Nine artists have collaborated with each other and with underrepresented groups to create Taipei on the Move (TOTM), an exhibition that strives to empower the voiceless.
The project began last November during three days of workshops and events which sought to link students, homemakers and seniors. Documentation of what took place and its material results will be displayed in Eslite Vision Gallery until Jan. 23.
PHOTO: SUSAN KENDZULAK
"What do Taipei youth think about family, schools, sex and politics?" -- the exhibit itself links the project with the public and this provocative text on a wall helped link the activities with the viewers and included young people's interesting responses. Problems exist among these effective ideas, though, such as the text being sprawled out on a wall about 9m long, making it difficult to read.
PHOTO: SUSAN KENDZULAK
The participating artists -- Wu Mali, Chen Yung-hsien (
Cities on the Move was dynamic, as it was a traveling show in flux, varying each time with its different venues and reflecting the rapid changes in Asia brought about by globalization. TOTM, however, doesn't come close to its predecessor.
Even though TOTM's brochure states: "A city in motion; art in action; images, sounds and words expanding understanding," the exhibition does not seem to get its finger on Taipei's urban pulse, as it just conveys images of what seem like weekend activities -- dancing, parading and talking -- rather than showing profound, multi-layered art works.
The collaborative show includes The Empress' New Clothes, a work by conceptual artist Wu Mali that explores women's roles in society. Guided by Wu, the participants created clothes to construct various identities such as the Forest Queen, Primitive Queen, Condom Queen and the Queen of Pain.
Adorned in their handmade constructions the women paraded in front of wedding photo boutiques and in front of the Taipei Fine Arts Museum. One participant stated: "My gown has become a canvas. The street has become a gallery."
Wu's participation extends her former interests. She runs a sewing workshop for disenfranchised homemakers called the Taipei Awakening Association's Stitching Sisterhood Workshop. The workshop is an activist project in that it empowers the women and helps them get in touch with their creative potential.
A more compelling installation in the show, however, was Chen Yung-hsien's Senior Concern. In a huge, dark room, TV monitors -- some placed in wheelchairs -- and full-screen projections show images of senior citizens in a nursing home.
Student life is also explored in TOTM. A video of Hsieh Chi-pin (
Suzanne Lacy who is well-known for creating public-based performances teamed up with Unique Holland and Sheva Gross to create monochrome color platforms for students wearing matching shirts to sit on for a recorded discussion. Lacy said she wanted "to allow people to have their own space for their own voice.
On the surface, it seems like these projects are empowering and ultimately beneficial to the community they serve. These kinds of projects where artists take on the role of leaders/teachers within communities of non-artists emphasize a feel-good aesthetic that seems to offer a voice to the voiceless common people. But, more often, participants have been given strict guidelines to which they conform and usually tend to adhere. Rarely does a participant think outside of the box. So the voice of the community may actually be more the artist who, in his/her paternalistic role, acts more as puppet master than spirit medium.
Countless artists from all around the world have collected people's wishes and dreams, to the point that this is becoming a cliche and fairly uninspiring idea. Yet, one TOTM project last November seemed to subvert this principle in a very subtle way.
Architect Marco Casagrande and sculptor Martin Ross created Trojan Rocking Horses, in which citizens wrote down their dreams and wishes and placed them into welded metal horses that were then paraded around the city.
The project culminated in a performance where Mayor Ma Ying-jeou (
Exhibition notes:
What: Taipei on the Move (
Where: Eslite Vision Gallery, B2, 245, Dunhua S Rd, Sec 1, Taipei (
When: Daily, 11am 10pm, through Jan. 23
May 11 to May 18 The original Taichung Railway Station was long thought to have been completely razed. Opening on May 15, 1905, the one-story wooden structure soon outgrew its purpose and was replaced in 1917 by a grandiose, Western-style station. During construction on the third-generation station in 2017, workers discovered the service pit for the original station’s locomotive depot. A year later, a small wooden building on site was determined by historians to be the first stationmaster’s office, built around 1908. With these findings, the Taichung Railway Station Cultural Park now boasts that it has
Wooden houses wedged between concrete, crumbling brick facades with roofs gaping to the sky, and tiled art deco buildings down narrow alleyways: Taichung Central District’s (中區) aging architecture reveals both the allure and reality of the old downtown. From Indigenous settlement to capital under Qing Dynasty rule through to Japanese colonization, Taichung’s Central District holds a long and layered history. The bygone beauty of its streets once earned it the nickname “Little Kyoto.” Since the late eighties, however, the shifting of economic and government centers westward signaled a gradual decline in the area’s evolving fortunes. With the regeneration of the once
The latest Formosa poll released at the end of last month shows confidence in President William Lai (賴清德) plunged 8.1 percent, while satisfaction with the Lai administration fared worse with a drop of 8.5 percent. Those lacking confidence in Lai jumped by 6 percent and dissatisfaction in his administration spiked up 6.7 percent. Confidence in Lai is still strong at 48.6 percent, compared to 43 percent lacking confidence — but this is his worst result overall since he took office. For the first time, dissatisfaction with his administration surpassed satisfaction, 47.3 to 47.1 percent. Though statistically a tie, for most
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and
RSS