the five years of his documentation, adding urgency to his task. As passenger services had already ceased by then, Fell had to wait for the sugarcane harvest season each year, which typically ran from
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