The Taichung Jazz Festival is the latest casualty of COVID-19.
City officials announced the cancelation of this year’s festival, which typically attracts upwards of 1 million spectators over a 10-day period each October.
“It’s impossible this year,” said Hsiao Jing-ping (蕭靜萍), head of performing arts for the city’s Cultural Affairs Bureau. “We just didn’t have a choice.”
Photo courtesy of Taichung City Government
Difficulty getting overseas jazz musicians into the country coupled with concerns over large crowd size, forced organizers to cancel the festival, Hsiao said. The decision was made earlier this summer, she added.
The festival, which would have celebrated its 18th year, has grown into one of Asia’s largest. Last year’s event brought together more than 50 jazz groups performing throughout Taichung.
Hordes of spectators typically pack Civic Square (市民廣場主舞臺) to see local and international jazz groups, including Grammy and Golden Melody Award winning artists.
With the festival’s cancelation, organizers said they hoped others would help give local jazz musicians a venue to perform.
In order to further help promote jazz in the city, the city’s Cultural Affairs Bureau is cooperating with Compass Magazine, which hosts an annual weekend music festival.
This year’s Compass festival is set to take place in mid October. While jazz fans might be disappointed, Hsiao said she was optimistic that the Taichung Jazz Festival would return for 2021.
The primaries for this year’s nine-in-one local elections in November began early in this election cycle, starting last autumn. The local press has been full of tales of intrigue, betrayal, infighting and drama going back to the summer of 2024. This is not widely covered in the English-language press, and the nine-in-one elections are not well understood. The nine-in-one elections refer to the nine levels of local governments that go to the ballot, from the neighborhood and village borough chief level on up to the city mayor and county commissioner level. The main focus is on the 22 special municipality
In the 2010s, the Communist Party of China (CCP) began cracking down on Christian churches. Media reports said at the time that various versions of Protestant Christianity were likely the fastest growing religions in the People’s Republic of China (PRC). The crackdown was part of a campaign that in turn was part of a larger movement to bring religion under party control. For the Protestant churches, “the government’s aim has been to force all churches into the state-controlled organization,” according to a 2023 article in Christianity Today. That piece was centered on Wang Yi (王怡), the fiery, charismatic pastor of the
Hsu Pu-liao (許不了) never lived to see the premiere of his most successful film, The Clown and the Swan (小丑與天鵝, 1985). The movie, which starred Hsu, the “Taiwanese Charlie Chaplin,” outgrossed Jackie Chan’s Heart of Dragon (龍的心), earning NT$9.2 million at the local box office. Forty years after its premiere, the film has become the Taiwan Film and Audiovisual Institute’s (TFAI) 100th restoration. “It is the only one of Hsu’s films whose original negative survived,” says director Kevin Chu (朱延平), one of Taiwan’s most commercially successful
Jan. 12 to Jan. 18 At the start of an Indigenous heritage tour of Beitou District (北投) in Taipei, I was handed a sheet of paper titled Ritual Song for the Various Peoples of Tamsui (淡水各社祭祀歌). The lyrics were in Chinese with no literal meaning, accompanied by romanized pronunciation that sounded closer to Hoklo (commonly known as Taiwanese) than any Indigenous language. The translation explained that the song offered food and drink to one’s ancestors and wished for a bountiful harvest and deer hunting season. The program moved through sites related to the Ketagalan, a collective term for the