Sat, Apr 06, 2024 page5

• Show on Ukrainian artist inspires hope, resistance

  • AFP, WARSAW
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  Days after invading Ukraine, Russian forces fired rockets at a museum housing colorful paintings by the late Ukrainian folk artist Maria Prymachenko, admired by Pablo Picasso and Marc Chagall. The building burned down, but her joyful work survived.

  Residents of the northern town of Ivankiv managed to rescue the pictures, turning the imaginative painter into a symbol of endurance and hope. Prymachenko’s light through darkness approach, despite a lifetime of hardships, opened yesterday in the Polish capital, now home to thousands of refugees from fUkraine.

  The exhibition features dozens of gouache paintings of rural life and fantastical creatures in a childlike style and a palette resplendent with flamboyant tones of highlighter pink, sunflower yellow and blood orange.

  

  A visitor photographs work by Ukrainian folk artist Maria Prymachenko during the press show before the opening of her exhibition at the Museum of Modern Art in Warsaw on Wednesday, two days before it opens to the public.

  Photo: AFP

  “Beyond being a famous painter, Maria Prymachenko is also a great symbol of Russia’s failure to erase Ukrainian identity and culture,” said Vitalii Bilyi, counselor at the Ukrainian embassy in Warsaw.

  “And thanks to this exhibition we can spread the word,” he said at a press preview of the show entitled “A Tiger Came into the Garden,” which runs until June at the Museum of Modern Art in Warsaw.

  Prymachenko was born in the village of Bolotnya in 1909 and over nearly nine decades survived polio, the Ukrainian famine, both world wars — losing her husband to the second — and the Chernobyl nuclear disaster.

  “She showed strength of spirit and painted all her life. The paintings, while colorful, show different aspects of life and the Ukrainian tragedy,” said Myroslava Keryk, head of the Ukrainian House Foundation which promotes the country’s culture in Poland.

  “And they provide hope of victory, that we will persevere and the war will end,” she said.

  Prymachenko produced her commentary on everyday life by pairing images of animals or nature with little poems, often with grammatical mistakes because of her lack of education, Keryk said.

  An example from the exhibition is a meditation on hunger featuring a cheery yellow and pink depiction of a billy goat and the title “Dear little goat, have you eaten, have you drunk?”

  Another shows bright pink ornamental tulips against a somber background with a caption that begins: “A bouquet to the Unknown Soldier. Honor and glory to you, dear warriors!”

  The war widow painted a whole series dedicated to fighting men, which several decades later “has an incredible topical anti-war message,” co-curator Szymon Maliborski said.

  “These are works that allow Prymachenko to, on the one hand, avoid having to directly depict war, but on the other hand show a grappling with loss, the death of a loved one,” he said.

  A sunny painting of exotic blue birds is offset by the poem, “Four parrots sit in a cherry tree humming. The boys go to the army and the girls see them off — wishing them luck.”

  This contrast between optimism and trauma was typical for the painter who had wished for “people to live like flowers bloom,” Maliborski said.

  She often “mixed the solemn with the comical, adding a dash of humor or acceptance to her criticism,” he said. “There’s a kind of coming to terms with the world and wanting to change it simultaneously. The awareness that human nature is what it is yet fighting for it to be better,” he said.
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