A dance company that doesn't want to be thought of as a dance company, a company that reinvents itself for each new work and thrives on making its audience feel uncomfortable, individual dancers who challenge the very definition of what it means to dance. It's hard to still be a rebel when you're almost 20 years old, but the UK-based DV8 Physical Theatre -- and its director Lloyd Newson? -- remain determined to try.
The Australian-born Newson and a group of dancers who were disillusioned with the dance world and where modern dance appeared to be going, formed DV8 in 1986. The aim was to do and be something different. By mixing dance and video -- and addressing social issues of the day -- the company aimed not just to shake up society, but hopefully change it as well.
Nowadays, groups that mix dance and other media have become commonplace. The Brussels-based dance troupe Ultima Vez and the Nederlands Dance Theater have both brought productions to Taipei that cleverly integrated video and film with choreography and had dancers who talked directly to the audience. Yet DV8 continues to set new standards and to force audiences to rethink what dance is, even if Newson himself has been quoted as saying that he is reluctant to use the term "physical theater" these days.
The company doesn't have a repertoire or corp of dancers. The company averages around eight dancers per piece, although it expanded more than 20 for its last project Can We Afford This (also known as The High Cost of Living. The dancers are hired specifically for each project.
Newson is also interested in redefining what audiences expect a dancer to be, and he certainly did with his last production, which featured a dancer without legs and a 70-year old woman.
In previous productions such as Can We Afford This, Achilles, Bound to Please and Dead Dreams of Monochrome Men, DV8 has tackled the battle for perfectionism, masculinity, AIDS, drugs, sexuality, abuse and other controversial topics.
The aim to take risks, push the boundaries, break down the barriers that separate performers from their audience and to shock people out of their complacency, and year after year, DV8 has delivered. This is, after all the company whose list of press reviews includes the line from The Scotsman: "You could have heard a pin drop were it not for the sound of air being sucked through clenched teeth."
So what can Taipei audiences expect?
In the 75-minute long Just for Show, the seven members of the company explore the importance of appearance and image in today's world through a blending of three-dimensional and two-dimensional video projections, choreography and text.
"With the three-dimensional, dancers can dance with it, be behind it, walk through it," Newson said at a press conference yesterday.
"The most important thing is that the visuals are only an element of the show. We didn't want the technology to overwhelm the show," he said.
"The theme of the show is about illusion -- what is real, what is not, what are lies, what are truths," he said.
What does it means, the company asks, to live in a world where looking good has superseded being good and where faking it has become synonymous with making it? What happens to those who don't fit in?
Newson said the issue of exclusion has been a key theme of his work.
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