People in Taiwan have been big fans of Bossa Nova in recent years. Antonio Carlos Jobim and Joao Gilberto have been musical fixtures in bars and restaurants and the Japanese singer Lisa Ono has found a inexhaustible fan base here.
The local fascination with Brazilian music, however, seldom stretches beyond the easy-listening variations of Brazil's rich music traditions. That could soon change as classical superstar, Chinese-American cellist Yo-Yo Ma is going to enchant Taipei this Tuesday with an all-star concert performing tracks from his latest album which presents a wide spectrum of Brazilian music.
Apart from his long-time collaborator, pianist Kathryn Stott, An Evening of Latin American Music (
Meaning "thank you Brazil" in English, Obrigado Brazil encompasses a variety of Brazilian musical styles. Among the up-beat pop, smooth urban beats and European classical works is the folk song tradition of choro, which will form the main part of the concert. Samba and bossa nova may be widely identified with Brazil today, but both have roots in choro.
The style started among street musicians who put together African rhythms, Portuguese popular musical styles and European salon music into serenades in the 1870s. Heitor Villa-Lobos, Brazil's most celebrated classical composer, whose works are featured at the concert, based his compositions on choro. Derived from "chorar," the Portuguese verb for "to cry," choro is infectiously sorrowful as Brazilian poet and bossa nova lyricist Vincius de Moraes once wrote about the genre -- "Sadness has no end; happiness does."
Different from the always smiling cellist's classical performances, which are mostly of a sunny tone, there's more of a mood swing and emotional complexity in Obrigado Brazil. "I've always loved Brazilian music," Ma said before the album's release in July. "There's an undercurrent of sensuality in it that is incredibly seductive.
It's a place between the conscious and the unconscious -- a place where the rational and the irrational meet."
Musicians supporting Ma at the concert include percussionist Cyro Baptista, clarinetist Paquito D'Rivera, singer/guitarist Rosa Passos, and guitarists Semrgio and Odair Assad, the same team as on the album.
"All of the musicians on this album are absolute masters of their specific genres of Brazilian music and everybody is incredibly generous," Ma said before the album release, "The recording session was like one long party -- really warm and festive."
The concert will open with Brazilian keyboard artist Cesar Camargo Mariano's Cristal, a cheerfully elegant piece which Ma will perform with Stott. The duo will then switch to a
melancholic mood with Villa-Lobos' classical number Alma Brasileira, or "Brazilian Soul."
Villa-Lobos was discovered by late master pianist Arthur Rubinstein playing cello in a theater in Rio de Janeiro. Rubinstein arranged for Villia-Lobos to seek a better career in Paris. But the self-taught musician, whose first musical book was the map of Brazil, later chose to return and become the first world-famous Brazilian composer.
Antonio Carlos Jobim's works are also part of this concert. Baptista will join Ma and Stott on a poignant rendition of Chega de Saudade, as the siren-like Passos lends her subtle and sincere vocals to the lingering music. In O Amor em Paz, another well-known bossa nova number, the versatile Assads will drop in an intoxicating bit of romance suitable for an autumn evening.
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