He might have been born to Taiwanese parents in the US and never resided in Taiwan for periods longer than six-months, but Welly, or Wellington as it appears on his birth certificate, Yang (
Graduating from the very unmusical department of political science and international relations at Columbia University, Yang's career in singing was inspired by his grandmother. As a Taiwanese opera singer she taught him all the tricks of the trade that have led to Yang becoming one of the US's leading Asian-American stage performers.
Making his Broadway debut a decade ago in Miss Saigon as Thuy, the evil North Vietnamese Army officer, Yang went on to receive critical acclaim in both Europe and the US for his work in the John Adams/Peter Sellars' hit Ceiling Sky and the Cole Porter adaptation of Aladdin.
Founding the Second Generation theatre company in 1997, Yang has become one the few performers and writers to concentrate on bring Asian American stories to stages and audiences worldwide.
For his latest production Yang has, as he says, "returned to his roots," with a musical adaptation of Ang Lee's (
"In many ways it couldn't make more sense," said Yang. "I go back there to perform quite a lot these days and I have a passion for Taiwan and all things Taiwanese." Obtaining the rights to the production roughly four years ago, Yang and popular Broadway producer, John Tillinger, whose credits include The Sunshine Boys and Judgement at Nuremburg, set about adapting the script two years ago; something that proved both a complex and lengthy process.
"It was turned in to a movie 10 years ago, but the script was written about 16 years ago. So it was a bit dated in some ways, especially when dealing with the ways in which people viewed homosexuality at the time," explained Yang. "Obviously we had to adapt certain aspects of it quite a bit so as to bring it up to date with the way sex and homosexuality are looked at now."
Because of changing views and attitudes, Yang and Tillinger have changed parts of the original plot. The score adds more of a sense of New York to the narrative and aspects of American and Asian life styles that were not part of the original story line have also been incorporated.
These include a gospel tune, a huge tai chi number performed by the entire cast and several other surprises. Written by Woody Pak, the score, according to Yang, takes the story to new and previously unexplored areas.
Not wishing to give too much away, however, readers who have seen the original movie are going to be pleasently surprised rather than disappointed by Yang's revamped musical version of The Wedding Banquet. Along with music there is also a slightly different ending to the show.
"The questions left unresolved at the end of the film have been resolved and it does end a little differently," admitted Yang. "If you were moved by the film, then you'll be wonderfully surprised by the musical."
Set to premier in Taipei next Friday, the lead roles for Yang's latest production are taken by a couple of the musical scenes' leading lights. Simon is played by Tyley Ross, a young performer who was hand picked by The Who's Pete Townshend to play the lead role in the band's rock opera Tommy when it debut in Canada. And Wei Wei is played by Ma-Anne Dionisio, who received a Dora Mavor Moore Award nomination for best Actress in a Musical for her performance in Miss Saigon.
RSS