In 2004, when MySpace was still getting going, recording label executive Courtney Holt noticed that musicians were using the Web site to connect more intimately with their fans through detailed blogs and behind-the-scenes photos. So Holt arranged to meet MySpace’s founders.
“I remember going into his office when we were very small,” said MySpace co-founder Chris DeWolfe, “when most other companies wouldn’t pay attention to us.”
Holt, then a marketing vice president with Interscope Geffen A&M, urged bands such as Nine Inch Nails, Weezer and The Black Eyed Peas to nurture MySpace profile pages too. The bands streamed new songs for free on their MySpace profiles and some had the best album launches of their careers.
“The artists loved it and it created a Pied Piper effect for the fans,” Holt said.
When it came to music promotion, Holt realized, MySpace was like a “fire hose.” Now, Holt is being asked to turn MySpace’s attention to a music industry in flames — and in the process, to improve the mediocre finances of MySpace as it tries to fend off rival Facebook.
Three months ago, Holt, 40, took charge of the recently revamped MySpace Music, a joint venture with the major recording labels. The service now lets MySpace users queue up multiple songs to play for free on their profile pages, rather than one song as in the past.
Users can also create playlists that let them swap songs with their friends. MySpace Music overhauled its dedicated home page, which promotes album releases and tours and corrals 5 million blinking artist profiles into genres. And the songs now carry links that let people buy downloads of the tracks from Amazon.com Inc.
The setup gives MySpace and the music industry a share of song-download sales from Amazon and it could bring new revenue from ads.
Next, Holt plans to make MySpace into a seller of concert tickets and band merchandise, while better targeting songs, ring tones, artists and ads at the people who will probably be interested in them. Through these efforts, MySpace’s vaunted music-promoting power could help patch the leaks that have sprung up in the recording business. Even with sales of song downloads on the rise, the music industry is not recouping the revenue lost from falling sales of compact discs.
MySpace’s objective will be to find “half a dozen new revenue streams” that will help recording labels move away from just selling song downloads and CDs, said Rio Caraeff, executive vice president of Universal Music Group’s digital strategy unit.
“We’d rather have 10 healthy revenue streams than one big revenue stream prone to disruption,” he said.
Holt has to do damage control.
The new music player was clunky and slow when it launched. Fans complained that too few songs were available and that playlists they created couldn’t handle enough songs.
Holt directed the creation of a sleeker, faster-to-load version that debuted last month, and he removed the cap on the number of playlists that could be created.
Eventually, Holt wants to build up discussions of artists’ discographies on MySpace and foster “social DJs” — playlist creators who are as influential as radio disc jockeys once were.
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