Taiwan's famed dance troupe, Cloud Gate (
Written and first staged in 2001, Lin's Bamboo Dream is rated as one of his best, most inspiring and picturesque works. A technical and philosophical masterpiece that premiered three years ago, Lin has not only revitalized the work, but has added a live orchestra for the first time.
"When we first staged [Bamboo Dream] we had the music on CD. When the music is on CD it is stable and never changes, which for the dancers is good as the music never alters and they know what is going to happen," Lin said. "With a live orchestra the music is here and there so to speak. It's never the same and it creates energy, which is the key to creating an intimacy between movement and music."
PHOTOS: CHIANG YING-YING, TAIPEI TIMES
Helping to create this intimacy will be the National Symphony Orchestra, which, with the help of a lone flutist, will be performing music written by Estonian neo-classical composer Arvo Part, who is a composer Lin has "loved for many years."
"His music is very lyrical and really beautiful and possesses good rhythm. And as the work is non-
narrative the music is an essential part of the performance," Lin said.
Formed in 1973, Cloud Gate was the first contemporary dance troupe to be established in Greater China. Taking its name from a legendary dance that, according to scholars dates back 5,000 years and is the oldest-known dance in China, the troupe broke new ground and shocked traditionalists as it was one of the first troupes to employ both male and female modern dancers. Before Lin established the troupe, male contemporary dance was unheard of in Taiwan.
Since the early 1970s, the 25-member dance troupe's shock value has disappeared and Cloud Gate is now considered one of the world's leading contemporary groups, receiving rave reviews and admiration wherever it performs. It is recognized for its ground-breaking dance styles, in which performers combine aspects of tai chi, Chinese Opera, modern western dance and ballet, in order to create eclectic works that transform myth, folklore and religious esthetics into vivid contemporary dance spectacles.
Some of the troupe's most recent performances include last years Legacy -- Revival, a reworking of Lin's debut masterpiece, Legacy, which was first staged on Dec. 16, 1978 -- the day the US severed diplomatic ties with Taipei in favor of Beijing -- and raises questions through dance about Taiwan's identity. A year earlier Cloud Gate astounded audiences with the engaging and challenging, Smoke, a show that made use of a minimalist set and projections to lull audiences into a dream-like landscape.
For Lin's latest production, the choreographer has returned to employing lavish sets. Bamboo Dream sees Cloud Gate making full use of a set that depicts an abstract bamboo grove made of real bamboo.
"The set is not the grandest one we've ever used but it is the most interactive. The dancers interact with it and it becomes a non-static part of the performance through which the dancers are guided and which guides the dancers movements," Lin said. "It reflects nature, which has a soothing effect and possess dreamlike qualities with which we portray the four seasons."
Divided into seven scenes, Bamboo Dream evokes imagery not only of the four seasons, but also touches on weather conditions and moods evoked by the seasons. The dancers portray these moods through sensual choreographic compositions inspired by tai chi, European dance and classical ballet.
"The movements are very sensual and I'd say erotic, but not exotic. There's no linear storyline to the production. It is open to individual interpretation," Lin said. "I have created food for the eye, something soothing at election time when its is very hectic and chaotic."
Performance notes:
Where: Cloud Gate and the National Symphony Orchestra will perform Bamboo Dream at the National Theatre (
Where: All performances begin at 7:45pm with the exception of Sunday, March 14, when the performance begins at 4pm.
Where else: On April 17 and April 18 Cloud Gate will perform Bamboo Dream at Taichung's Chungshan Hall (
Cloud Gate moves to Kaohsiung on April 23 and April 24, when it will perform Bamboo Dream at the Chih-Der Hall (
Cost: Tickets for Taipei performances cost between NT$400 and NT$2,000 and are available direct from the CKS Cultural Center Box Office. Tickets for Taichung and Kaohsiung performances cost from NT$300 to NT$1,500 and are available direct from the box offices of both venues. Tickets for all performances are available from Acer Ticketing Outlets nationwide.
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
This month the government ordered a one-year block of Xiaohongshu (小紅書) or Rednote, a Chinese social media platform with more than 3 million users in Taiwan. The government pointed to widespread fraud activity on the platform, along with cybersecurity failures. Officials said that they had reached out to the company and asked it to change. However, they received no response. The pro-China parties, the Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP), immediately swung into action, denouncing the ban as an attack on free speech. This “free speech” claim was then echoed by the People’s Republic of China (PRC),
Many people in Taiwan first learned about universal basic income (UBI) — the idea that the government should provide regular, no-strings-attached payments to each citizen — in 2019. While seeking the Democratic nomination for the 2020 US presidential election, Andrew Yang, a politician of Taiwanese descent, said that, if elected, he’d institute a UBI of US$1,000 per month to “get the economic boot off of people’s throats, allowing them to lift their heads up, breathe, and get excited for the future.” His campaign petered out, but the concept of UBI hasn’t gone away. Throughout the industrialized world, there are fears that
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on
RSS