Amsterdam’s famed Rijksmuseum yesterday began the biggest ever restoration of Rembrandt’s The Night Watch, erecting a huge glass cage around the painting so people can see the work carried out live.
The multimillion-US dollar overhaul of the giant 1642 masterpiece, one of the world’s most famous paintings, is also being streamed online so that “everyone in the world” can see.
Dubbed “Operation Night Watch,” the project is the “largest and most comprehensive research on Rembrandt’s masterpiece in history,” the museum said in a statement.
Photo by Freek van den Bergh / ANP / AFP
“Operation Night Watch aims to preserve the painting optimally for the future and takes place in front of the public in a specially designed glass room,” it said.
Rembrandt van Rijn was commissioned by the mayor and leader of the civic guard of Amsterdam, Frans Banninck Cocq, to paint the picture of the officers and other members of the so-called “Night Watch” militia.
Experts say the groundbreaking 3m by 4m picture is the first of its kind to show such a group in motion, rather than in static poses, and features the interplay of light and shadow that the Dutch master is famed for.
Over the past three centuries, Rembrandt’s brooding painting has endured travails including an escape from the Nazis, losing large chunks from each side during a move and three attacks by vandals.
The last major restoration work was carried out 40 years ago after a mentally ill man slashed it with a knife and it is now housed in its own special room in the Rijksmuseum.
However, experts have recently noticed changes to the painting, with a white haze appearing on some parts, especially in the area around the knife damage, where it is bleaching out the figure of a small dog.
The museum wants to “understand how the changes are happening and the best way to restore it,” director Taco Dibbits said when he unveiled the project in October last year.
Experts are to examine the painting using high-resolution photography and computer analysis of every layer, including varnish, paint and canvas, before deciding on the best restoration techniques.
The work will then take place in a glass case designed by French architect Jean-Michel Wilmotte, who was behind revamps of the Rijksmuseum and the Louvre gallery in Paris.
“This research and restoration will be carried out with the world watching ... so that everyone in the world, no matter where they are, can see,” Dibbits said.
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