Most video gamers probably recognize Shiro Amakusa’s name as a villain from the popular 1990s Samurai Shodown series. In the games, Shiro has renounced his Catholic faith and become an evil cult leader resurrected by a dark god. But in his homeland of Japan’s Amakusa Islands in northwestern Kyushu, he’s still the 17-year-old hero who led a doomed rebellion against the government, which banned Catholicism in 1612 and began violently persecuting its followers.
The Amakusa Christian Museum provides a glimpse of how these “hidden Christians” in the area continued to practice in secret — but their suppression is more striking on the vertical plaques that adorn the entrance to the nearby Myotoku Temple, built in 1645 “to spread the righteous way of the Buddha” and “to destroy the evil cult of Jesus.”
The previously little-known story of these hidden Christians was brought to public consciousness through Martin Scorcese’s 2016 movie Silence, which was shot in Taiwan. The film was the only reason I knew about the area during a family Lunar New Year trip to Kyushu and, my parents being practicing Catholics, we decided to make the pilgrimage after visiting the smoldering volcano of Aso.
Photo: Han Cheung, Taipei Times
The film, which I reviewed in the Taipei Times on Feb. 23, 2017, was overwhelmingly sympathetic toward the perspective of the missionaries, and I wanted to witness the local side of the story.
The hidden Christian sites aren’t just limited to Amakusa island. They are found across the bay on the Shimabara Peninsula and further to the west in Nagasaki, where the Oura Cathedral honors the 26 Holy Martyrs of Japan crucified by the shogun in 1597. The entire journey took us four days, which included various non-religious sites as well.
LAST REFUGE
Photo: Han Cheung, Taipei Times
The first stop is the Amakusa Shiro Memorial Hall on Kamishima island, where Shiro was born to Catholic parents around 1621. With his people suffering from heavy taxation and famine, a teenaged Shiro led a 37,000-strong army of Catholics against the local daimyo in what would be known as the Shimabara Rebellion. The uprising failed, the entire rebel army was beheaded and the government drove all foreigners out of the country and strictly enforced its ban on Christianity.
The museum shows the myriad ways that the hidden Christians were persecuted and forced to renounce their faith, and the creative ways they used to continue worship. On display are paintings of the Buddhist goddess Guanyin, known as Kannon in Japan, holding a child that represents Mary and Jesus, Buddha figurines with crosses attached to the back and secret chambers in wooden pillars to hide their artifacts. There are barely any English descriptions here, including a 16-minute film on Shiro without any subtitles, but the building is funky and there’s a quaint garden with a statue of Shiro pointing to the sky as well as a new-agey “meditation room” where visitors can pay their silent respects to the dead rebels.
Misumi West Port, about a 10-minute drive away, is worth a brief stop. Built in 1884 during Japan’s industrial revolution, the stone port with Dutch-style buildings only flourished for about 10 years and has remained mostly the same since then. A path leads up to the adjacent mountains for sweeping views of the harbor.
Photo: Han Cheung, Taipei Times
There’s not much to see in Amakusa city beside the Christian museum and the anti-Christian temple. The highlights are on the remote southwest corner of the island around the picturesque fishing village of Sakitsu, where Christianity arrived in 1569 and persisted until the ban was lifted in 1873. About 5,000 people in three villages were rounded up in 1805, and only pardoned after they agreed to discard the seashells and medallions they worshipped with.
Built in 1934 atop a former site where locals were forced to trample on holy images or face execution (as depicted in Silence), the gothic Sakitsu Church rises above the two-story traditional houses lining the harbor. Near the village is a white statue of the Virgin Mary looking out to sea, with a viewpoint marked for the perfect sunset shot. We mosey on to Oe Village to see its romanesque cathedral on a hill, one of the first to be built on the island after the ban was lifted.
Despite the perseverance of the hidden Christians, most churches we visit are empty besides tourists. Although no longer oppressed, a Reuters report last year indicated that the hidden Christians are dying out as their descendents aren’t interested in religion. Japan’s population is less than 0.4 percent Catholic, according to a Japan Times report, and even the former hotbed of Nagasaki Prefecture boasts just over 4 percent.
Photo: Han Cheung, Taipei Times
CULTURES COLLIDE
Back on the mainland, we pass by the ruins of Hara Castle, where Shiro and his rebels were besieged by government forces, but I was suffering from Shiro fatigue by that point. Alas, the entire history of the rebellion is retold at the reconstructed 396-year-old Shimabara Castle — although the information is the most accessible here with QR codes on each artifact linking to English descriptions.
