Lydia Wood sits opposite The Atlas pub in west London, meticulously adding detail to her drawing of the building and pausing only occasionally to sharpen her pencil.
The 28-year-old artist has built up a sizeable TikTok and Instagram following with her detailed sketches of well-loved London pubs.
She has set an ambitious but, she thinks, not impossible, goal — drawing all 3,500 of them. So far she has managed “a few hundred,” many of them near to her home in Catford, southeast London, she said. The project came about during the coronavirus pandemic when lockdown meant she was unable to work providing children’s after-school art classes.
Photo: AFP
“It did kind of stem from just being, you know, a pub person, like that’s where I socialize with my friends,” she said.
Wood’s drawings get thousands of likes on Instagram and TikTok, where she posts short videos about the process, then holds up the finished sketch in front of the pub.
The freelance artist had always drawn some pictures of pubs to sell at Christmas markets.
But when she announced her plan and asked for commissions to draw the capital’s pubs, “things went a little bit crazy,” she admitted.
Now creating art is her full-time job, mostly carrying out individual commissions, including pubs and houses.
She also sells prints on the e-commerce craft site Etsy.
“They feel so quintessentially British. I think that whether you’re a pub person or not, they’re great buildings to look at or be in.”
‘LOCAL KNOWLEDGE’
The Atlas pub, near Earl’s Court, was suggested by a TikTok follower and sits on a quiet side street near a leafy cemetery.
But Wood still has to put up with screeching ambulances driving past and a plumber’s van unhelpfully parking in front of the building. Some publicans have given her a hearty welcome when they realized she was drawing their buildings.
But The Atlas, its bricks painted glossy red and the upper walls covered with creeper vines, is closed until late afternoon.
Inside, the Victorian-era pub has lovingly preserved period features such as wooden paneling. It is now a “foodie” pub serving dishes such as risotto or confit leg of duck for dinner.
“It looks quite posh,” said Wood.
While she does not see the project as an excuse for a pub crawl, she likes to go into the places she sketches to get a sense of their vibe.
A “local” with regular drinkers has a completely different atmosphere from a central London pub with its transient passing trade.
“When I’ve been inside a pub after I’ve drawn it, there’s definitely a different kind of feeling of ‘oh yeah I know that pub and I can recommend it to someone.’”
‘PEACEFUL’
A few days later, Wood is in busy Soho to draw a very different pub, The Coach and Horses on Greek Street, which she has been into before.
“When you’ve been inside the pub you kind of have a connection to it,” she said.
She chose the pub because a commentator on one of her TikTok videos told her of a family connection to the pub.
Their grandfather, Norman Balon, was famously known as “London’s rudest landlord” and ran the pub for more than 60 years.
“I loved that sort of anecdote,” said Wood. “It immediately drew me towards it.”
The central London pub in a historic 19th-century building has had a colorful clientele, including journalists from satirical magazine Private Eye.
Other regulars included the legendary alcoholic newspaper columnist Jeffrey Bernard, who was immortalized in a Keith Waterhouse play Jeffrey Bernard Is Unwell.
It is now managed by a brewery chain.
On a Saturday afternoon, there is a constant stream of passers-by and drinkers sit with pints outside.
“That took nearly three hours,” she said of her finished drawing of an “iconic part of Soho.”
“It’s funny — there are so many people around, but actually it felt quite a peaceful drawing.”
In the space of a few decades, Taiwan has changed from a place where characterful old buildings were thoughtlessly bulldozed to make space for wider roads or bigger homes, to a society much more likely to cherish physical reminders of the past. The authorities have poured money into restoration and renovation work. According to a Nov. 10, 2020 post on Tainan City Government’s Municipal Administration of Cultural Heritage Web site, in the first nine months of 2020, the Ministry of Culture’s (MOC) Bureau of Cultural Heritage approved 13 such projects in the southern city, setting a total budget of NT$281.6 million.
June 27 to July 3 “The Sacred Tree (神木) is on fire!” Tseng Tian-lai (曾添來) didn’t believe it at first as it was pouring rain, but he sensed the urgency in the caller’s voice. The Alishan Forest Railway station master stepped out and saw smoke billowing from the direction of the beloved 3,000-year-old red cypress. The tree was struck by lightning in the afternoon of June 7, 1956, and a fierce blaze raged inside the eroded trunk, requiring nearly 200 people 20 hours to put it out. The authorities were especially nervous, according to a 1997 Liberty Times
Writing about environmental issues can be dispiriting, but the outlook isn’t entirely bleak. Here in Taiwan, in recent decades, public attitudes to the environment have certainly changed for the better — even if citizens’ daily behavior doesn’t always reflect the priorities they express in opinion surveys. In this country as elsewhere, non-governmental organizations (NGOs) make it easier for concerned citizens to support and participate in conservation work. Nonprofits have played a key role in several successful environmental projects, including the two profiled below. SOCIETY OF WILDERNESS AND SHUANGLIANPI Protection of habitats and natural ecosystems is a core objective of Society Of Wilderness
The second expedition of Commodore Matthew Perry of the US to Japan in 1854 sent ships to Formosa on the way back to the US to assess Keelung’s potential as a coaling station. Far-sighted, Perry recommended that the US establish a presence on Formosa, as Taiwan was then known. His suggestion went unheeded, but others were watching, few more closely than Prussia. The Prussians had wanted to follow up the Americans with an expedition of their own. In 1858, when William I became regent, the idea of entering the colonial race in the Far East began to take shape in the
RSS