For director and writer Hung Hung (鴻鴻), many of his works are about recording the life and the scenery of Taipei City. "I am a typical urban adult. Taipei is my air, water and sun," said the 38-year-old, whose original name is Yen Hung-ya (閻鴻亞).
A playwright and director for 15 years, Hung has excelled at combining human emotion with his intellectual ideas, specifically in the lives of Taipei residents. So when shifting roles to film director, Hung brought his wit and sensitivity to his second and third works, Human Comedy (
The audiences' non-stop laughter during Human Comedy's tour of European film festivals was proof of his special talent. He may not be Hou Hsiao-hsien (
PHOTO: LES MOUTONS SANS SOUCI
The film's amiability earned it the Audience Prize at the 2001 Festival of the Three Continents, in Nantes, France. It won Best Film at this year's Muscat Film Festival, in Oman, and was also selected as the opening film at the Festival Cinemas d'Asie de Vesoul, in France, where the festival organizer described it as breaking the stereotype of Asian films, which are usually seen as "artistic" but slow.
"I was consciously trying to present the colorful side of Taipei ... with different layers and thicknesses. I intended to give [the film] a cordial feeling," Hung said.
But neither Human Comedy nor A Garden in the Sky are conventional comedies. Instead, they are more about tragedy and absurdity. Human Comedy weaves four loosely adapted, updated Confucian moral fables (The Book of 24 Filial Pieties,
One day, crushed by the news that he has cancelled his long-awaited Taipei concert, she becomes so distracted she doesn't even notice that one of her customers may have been Tony Leung himself.
A-Xing rehearses an avant-garde play for a director dying of AIDS. Asked to perform a nude scene, he must choose between satisfying his demanding director and facing his conservative mother, who will be in the audience.
Cramped space and cockroaches send one battling couple on a comical quest for a new flat and "the good life." Unable to find an affordable flat within Taipei, they look outside the city. A savvy real estate agent named Darren nearly gets them to sign for an apartment in a remote and expensive hi-rise project, but the stress of house hunting reveals striking differences in the couple's respective visions of "the good life" and they start to quarrel.
Meanwhile, Darren faces down a raging typhoon to rescue his ex-wife. Although recently divorced, he is finding it difficult to get away from his former wife, Caixia, who is suffering from a host of psychosomatic illnesses that appear to be caused by her desire to prolong her involvement with Darren.
"For many people, sacrifice is not tragic. They don't even deem [dying] as a form of sacrifice. Yet, such `ignorance' is what makes them seem noble and beautiful. This says to me that ancient Chinese fables and contemporary lives in fact share the same absurdities." Hung said.
Hung said that his idea for Human Comedy was taken from a painting based on The Book of 24 Filial Pieties. "When I looked at the paintings, these old stories seemed to have new meaning to me. They are all about a simple kind of obsession, and are similar to many people's experiences," he said.
The film is also Hung's tribute to late theater director Tian Chi-yuan (
If the more dramatic Human Comedy offers a realistic look at Taipei, then the 71-minute digital film A Garden in the Sky looks at Taipei from a fantasy angle. Using a semi-documentary style, Hung used a street-interview situation to ask people about their relationships with their clothes.
In a department store, there are various faces and body types staring down the camera murmuring about their love-hate relationships with the clothes: brothers and sisters wearing hand-me-downs from their deceased mother, a cultural theorist talking about clothing fetishes, a man with an underwear fetish sharing his fantasy, and also Hung's father, a clothing manufacturer, discussing the rise and fall of Taiwan's clothing manufacturing industry.
Hung vividly presents the intriguing role of clothing and fashion, the frontispiece of an individual's emotions and desire, but also the thing which confines and limits their bodies. A Garden in the Sky looks like modern theater played out on human bodies as the stage.
The film is also like a carnival given Hung's poetic, experimental film style. Several shots represent the peculiar scenes in Taipei: the numerous shoe shops in Hsimenting; the crowded hillside residences near the outskirts of Taipei; the city soaked in rain and wind during the typhoon season; and the old houses on Taipei's Tihua street.
"I met Taiwanese people in France after screenings of the films. They all said they really wanted to go back to Taipei. It is indeed a lovely city," Hung said.
Both Human Comedy and A Garden in the Sky can be seen starting tomorrow at the Majestic Theater. Beginning May 4, Human Comedy will have English subtitles.
Words of the Year are not just interesting, they are telling. They are language and attitude barometers that measure what a country sees as important. The trending vocabulary around AI last year reveals a stark divergence in what each society notices and responds to the technological shift. For the Anglosphere it’s fatigue. For China it’s ambition. For Taiwan, it’s pragmatic vigilance. In Taiwan’s annual “representative character” vote, “recall” (罷) took the top spot with over 15,000 votes, followed closely by “scam” (詐). While “recall” speaks to the island’s partisan deadlock — a year defined by legislative recall campaigns and a public exhausted
In the 2010s, the Communist Party of China (CCP) began cracking down on Christian churches. Media reports said at the time that various versions of Protestant Christianity were likely the fastest growing religions in the People’s Republic of China (PRC). The crackdown was part of a campaign that in turn was part of a larger movement to bring religion under party control. For the Protestant churches, “the government’s aim has been to force all churches into the state-controlled organization,” according to a 2023 article in Christianity Today. That piece was centered on Wang Yi (王怡), the fiery, charismatic pastor of the
Hsu Pu-liao (許不了) never lived to see the premiere of his most successful film, The Clown and the Swan (小丑與天鵝, 1985). The movie, which starred Hsu, the “Taiwanese Charlie Chaplin,” outgrossed Jackie Chan’s Heart of Dragon (龍的心), earning NT$9.2 million at the local box office. Forty years after its premiere, the film has become the Taiwan Film and Audiovisual Institute’s (TFAI) 100th restoration. “It is the only one of Hsu’s films whose original negative survived,” says director Kevin Chu (朱延平), one of Taiwan’s most commercially successful
The primaries for this year’s nine-in-one local elections in November began early in this election cycle, starting last autumn. The local press has been full of tales of intrigue, betrayal, infighting and drama going back to the summer of 2024. This is not widely covered in the English-language press, and the nine-in-one elections are not well understood. The nine-in-one elections refer to the nine levels of local governments that go to the ballot, from the neighborhood and village borough chief level on up to the city mayor and county commissioner level. The main focus is on the 22 special municipality
RSS