A special guest checked us out this week. Taiwanese movie godfather, Hou Hsiao-hsien (
After sending the sketchy information to our film expert for analysis, Pop Stop concluded that the film could be Hou's long-awaited project The Best of Our Time (
PHOTO: TAIPEI TIMES
Now back to the bitchy side of show biz. Nationally acclaimed as ``the most beautiful woman in Taiwan,'' age-resistant Stephanie Hsiao (
PHOTO: TAIPEI TIMES
After 15 years in the entertainment industry, Hsiao is now tapping into the Mando-pop music scene and introduced her first album earlier this month. Since then, the musical freshwoman has been running around, popping up at as many events as she can in the hope of boosting her not-so-promising record. Judging from the reviews and sales so far, the star still has a long way to go.
But another foxy lady is on the rise. Despite a previously plump figure (plump by the industry's standards), Little S (
Not only is she the spokesperson for a body-sculpting cosmetic brand, but Little S also got a big fat red envelope from a Taiwanese diet-drink manufacturer for endorsing its products.
Local media put the super-model Lin Chih-ling (
When asked whether she has the confidence to win back the title of ad queen by the end of the year, the sweet, well-cultivated lady Lin gave her typical response, ``I always put 100 percent effort in each and every job. Titles to me are not important at all.''
While Little S will use her fat check to take her whole family abroad for a luxurious vacation, Singaporean pop singer Stefanie Sun (
(
During this time of happiness when everyone is preparing for the New Year break, show biz is still able to generate miserable break-up news. Chang Chen (張震) -- the actor who has frequently starred in works by Ang Lee (李安) and Wong Kar Wai (王家衛) -- has broken up with his singer girlfriend Lu Jia-Hsin (路嘉欣) after six years of their low-profile relationship. Chang chose to remain silent after the news broke, but Lu made a brief and ambiguous comment: ``Right now, I feel everything is illusion.''
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby