Sat, May 31, 2025 page5

• Big Ocean breaks ground as K-pop’s first deaf group

  • AP, SEOUL
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  Big Ocean, a three-member K-pop group composed entirely of artists with hearing disabilities, is redefining the limits of music and performance — one beat at a time.

  Big Ocean seamlessly incorporates sign language into their performances, and their shows are built on extensive preparation using high-tech tools — vibrating smartwatches that pulse with musical beats and LED visual metronomes that flash timing cues during practice sessions.

  This technological approach represents significant progress in South Korea’s entertainment industry, where career opportunities for people with disabilities have historically been limited.

  

  From left, Big Ocean members Jiseok, PJ and Chanyeon participate in an interview with AP in Seoul, South Korea, on April 15.

  Photo: AP

  The trio, PJ, Jiseok and Chanyeon, made their debut in April last year and recently wrapped a European tour marking their first anniversary. The band performed in four countries, including France and the UK, while promoting their second mini-album, Underwater, which dropped on April 20.

  To achieve the precision crucial in K-pop’s demanding choreography and music, Big Ocean relies on technologies rarely seen in the genre. Members wear modified vibrating smartwatches that deliver rhythmic cues to their wrists and practice with visual metronomes — flashing light guides displayed on monitors — to help stay in sync.

  Chanyeon uses a hybrid hearing device with Bluetooth that streams music directly from mobile devices. They also use a pitch-checking app and artificial intelligence voice conversion technology to support vocal training and enhance audio output after recordings.

  “We each felt rhythm differently when dancing,” PJ said. “So when we’d play the same song and dance in front of the mirror, one of us would move faster while another would move slower. To solve this timing issue, we decided to memorize everything together and create our own cues with each other.”

  This precision becomes critical during live performances, where unexpected disruptions can derail even experienced performers.

  “When we performed in France, our fans were cheering so loudly we lost the beat,” said Jiseok. “But we looked at each other and quickly handled the situation — just like we practiced.”

  Stage effects and certain musical styles create additional obstacles.

  “When a lot of smoke comes up, sometimes we momentarily can’t see the stage movements in front of us,” PJ said. “Our concentration gets disrupted instantly in those moments.”

  “When there’s no clear beat in a song, it’s really hard for us to stay synchronized,” Jiseok said. “When the bass is overwhelming, it’s difficult for us to catch it accurately.”

  Despite these challenges, Big Ocean’s commitment to accessibility and inclusion has inspired their global fanbase — known as PADO — which has responded with similar commitment.

  “While communicating with PADO, we’ve heard that they’re actually learning Korean sign language for us, or learning various sign languages to communicate with us,” Jiseok said. “When we see how much they’re preparing and putting in that effort, we feel so grateful.”

  The group uses English for basic communication with international fans and incorporates Korean Sign Language, American Sign Language and International Sign to promote accessibility and inclusion.
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