Tue, Jul 22, 2025 page12

• The Taiwanese fighting spirit under existential threat

  A new documentary explores the failed assassination attempt on Chiang Ching-kuo and the role it played in Taiwan’s democratization

  • By Hsiao I-min / Contributing reporter
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  Fifty-five years ago, a .25-caliber Beretta fired in the revolving door of New York’s Plaza Hotel set Taiwan on an unexpected path to democracy. As Chinese military incursions intensify today, a new documentary, When the Spring Rain Falls (春雨424), revisits that 1970 assassination attempt on then-vice premier Chiang Ching-kuo (蔣經國). Director Sylvia Feng (馮賢賢) raises the question Taiwan faces under existential threat: “How do we safeguard our fragile democracy and precious freedom?”

  ASSASSINATION

  After its retreat to Taiwan in 1949, the Chinese Nationalist Party (KMT) regime under Chiang Kai-shek (蔣介石) imposed a ruthless military rule, crushing democratic aspirations and kidnapping dissidents from abroad for imprisonment or execution. By 1970, this long-standing tyranny faced a geopolitical crisis as US President Richard Nixon began his strategic pivot toward the People’s Republic of China. A visit to the US by Chiang Ching-kuo, Chiang Kai-shek’s son and heir apparent, was thus part of a desperate attempt to manage this crisis.

  

  The documentary When the Spring Rain Falls focuses on Cecilia Huang, center, who is often an overlooked activist responsible for an assassination attempt against Chiang Ching-kuo in 1970 in New York.

  Photo courtesy of PTS Viewpoint

  Within the overseas Taiwanese community, assassination was discussed as a way to shatter the dynastic succession. Two main approaches were considered. Some favored a covert plot, while others insisted the act must be a public political statement. Among various plots, it was Peter Huang (黃文雄), his younger sister Cecilia Huang (黃晴美) and her husband Cheng Tzu-tsai (鄭自才) who chose open defiance.

  On that rainy April 24, 1970, with Cecilia Huang concealing the pistol in her purse and Cheng providing cover, Peter opened fire at Chiang. The shot missed when a detective grabbed his wrist.

  “Long live Formosa, long live Taiwan, down with Chiang Kai-shek,” Peter cried as he was dragged into a patrol car. The next morning, the New York Times ran the story on its front page, noting that the “suspect attends Cornell [University].”

  

  From left: When the Spring Rain Falls director Sylvia Feng, Peter Huang and Cheng Tzu-tsai last month at the premier of the documentary about the assassination attempt on Chiang Ching-kuo in New York in 1970.

  Photo courtesy of PTS Viewpoint

  DIVERGENT PATHS

  The documentary unearths a compelling historical parallel. At Cornell University, Peter was a contemporary of another Taiwanese student, Lee Teng-hui (李登輝). As part of a small community of Taiwanese overseas, they often met and shared sharp criticisms of the KMT’s authoritarian rule but chose divergent paths.

  The shock of the assassination attempt is widely credited with pushing Chiang Ching-kuo to accelerate his “Taiwanization” policy, which involved promoting Taiwanese elites into government to ease dissent. One of the main beneficiaries of this policy was Lee, who would eventually succeed Chiang as president and initiate Taiwan’s “silent revolution,” dismantling the authoritarian state from within.

  

  The documentary When the Spring Rain Falls focuses on Cecilia Huang.

  Photo courtesy of PTS Viewpoint

  When Lee won the first direct presidential election in 1996, Peter returned to Taiwan after more than two decades of exile. The two Cornell peers were once again on the same island, continuing their fight in their own unique ways.

  A NEW VISION

  Upon his return, Peter Huang was invited to lead the Taiwan Association for Human Rights (TAHR), the nation’s most prominent human rights organization. There, he championed a new vision: to found the nation on human rights. He argued that rather than being trapped in a diplomatic battle with Beijing over the “One China Policy,” Taiwan could redefine itself as a modern state fully aligned with the international human rights system, empowering its NGOs to engage in “human rights diplomacy.”

  I witnessed this vision take shape firsthand. With funding he secured from the UK’s Westminster Foundation for Democracy, Huang established a Law and Human Rights Internship program in 1999. As one of the first two legal interns he mentored, I became part of his project to build a new generation of activists equipped with an international perspective.

  The profound wisdom of this approach became evident after 2000. As Lee’s political influence waned, Huang’s only grew. He first advised president Chen Shui-bian (陳水扁) of the Democratic Progressive Party (DPP) to make human rights a cornerstone of national policy. Then, in a testament to the vision’s power, the strategy was continued by Chen’s successor, president Ma Ying-jeou (馬英九) of the rival KMT.

  This rare bipartisan consensus led to landmark legislation in 2009. Taiwan formally codified the major UN human rights covenants into domestic law, establishing a permanent international review mechanism that has institutionalized Taiwan’s connection to the global human rights system.

  THE FIGHTING SPIRIT

  Director Feng says the film’s title, When the Spring Rain Falls, was inspired by T.S. Eliot’s The Waste Land. Just as spring represents a cruel struggle between death and rebirth, the film revisits not just a historical assassination, but the subsequent rebirth of its protagonists’ fighting spirit. To understand their full journeys, especially Cecilia Huang’s often-overlooked role and Cheng’s contributions, one must see the film.

  The three protagonists were not underdogs, but the embodiment of the Taiwanese elite’s American dream. When their homeland came under existential threat, they made the extraordinary decision to risk everything in an act of open defiance. Their action was a paradigm of the Taiwanese spirit, proving that in a moment of crisis, its people are unafraid to make the ultimate sacrifice to confront tyranny.

  How can a fragile democracy be safeguarded? The film finds the answer in the lives of its protagonists. Their lifelong commitment precisely captures the core of Taiwanese fighting spirit. Their resilience reveals a deeper moral strength, proving what makes a country worth defending. In an era when authoritarian powers increasingly threaten democratic values worldwide, Taiwan’s resilience demonstrates its crucial role on freedom’s front line.

  The documentary is available at: shorturl.at/fjVrQ.

  Hsiao I-min is a senior human rights activist and Deputy Executive Manager for the Association for Victims Support.
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