From the top of the castle one can gaze toward Mount Unzen, an active volcano that caused Japan’s worst volcanic disaster in 1792. The Unzen Hells, a patchwork of barren sulphuric fields with scalding hot springs, served as torture sites for Christians and sets the opening scene of Silence. It is possible to scale several of the peaks, but thick fog and snow dashed those plans. Still, we took the cable car up to Myokendake peak, where the bright red gates to a shinto shrine provide a splash of color to a landscape of pure white.
Photo: Han Cheung, Taipei Times
Our pilgrimage ends in Nagasaki, best known to the world as the site where Americans dropped the second atomic bomb during World War II. However, there’s much more to the city than death and destruction. When the Japanese expelled nearly all foreigners after the Shimabara Rebellion, the man-made island of Dejima was the country’s only point of contact with the outside world for the next two centuries as Dutch traders were allowed to reside there. Foreign goods and games such as chocolate, tomatoes, coffee, beer, photography, badminton and billiards all entered Japan through this impeccably-preserved neighborhood.
The Chinese were the only other foreigners besides the Dutch allowed to trade with Japan. The city boasts a bustling lantern-lined Chinatown, but the real gem of the area is the quieter historic center to the south, where winding pathways lead to simple but colorful temples.
The foreigner ban was lifted in 1859. All these cultures converge at a pretty stone-paved path named Dutch Slope. Atop the hill, one can see European-style mansions, the Confucius Temple and the Oura Cathedral standing out against modern apartment blocks and black-roof traditional dwellings.
We pass by Shikairou restaurant, which stands next to the site of Japan’s very first bowling alley, and where champon, Nagasaki’s Chinese-influenced signature dish was, first invented in 1899. Making our way up the hill, we arrive at Oura Cathedral, built in 1865 before the ban was lifted to serve the growing foreign population.
A display in the church recounts the story of how nearby hidden Christians showed up at the church one day, revealing to the clergy how they had maintained their faith for more than two centuries. This led to renewed persecution of hidden Christians, who were banished from the area until the ban was lifted.
We see one last piece of Catholicism at the Nagasaki Hypocenter Park where the bomb exploded — a section of the Urakami Cathedral walls. Completed in 1925 (also on a former site where Christians were tortured), it was once the largest Christian structure in the Asia-Pacific before the bomb hit 500 meters away. The wall was moved to this park during reconstruction.
Many lingering questions I had from Silence were answered during this trip, but it’s still quite surprising how the hidden Christians risked death — and often chose death — rather than renouncing their religion. Atop the memorial at nearby Peace Park, through the trees I make out the rebuilt Urakami Cathedral in the distance — a testament to the perseverance of faith.
Japan is celebrated for its exceptional levels of customer service. But the behavior of a growing number of customers and clients leaves a lot to be desired. The rise of the abusive consumer has prompted authorities in Tokyo to introduce the country’s first ordinance — a locally approved regulation — to protect service industry staff from kasuhara — the Japanese abbreviated form of “customer harassment.” While the Tokyo ordinance, which will go into effect in April, does not carry penalties, experts hope the move will highlight a growing social problem and, perhaps, encourage people to think twice before taking out their frustrations
There is perhaps no better way to soak up the last of Taipei’s balmy evenings than dining al fresco at La Piada with a sundowner Aperol Spritz and a luxuriant plate of charcuterie. La Piada (義式薄餅) is the brainchild of Milano native William Di Nardo. Tucked into an unassuming apartment complex, fairy lights and wining diners lead the way to this charming slice of laid-back Mediterranean deli culture. Taipei is entirely saturated with Italian cuisine, but La Piada offers something otherwise unseen on the island. Piadina Romagnola: a northern Italian street food classic. These handheld flatbreads are stuffed with cold
From a Brooklyn studio that looks like a cross between a ransacked Toys R Us and a serial killer’s lair, the artist David Henry Nobody Jr is planning the first survey of his career. Held by a headless dummy strung by its heels from the ceiling are a set of photographs from the turn of the century of a then 30-year-old Nobody with the former president of the US. The snapshots are all signed by Donald Trump in gold pen (Nobody supplied the pen). They will be a central piece of the New York artist’s upcoming survey in New York. This
Oct. 14 to Oct. 20 After working above ground for two years, Chang Kui (張桂) entered the Yamamoto coal mine for the first time, age 16. It was 1943, and because many men had joined the war effort, an increasing number of women went underground to take over the physically grueling and dangerous work. “As soon as the carts arrived, I climbed on for the sake of earning money; I didn’t even feel scared,” Chang tells her granddaughter Tai Po-fen (戴伯芬) in The last female miner: The story of Chang Kui (末代女礦工: 張桂故事), which can be found on the Frontline
RSS