Maestro Henry Mazer doesn't talk when he's conducting. And he doesn't stop the flow of music for anything. He is nicknamed "cobra eyes" for his intense, sharp gaze that fixes on any musician who plays an errant note during rehearsal.
Intimidating? Not at all. For musicians at the Taipei Sinfonietta & Philharmonic Orchestra, music director and conductor Mazer is why they enjoy playing music so much. He doesn't impose his own standards. He doesn't put the musicians down. He doesn't create tension or stress.
"I believe in making them play. I don't like to force anything. They know what I want and I know what they can do," says Mazer, the music director and conductor of Taiwan's most successful orchestra.
A music critic once described Mazer as "an amusingly crusty character," which in some way is similar to the conductor's favorite cartoon character, Garfield. Anecdotes abound about the man, with a particular favorite being one about when Mazer first came to Taiwan in 1975. Living in Kaohsiung, he first led the city's orchestra. Whenever his musicians played badly during rehearsals, he would turn and bow to a picture of Sun Yat-sen or Chiang Kai-shek and humorously lament: "I am sorry to let you listen to this, sir."
At the age of 80, and after a lifetime of conducting, he says he feels like the luckiest man in the world. "I have had the most successful career here," says Mazer, who for a long time assisted American conductors William Steinberg and Georg Solti before taking the helm here.
The group Mazer leads is something to be proud of. It is by far the only private orchestra that usually packs the concert hall and it has enjoyed generous praise from international critics when on tour.
After a Boston performance in 1995, The Boston Globe recognized the orchestra as "extremely well trained by Mazer," and said the musicians "play with glowing sound, precision of intonation, absolute unanimity of impulse and rare commitment."
These days the humorous conductor is in an agile mood, which shows in the music he chose for Sunday's concert. It's all Beethoven, but Beethoven in happier times. "An evening of Beethoven" will highlight the composer's Symphony No 7 in A Major and Concerto for Piano No 4 in G Major. Both the conductor's favorite pieces, the symphony is happy, light and fun, and the piano concerto is easy-going and lovely.
Pianist Chen Pi-shien (陳必先) is another catch of the concert. She is very familiar to local classical music fans as an extremely hardworking and talented musician. Having been a resident of Germany for 41 years, Chen always appears quite nostalgic when she's back in town. She is contemporary in many ways, in terms of technique and spirit, and she is devoted to giving classical music a new life by imbuing it with modern interpretation.
As the biggest private orchestra in Taiwan, the Taipei orchestra is a major task for anyone to try to keep alive.
April 28 to May 4 During the Japanese colonial era, a city’s “first” high school typically served Japanese students, while Taiwanese attended the “second” high school. Only in Taichung was this reversed. That’s because when Taichung First High School opened its doors on May 1, 1915 to serve Taiwanese students who were previously barred from secondary education, it was the only high school in town. Former principal Hideo Azukisawa threatened to quit when the government in 1922 attempted to transfer the “first” designation to a new local high school for Japanese students, leading to this unusual situation. Prior to the Taichung First
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
The Ministry of Education last month proposed a nationwide ban on mobile devices in schools, aiming to curb concerns over student phone addiction. Under the revised regulation, which will take effect in August, teachers and schools will be required to collect mobile devices — including phones, laptops and wearables devices — for safekeeping during school hours, unless they are being used for educational purposes. For Chang Fong-ching (張鳳琴), the ban will have a positive impact. “It’s a good move,” says the professor in the department of