Like so many other rites of passage that have fallen by the wayside in this COVID-19 ravaged year, Cloud Gate Dance Theatre of Taiwan’s (雲門舞集) traditional summertime outdoor performances at Taipei’s Liberty Plaza and elsewhere around the nation have been canceled.
It is not that Cloud Gate and its long-time sponsor Cathay Financial Holdings did not believe that they could run a tightly organized show tomorrow night with audience members seated in appropriate social distancing arrangements for what would have been their 25th annual Cathay Arts Festival production.
They were certainly not anticipating a crowd of the size of the 50,000 that showed up on July 27 last year for the 45th Anniversary Gala Program to have a chance to see several senior dancers who were going to be retiring along with company founder and artistic director Lin Hwai-min (林懷民) at the end of last year — or even the 20,000 to 30,000 who have shown up in previous years.
Photo courtesy of Chang Chen-chou
With their well-trained staff and volunteers, Cloud Gate and Cathay Financial could have kept track of who was seated where, just as theaters have been doing for indoor performances, with audience members providing contact information, but the concern was about the people who would be milling about on the fringes of the seating area.
So the decision was made to turn this year’s festival into a digital premier, not of just one production, but two, and not just in Taiwan, but globally.
Starting tomorrow night at 8pm (GMT+8) via Cloud Gate’s, Cathay’s and the Public Television Service’s (PTS) YouTube channels, Lunar Halo (毛月亮), created for Cloud Gate 2 (雲門 2) by its then-artistic director Cheng Tsung-lung (鄭宗龍) will air, followed by Lin Hwai-min: A Retrospective.
Photo courtesy of Liu Chen-hsiang
While Cheng’s Lunar Halo will only be available for 24 hours, the Lin retrospective will remain online for seven days, until Saturday next week at 8pm.
Lunar Halo is an apt choice for a digital audience, as it explores human existence in an ever-changing digital world, questioning the need for physical bodies and senses when so many people now rely on their eyes and fingertips to experience games, films and the world.
Set to an ethereal soundtrack by Icelandic post-rock band Sigur Ros, the dancers move through a landscape of human body parts and color projections, presented on three massive LED screens through the technical and creative wizardry of visual designer Jam Wu (吳耿禎) and videographer Ethan Wang (王奕盛).
Photo courtesy of Liu Chen-hsiang
The dancers morph along with the video projections, creating beautiful images that are often equally intellectually and emotionally challenging.
Lunar Halo is also a good introduction to Cheng, Lin’s successor as Cloud Gate artistic director, for those who have not seen his work for Cloud Gate 2 and other companies. It also serves as a preview of his first full-length production for the reformatted company, Sounding Light (定光), which premieres Oct. 1 at the National Theater before going on tour to Kaohsiung and Taichung.
The Lin retrospective is basically the 45th Anniversary Gala Program, which premiered at the National Theater in November 2018, featuring the company’s dancers in some of their favorite roles of the past two decades, including 1997’s Portrait of the Families (家族合唱), 1998’s Moon Water (水月), 2001’s Cursive (行草) and Bamboo Dream (竹夢), 2006’s Wind Shadow (風．影) and 2013’s Rice (稻禾).
The programs can be viewed on Cloud Gate’s YouTube channel (cloudgate2020.piee.pw/T6HQ9), the troupe’s Vimeo (cloudgate2020.pse.is/SVG79), Cathay Financial’s YouTube channel(cathaylifecloudgate.piee.pw/QWSF4) and PTS’ YouTube channel (lihi1.com/xRejF).
Meanwhile, the second half of the Cathay Arts Festival — Dancing with Cloud Gate — will be held on weekends from Aug. 1 to Aug. 30, in Taoyuan, Hsinchu, Chiayi and Pingtung, and on Friday, Sept. 4 in Taitung.
Curated by Cheng, the program is designed to break down the barriers between performers and audiences by allowing people to interact with the company’s dancers in a variety of public spaces.
Admission is free, but limited due to safety issues and space restrictions. Advanced registration is required for all performances except for those in Chiayi.
More information is available in Mandarin and English on Cloud Gate’s Web site (www.cloudgate.org.tw).
By 1971, heroin and opium use among US troops fighting in Vietnam had reached epidemic proportions, with 42 percent of American servicemen saying they’d tried opioids at least once and around 20 percent claiming some level of addiction, according to the US Department of Defense. Though heroin use by US troops has been little discussed in the context of Taiwan, these and other drugs — produced in part by rogue Chinese Nationalist Party (KMT) armies then in Thailand and Myanmar — also spread to US military bases on the island, where soldiers were often stoned or high. American military policeman
Under pressure, President William Lai (賴清德) has enacted his first cabinet reshuffle. Whether it will be enough to staunch the bleeding remains to be seen. Cabinet members in the Executive Yuan almost always end up as sacrificial lambs, especially those appointed early in a president’s term. When presidents are under pressure, the cabinet is reshuffled. This is not unique to any party or president; this is the custom. This is the case in many democracies, especially parliamentary ones. In Taiwan, constitutionally the president presides over the heads of the five branches of government, each of which is confusingly translated as “president”
An attempt to promote friendship between Japan and countries in Africa has transformed into a xenophobic row about migration after inaccurate media reports suggested the scheme would lead to a “flood of immigrants.” The controversy erupted after the Japan International Cooperation Agency, or JICA, said this month it had designated four Japanese cities as “Africa hometowns” for partner countries in Africa: Mozambique, Nigeria, Ghana and Tanzania. The program, announced at the end of an international conference on African development in Yokohama, will involve personnel exchanges and events to foster closer ties between the four regional Japanese cities — Imabari, Kisarazu, Sanjo and
Sept. 1 to Sept. 7 In 1899, Kozaburo Hirai became the first documented Japanese to wed a Taiwanese under colonial rule. The soldier was partly motivated by the government’s policy of assimilating the Taiwanese population through intermarriage. While his friends and family disapproved and even mocked him, the marriage endured. By 1930, when his story appeared in Tales of Virtuous Deeds in Taiwan, Hirai had settled in his wife’s rural Changhua hometown, farming the land and integrating into local society. Similarly, Aiko Fujii, who married into the prominent Wufeng Lin Family (霧峰林家) in 1927, quickly learned Hoklo (commonly known as Taiwanese) and
RSS