I didn’t want to carry the regret with me for the rest of my life, so I dug out a few coins and stepped inside the little shop.
Traveling in Indochina years ago, I came across a bottle of “Premium Champagne” in a government-run store. Taking it off the shelf, I saw words that made me chuckle: “Manufactured by the Vietnam Fertilizer Corporation.”
When I got back to Taiwan, I kicked myself for not buying that champagne. Even if I never drank the contents, the bottle and its label would’ve made a great souvenir.
Photo: Steven Crook
This time around, I was standing in Chukuangkeng (出礦坑) in Miaoli County’s Gongguan Township (公館), facing a sign that read: Zhongyou Bingbang (中油冰棒, “CPC popsicles”).
CPC Corporation, Taiwan (台灣中油) is the country’s state-run petroleum and natural gas company. It’s as unlikely to manufacture frozen treats as a fertilizer company is to make booze.
It was also a sweltering afternoon. I needed something to cool me down, so I shelled out for a pineapple-flavored popsicle, and braced myself in case it tasted of gasoline.
Photo: Steven Crook
It turned out to be delicious but ordinary. Refreshed, I marched up the hill for a second time. There was far more to see at Chukuangkeng than I’d expected.
Taiwan has never been an oil-producer of significance, but it does have a long history of oil-and-gas exploration and exploitation. In fact, this corner of the northwest is one of the oldest still-productive oil-drilling sites in the world.
I’d arrived in Chukuangkeng thinking there’d be a museum of sorts and maybe some rusting infrastructure. I had no idea I’d end up spending the entire afternoon tramping around, examining relics and photographing machinery.
Photo: Steven Crook
Chukuangkeng is every bit as engrossing as better-known industrial-heritage destinations like Lintianshan (林田山) in Hualien. If you enjoyed Houtong Coal Mine Ecological Park (猴硐煤礦博物園區) and/or the Gold Ecological Park (黃金博物園區) in Jinguashi (金瓜石), do plan an excursion to Chukuangkeng.
The area’s past is celebrated in the Taiwan Petroleum Exhibition Hall (台灣油礦陳列館, also known as the Taiwan Oil Field Exhibition Hall). It’s by far the biggest building in a little village on the southbank of the Houlong River (後龍溪).
The exhibition hall features two floors of photographs, documents and maps. The first floor covers local history.
Photo: Steven Crook
The second floor, which focuses on the natural processes that create oil and the technologies used to extract it from the Earth, has some excellent models of rigs and derricks. I learned that, until the early 1950s, the drills used around Chukuangkeng were powered by steam engines that burned coal or wood. Later, they were driven by diesel engines.
In 1817, a Hakka immigrant surnamed Wu (吳) noticed crude oil seeping into the river hereabouts. However, serious commercial exploitation didn’t begin until 1861, when a Hakka fugitive surnamed Qiu (邱) negotiated a deal with John Dodd, the Tamsui-based Englishman best known for his role in Taiwan’s tea industry.
Photo: Steven Crook
In the late 1870s, as the Qing Empire became more serious about governing and developing Taiwan, the provincial authorities hired two American technicians to drill for oil in the area. The results were disappointing and the Americans — whose complaints about lousy conditions and their opinions not being respected were uncannily similar to those of more recent expatriates — left after a year.
The numbers given in the museum aren’t clear, but there’s no doubt that, during the 1895-1945 period of Japanese colonial rule, oil production at Chukuangkeng hugely expanded. After World War II, CPC didn’t find any new oil fields worth developing, but they did come across valuable gas reserves.
As production declined, the number of CPC employees stationed here dwindled. Consequently, many of the facilities built to serve a once-bustling community have fallen into disrepair. Hardly a trace remains of the kindergarten, which once had 79 students. A wooden dormitory is a wreck. But the former clinic has been nicely restored.
Steel and iron are, of course, far more durable than wood. Along the 935m-long trail from the base of the inclined elevator (a funicular-like device that carried personnel and equipment up and down the hill) to the Memorial Stone Plaza (紀念碑廣場), I came across outcroppings of pipes, pressure gauges and gate valves, barnacled with peeling paint and rust.
The plaza is where the 550m-long inclined elevator (dormant since the late 1990s) terminated. The memorial there marks the site of No 33 Oil Well (三十三號油井), 385m above sea level — but it isn’t half as interesting as the winding equipment that remains inside the elevator’s machine room, or the disused derrick towering above the plaza.
