Using Faust to address Taiwan's social problems may seem like quite a challenge, but that's exactly what a Japanese director plans to do in a tent theater next week.
For the past two weeks, 40 actors, musicians, lighting technicians, costume designers and a handful of Japanese structural engineers have been erecting the two-story tent that will house the stage and audience seating, off Tongan Street, near Guting MRT station.
During the day, the sawing and hammering attracts the stares of curious local residents passing by. At night, the actors take turns to sleep at the site to make sure nothing goes missing. After six performances starting on Wednesday, the tent will be taken down and the once-deserted land will be turned into a park.
PHOTOS: GRAHAM NORRIS, TAIPEI TIMES
Director Daizo Sakurai's Taiwan Faust is based, loosely, on the Johann Wolfgang Goethe story about a German who sells his soul to the devil. The drama is set in a graveyard for the countless people who pushed history forward but never became famous, whose names, Daizo says, make up a "white list."
Although he has been working on it for the past two years, Daizo was still finishing the story last week, but it appears there will be two Fausts and two Mephistopheles, and maybe some singing.
"I think Faustian people are the main element in modernization, so I would like to ask how Taiwan can deal with these kinds of people," he said at an open-air press conference while work continued on the tent in front of him.
He believes Taiwan's problems are related to the post-Cold War environment and Japan's influence from the period of colonization that ended in 1945.
"As a Japanese, I have Taiwan in my history because of the colonial period," he said.
The connection between Taiwanese people and the colonial period is the most important part of modernization here.
Daizo has been producing tent theater for more than 30 years in Japan, most recently with the Yasun no Tsuki group. In 2000, he was invited by Assignment Theater to be a co-director on a drama it was working on. He liked Taiwan so much he rented a house in Taipei County and now spends half his time there and the other half in Tokyo, where he runs a business producing crosswords for
magazines.
Even though the crew is all-volunteer, the production will still cost him more than NT$400,000, and it's unlikely he will get all the money back through ticket sales. Even so, he says he still prefers constructing unique sets for his productions because it allows him to be more creative.
"In theaters, there is a clear distinction between the actors on the stage and the audience, so imagination in theaters is confined by this relationship," he said.
The tent has been used before, but much of the set is being built from scratch, and includes a rotating stage, a tower and, according to the actors working on it, a surprise.
In a tent, the audience can decide more about what they want to happen. "They don't have to prepare anything, just make decisions," Daizo said mysteriously, adding he wanted to make people think about history to solve Taiwan's problems.
Even so he clearly doesn't want it to be too serious. "If the audience doesn't laugh 30 times, I will apologize," he said.
Performance notes:
What: Taiwan Faust
Where: Ln 109, Tongan Street, Taipei (台北市同安街109巷)
When: March 23 to March 28 at 7pm
Tickets: NT$380 in advance. (Send your name, telephone number, performance date and number of tickets to taiwanfaust2005@yahoo.com.tw, or call (02) 2367 1943, before March 21). NT$420 on the door.
And so, in the wake of US President Donald Trump’s trip to the People’s Republic of China (PRC), all the experts on the Strait of Hormuz suddenly became experts on US-China-Taiwan relations. The Internet has certainly expanded human knowledge. Lots of these sudden experts made noise this week about Trump’s words after the meeting with PRC dictator Xi Jin-ping (習近平). Trump is going to sell out Taiwan! Longtime Taiwan commentator J. Michael Cole summed the situation up neatly in the Guardian: “We need to keep in mind that he has a tendency to say many things — sometimes contradicting himself within
There is considerable frustration and confusion among many, both in Taiwan and abroad — including in Washington — as to why the Chinese Nationalist Party (KMT) seems so dead set on using their legislative leverage to slash defense spending and disrupt the ability of the ruling Democratic Progressive Party (DPP) administration to function. Are they pawns of the Chinese Communist Party (CCP)? Are they traitors? In reality, there are multiple reasons. In the first column in this series on this subject, “Donovan’s Deep Dives: How and why the TPP and KMT help Beijing” (Sat May 16, page 12), we examined three
It took 12 years and months of standing in the same mountain location for director Liang Chieh-te (梁皆得) to capture a few seconds of footage: Taiwan’s largest resident raptor locking talons with its mate and spinning through the air in a courtship ritual. With only about 1,000 left in the wild and very short flight windows, the mountain hawk-eagle remains among Taiwan’s most elusive birds. The species generally produces only one offspring per year. Using forest cameras, the film crew and research teams document the arduous process the monogamous pairs go through for the chick to hatch and grow up, weathering
May 25 to May 31 Few believed that apples could be cultivated on a commercial scale in Taiwan’s high mountains. When horticulturalist Cheng Chao-hsiung (程兆熊) first proposed the idea in 1955, both American and Taiwanese colleagues dismissed it as implausible, arguing that temperate fruit could not be reliably grown on a subtropical island, especially on rugged terrain. However, it was this terrain in the Central Mountain Range where many Chinese Civil War veterans were resettled in the late 1950s. With limited job prospects and no family in Taiwan, they were placed on cooperative farms aimed toward self-sufficiency. Some say the conditions
RSS