The fact that the Czech Philharmonic Orchestra's opening concert in 1896 was conducted by Anton Dvorak himself may not in itself be a reason for going along to one of their two Taipei concerts on Sunday. There are plenty of other reasons for doing so, after all.
First, they're one of the world's leading orchestras, and this is their first visit to Taiwan. Second, their newly-appointed conductor, Zdenek Macal, will be on the rostrum, and he's an international figure in his own right. And thirdly, the pianist who'll be playing in the evening program, Martin Kasik, was recently voted the most outstanding Czech musician to appear in the last 28 years.
PHOTO COURTESY OF CZECH PHILHARMONIC ORCHESTRA
The two programs, unsurprisingly, contain a lot of Czech music, much of it well-known and well-loved. Anton Dvorak's From the New World symphony dominates the afternoon, a work Zdenek Macal must be able to conduct in his sleep, and it's preceded by a selection from Smetana's great tone-poem evoking the Czech landscape, Ma Vlast ("My Country").
PHOTO COURTESY OF CZECH PHILHARMONIC ORCHESTRA
These works never have any trouble stimulating a strong emotional response, and this is perhaps why they've been scheduled for the matinee performance. Families can take their children confident that they won't find what they hear wholly indigestible.
The evening program is slightly more taxing -- Dvokak's strenuous Seventh Symphony, following the same composer's Piano Concerto with Kasik, and Beethoven's Egmont overture. These, you could say, are for the adults, works that demand rather more concentration to take on board, though not that much.
That Dvorak dominates these concerts is a reason, basically, to rejoice. He's a composer who had an enormous influence on the late 19th century, opening its ears to one of Europe's most charismatic emerging nationalisms, and infusing his music with a lyricism that was instantly recognizable as emerging from pastoral landscapes.
This was precisely what the jaded inhabitants of the large industrialized cities of Northern Europe and America were longing to hear. Some of his music may now be over-familiar, but it's all well worth exploring or simply hearing again. His chamber music, in particular, is of outstanding quality, simultaneously subtle and approachable.
There are people who say that an orchestra's an orchestra and there's, in fact, not that much to choose between any of them. But the Czech Philharmonic can claim a long history of excellence. Vladimir Ashkenazy, for instance, was a principal conductor from 1996 to last year and made 13 CDs with them. And almost every conductor you've ever heard of has worked with them, from Bruno Walter, Yevgeny Mravinski, Leonard Bernstein and Leopold Stokowski to Sergiu Celibidache, Claudio Abbado and Riccardo Mutti. Composers Grieg, Rachmaninoff and Mahler all conducted them in their day, Mahler giving the world premiere of his Seventh Symphony with them in Prague in 1908.
It's also of more than passing interest that Zdenek Macal left Czechoslovakia after the Soviet invasion and thereafter pursued an international career. In returning he is, as he says himself, closing the circle, coming back to where he began and conducting the orchestra that first inspired him as a child.
His return to his home country marked the arrival of a new era. First he conducted the Czech Philharmonic at the Prague Spring International Music Festival in 1996 and 1997 and thereafter worked with the Prague Symphony Orchestra where he was made principal conductor in 2001. He became chief conductor of the Czech Philharmonic from the beginning of the 2003 to this year's season.
He and all the other Czech musicians should get a very real welcome in Taiwan. They're almost all people who lived through the dark years of communism and have now emerged into the light. It doesn't take much for Taiwan to get the point.
The Czech Philharmonic Orchestra plays at the National Concert Hall, Taipei, on Sunday at 2.30 and 7.45pm. Tickets are NT$800 to 4,000. For more information call (02) 3393 9888.
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50