Rather than return the same way, I opted to follow a narrow road CPC built to provide better access to No 33 Oil Well and other drilling sites.
I hadn’t gone more than 100m when I spotted a Taiwan Hare loitering ahead of me. These animals aren’t especially rare, but they do keep a low profile. In almost three decades of exploring rural Taiwan, I can count on one hand the number of times I’ve seen one.
Walking back to the Taiwan Petroleum Exhibition Hall took me about 45 minutes, during which I passed three active CPC sites, and saw signs pointing to several others.
Before crossing the river so I could catch a bus and begin the journey home, I spent a few minutes at Chukuangkeng No 1 Ancient Old Well (出礦坑第一號古油井).
A Japanese company began drilling here in September 1903. By the following January oil was flowing, albeit in small quantities.
The “rocking donkey” rig now at this location doesn’t look a century old, and it’s not as impressive as the other machinery that can be seen around Chukuangkeng. But it’s an authentic component of the area’s history — and, even if you’re no fan of fossil fuels, this is a corner of Taiwan you may well find fascinating.
Steven Crook has been writing about travel, culture and business in Taiwan since 1996. He is the author of Taiwan: The Bradt Travel Guide and co-author of A Culinary History of Taipei: Beyond Pork and Ponlai.
At the back of Miaoli Railway Station, catch bus #5656 (27 services per day between 6:10am and 9:20pm) or #5657 (six services per day between 6:20am and 5:40pm) to the Chukuangkeng stop, which is very close to the km27 marker on Provincial Highway 6. Travel time is 30 to 35 minutes. If you’re coming by car, take either north-south freeway to Expressway 72, then head inland until you see the sign for Chukuangkeng. Two-wheelers should use Provincial Highway 6.
Once epidemic countermeasures are lifted, the Taiwan Petroleum Exhibition Hall will likely follow the same schedule as before: Open 9am to 4pm, Tuesday to Sunday; free admission.
Oct. 18 to Oct.24 To chief engineer Kinsuke Hasegawa, the completion of the Taiwan Railway Hotel was just as important as the launch of Taiwan’s first north-south railroad. Many guests — most notably Japan’s Prince Kotohito — would be coming to Taiwan for the Western Trunk Line’s inauguration ceremony on Oct 24, 1908, and it was imperative to host them at the extremely lavish new establishment. Hasegawa personally presided over its construction for the final months, which carried on day and night with over 1,200 workers toiling in shifts. They just made it — four days before the official ceremony. Designed
It’s not even a road yet. At the moment it is merely a hint of upturned sod off Highway 11. When I visited last week the digger was sitting there unattended for the holiday. And yet, there it was, terrifying. On the site plan the locals obtained, the road goes down to the south end of Taitung County’s Shanyuan (杉原) Beach. That beach now hosts the infamous Miramar hotel, built on land taken from aborigines by the government in 1987 and handed over to a developer to build a hotel in 2004 as a build-operate-transfer (BOT) project. The hotel became the
Wu Shih-hung (吳識鴻) isn’t an avid reader of comics or Taiwanese literature. An animator by trade, Wu first became involved with Fisfisa Media (目宿媒體) through its acclaimed documentary series on Taiwanese writers, contributing his distinct ink brush-style artwork to the 2011 feature on Wang Wen-hsing (王文興), The Man behind the Book (尋找背海的人). “When I first joined the company, people were talking about how good the animations in The Man behind the Book were,” editor of Fisfisa’s comic division Lee Pei-chih (李佩芝) says. “Every new employee had to watch it.” When Fisfisa decided to launch its long-discussed comic venture featuring acclaimed
Jazz is back, but just don’t call it a festival as the Give Me Five concert series is set to kick off tomorrow in Taichung. Running through Oct. 31, the small-scale performances take the place of the annual jazz festival, which was canceled for a second year in a row due to the COVID-19 pandemic. In years past, the multi-day event attracted hundreds of thousands of spectators. “It’s totally different this year,” Hsiao Jing-ping (蕭靜萍), head of performing arts for the city’s Cultural Affairs Bureau, says. Nearly 30 traditional and contemporary jazz bands will perform at venues throughout the city. The old