When a feisty little robot named Astro Boy emerged from the Japanese comic world in the 1960s, children across the globe were charmed by his charisma and inspired by his courage.
The cartoon character used super powers to fight all manner of evil, from man-hating robots to robot-hating men, but nothing could have prepared him for the battle he now faces — Astro Boy is about to take on Hollywood.
The Hong Kong-based animation studio Imagi yesterday launched its modern 3D take on the Astro Boy story in Japanese cinemas before it goes out in the US from Oct. 23, right in the middle of the lucrative autumn cinema season.
PHOTO: AFP
Imagi’s studio heads are gambling that their US$65 million production will steal a share of the animation market dominated by the US super studios Pixar and DreamWorks — and inspire a new wave of Asian-based animation.
“Astro Boy shows the potential and the promise in the Asian animation industry and the possibilities that are here,” said Imagi’s vice-president of animation, Tim Cheung. “Talent is always around, the important thing is how it is developed and that is what you are seeing now — the talent is being developed in Asia.”
First sketched by Osamu Tezuka in 1956, Astro Boy became an instant classic of the Japanese-invented manga-style comics with its tale of a powerful little robot boy built by a scientist in the image of his deceased son. There have been a number of versions of the story produced since, most famously the 1960s series which heralded the rise of the influential Japanese “anime” style of cartoons used in television and film.
Without giving too much away, Imagi say they have taken the traditional story — which saw Astro Boy abandoned to a circus and then reborn as a superhero — and updated it not only with modern 3-D CGI technology, but with modern themes.
For their English-language version, Freddie Highmore (Charlie and the Chocolate Factory) and Oscar-winner Nicolas Cage will provide the voices for the lead roles — Astro Boy and Dr Tenma, the scientist who builds the robot.
“It’s always tricky to ask a filmmaker about their production, but I feel hugely confident,” Cheung said. “It’s very well balanced throughout. It’s rare to have movie like this where so many moments in the film are touching. Plus it has action and humor, and all that is enshrined in the story of Astro Boy — it has always had all that. It will be fairly new for the North American audience, but very familiar for the Asian audience.”
Imagi has grand plans for an Asian animation market that is looking to go global. Three of the worldwide box office’s top 10 hits this year have been CGI-animated films — with Up coming in third so far (with US$292 million in ticket sales), Monsters vs Aliens in sixth and Ice Age: Dawn of the Dinosaurs seventh, but until now, Asian animators have been content to target their own regional markets. Japan’s legendary animator Hayao Miyazaki won an Oscar in 2003 for Spirited Away and he has a cult following across the globe, but Miyazaki remains the exception.
There is good reason, says Kim Ji-seok, who programs the Asian sections at South Korea’s annual Pusan International Film Festival (PIFF), the biggest in the region.
“The status of the feature animation film in Asia, except for Japan, has been poor,” Kim said. “Some Asian countries, however, have tried to promote the animation industry on a national level. It seems to me that animated feature film production in Asia is slowly materializing, in places such as Indonesia, Malaysia, Singapore, Taiwan and the Philippines, where it was difficult to make feature animation films before.”
This year’s PIFF — which is running until Friday — features a special “Ani Asia! A Leap of Asian Feature Animation” section that features films from those smaller Asian markets.
“What these animated features provide is a kind of refreshment,” Kim said. “They can be distinguished from conventional animation from the West or Japan, and the characters and stories are aesthetically combined with each country’s cultural traditions.”
Kim says the region’s comic traditions have long inspired filmmakers, a point reinforced last month when Vanquish Motion Pictures of the US picked up the rights to DevaShard, the best-selling graphic novel series from Hong Kong.
DevaShard is based on ancient Sanskrit epics such as The Mahabharata and so far its two issues have sold out print runs of 50,000 in its home town.
Imagi is also at work on their next feature, an updated version of the Japanese anime series Gatchaman, which follows the exploits of a five-member team of superheroes and first appeared in the 1970s. The film is set for release towards the end of next year.
ROLLER-COASTER RIDE: More than five earthquakes ranging from magnitude 4.4 to 5.5 on the Richter scale shook eastern Taiwan in rapid succession yesterday afternoon Back-to-back weather fronts are forecast to hit Taiwan this week, resulting in rain across the nation in the coming days, the Central Weather Administration said yesterday, as it also warned residents in mountainous regions to be wary of landslides and rockfalls. As the first front approached, sporadic rainfall began in central and northern parts of Taiwan yesterday, the agency said, adding that rain is forecast to intensify in those regions today, while brief showers would also affect other parts of the nation. A second weather system is forecast to arrive on Thursday, bringing additional rain to the whole nation until Sunday, it
LANDSLIDES POSSIBLE: The agency advised the public to avoid visiting mountainous regions due to more expected aftershocks and rainfall from a series of weather fronts A series of earthquakes over the past few days were likely aftershocks of the April 3 earthquake in Hualien County, with further aftershocks to be expected for up to a year, the Central Weather Administration (CWA) said yesterday. Based on the nation’s experience after the quake on Sept. 21, 1999, more aftershocks are possible over the next six months to a year, the agency said. A total of 103 earthquakes of magnitude 4 on the local magnitude scale or higher hit Hualien County from 5:08pm on Monday to 10:27am yesterday, with 27 of them exceeding magnitude 5. They included two, of magnitude
CONDITIONAL: The PRC imposes secret requirements that the funding it provides cannot be spent in states with diplomatic relations with Taiwan, Emma Reilly said China has been bribing UN officials to obtain “special benefits” and to block funding from countries that have diplomatic ties with Taiwan, a former UN employee told the British House of Commons on Tuesday. At a House of Commons Foreign Affairs Committee hearing into “international relations within the multilateral system,” former Office of the UN High Commissioner for Human Rights (OHCHR) employee Emma Reilly said in a written statement that “Beijing paid bribes to the two successive Presidents of the [UN] General Assembly” during the two-year negotiation of the Sustainable Development Goals. Another way China exercises influence within the UN Secretariat is
Taiwan’s first drag queen to compete on the internationally acclaimed RuPaul’s Drag Race, Nymphia Wind (妮妃雅), was on Friday crowned the “Next Drag Superstar.” Dressed in a sparkling banana dress, Nymphia Wind swept onto the stage for the final, and stole the show. “Taiwan this is for you,” she said right after show host RuPaul announced her as the winner. “To those who feel like they don’t belong, just remember to live fearlessly and to live their truth,” she said on stage. One of the frontrunners for the past 15 episodes, the 28-year-old breezed through to the final after weeks of showcasing her unique