The West is most familiar with Buddhism through novels such as Zen and the Art of Motorcycle Maintenance and Journey to the West (
History paints a different picture, however, as numerous Indian missionaries traveled to China to promulgate the Buddhist faith. One, named Bodhidharma (
By the time he died on the banks of the Lo River in 534, he had sown the seeds of Chan Buddhism (
Bodhidharma's ideas were not immediately welcomed. Indeed, his disciple and successor, Hui Ke (
Failing to interest the established Chinese Buddhist hierarchy in his ideas, Bodhidharma, the "Blue-eyed Barbarian," spent nine years in "wall-gazing" meditation. Hui Ke, his first disciple, chopped off his arm to demonstrate his commitment to learn his master's difficult methods.
One of these teachings was that the realization of one's Buddha-nature is attained through mystic and intuitive practices rather than scriptures and ritual. From the 10th century, though, sutra-learning gained a more central role in Chan Buddhism as the number of followers grew and made intense personal meditation less feasible.
Bodhidharma traced his esoteric teachings to the Buddha, who is said to have answered his disciple Kasyapa by merely plucking a flower.
His elevation to Bodhisattva and 1st Patriarch of the Chan School was largely due to subsequent religious and political developments in China. His story became synthesized with those of two other important monks, which connects him with the important Shaolin Monastery.
Routine hagiograhical "facts" were subsequently added to this amalgam. He was given an age of 150 years and reported to have returned to India following his death.
This legend suggests Daoist influences affecting Chan Buddhism, just as Buddhism was also coloring China's own religions at the time. On hearing that he had been spotted in India, disciples opened the Bodhidharma's grave and found it empty but for a single straw sandal. This is commemorated in Chinese Buddhist art, where Bodhidharma is portrayed walking home on one sandal. Other portrayals show him as legless, having lost the use of his legs during nine years of meditation.
This fusion of historical characters and the addition of local traits mark the origins of Chan Buddhism, the first truly Chinese Buddhism.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Toward the outside edge of Taichung City, in Wufeng District (霧峰去), sits a sprawling collection of single-story buildings with tiled roofs belonging to the Wufeng Lin (霧峰林家) family, who rose to prominence through success in military, commercial, and artistic endeavors in the 19th century. Most of these buildings have brick walls and tiled roofs in the traditional reddish-brown color, but in the middle is one incongruous property with bright white walls and a black tiled roof: Yipu Garden (頤圃). Purists may scoff at the Japanese-style exterior and its radical departure from the Fujianese architectural style of the surrounding buildings. However, the property