New Taipei City-based Dancecology (舞蹈生態系創意團隊), founded by Grace Peng (彭筱茵), is celebrating its 10th anniversary this year.
Peng made the transition from a career as a dancer with the Neo-Classical Dance Company (新古典舞團) to running her own troupe, picking up a master’s degree from Taipei National University of the Arts’ (TNUA, 國立臺北藝術大學) Graduate Institute of Choreography along the way.
Peng added a new title to her resume when she became a mother three years ago. But she has not let that slow her down. Her daughter has already racked up a substantial number of air miles accompanying Peng on visits to mentor and dance icon Elizabeth Cameron Dalman in Australia, as well as elsewhere in Asia.
Photo courtesy of Dancecology
This year, Peng decided to launch a new series of creative projects, entitled Mothership (媽的,噓), inspired by her experiences of being a dancer and a mother.
For the first project she decided to make a theater piece, also titled Mothership, in collaboration with Cheng Yi-wen (鄭伊雯), whose career has followed a similar trajectory.
Cheng danced with Dance Forum Taipei (遇見巨人) before earning her master’s degree from TNUA, becoming a freelance dancer-choreographer and founding the Zen Yi Production cooperative (人尹合作社) — as well as becoming a mother.
Peng said she has known Cheng for years, but they did not become close until three years ago, when they worked together on a piece for iDance 2017 that involved several dancer moms and their children.
Mothership is a multimedia piece combining dance, dramatic text and an installation that examines the image of motherhood against social expectations and self-exploration — or, as Peng said yesterday, “It’s about two mothers, about who we are.”
The three performers are Cheng, Chen Yi-ching (陳怡靜) and Chen Fu-jung (陳福榮). The show premieres on Friday next week.
Peng said the second piece in the Mothership series will be an interactive work for parents and children next year. She envisions the third piece, slated to premiere in 2021, as being about mothers’ mothers.
Friday and Saturday next week at 7:30pm, and Saturday and Sunday next week at 2:30pm, at the National Experimental Theater (國家戲劇院實驗劇場), 21-1 Zhongshan S Rd, Taipei City (台北市中山南路21-1號)
Tickets are NT$800, with a limited number of sponsorship seats at NT$2,000, available at NTCH box offices, online at artsticket.com.tw and at convenience store ticketing kiosks
On April 26, The Lancet published a letter from two doctors at Taichung-based China Medical University Hospital (CMUH) warning that “Taiwan’s Health Care System is on the Brink of Collapse.” The authors said that “Years of policy inaction and mismanagement of resources have led to the National Health Insurance system operating under unsustainable conditions.” The pushback was immediate. Errors in the paper were quickly identified and publicized, to discredit the authors (the hospital apologized). CNA reported that CMUH said the letter described Taiwan in 2021 as having 62 nurses per 10,000 people, when the correct number was 78 nurses per 10,000
As we live longer, our risk of cognitive impairment is increasing. How can we delay the onset of symptoms? Do we have to give up every indulgence or can small changes make a difference? We asked neurologists for tips on how to keep our brains healthy for life. TAKE CARE OF YOUR HEALTH “All of the sensible things that apply to bodily health apply to brain health,” says Suzanne O’Sullivan, a consultant in neurology at the National Hospital for Neurology and Neurosurgery in London, and the author of The Age of Diagnosis. “When you’re 20, you can get away with absolute
May 5 to May 11 What started out as friction between Taiwanese students at Taichung First High School and a Japanese head cook escalated dramatically over the first two weeks of May 1927. It began on April 30 when the cook’s wife knew that lotus starch used in that night’s dinner had rat feces in it, but failed to inform staff until the meal was already prepared. The students believed that her silence was intentional, and filed a complaint. The school’s Japanese administrators sided with the cook’s family, dismissing the students as troublemakers and clamping down on their freedoms — with
As Donald Trump’s executive order in March led to the shuttering of Voice of America (VOA) — the global broadcaster whose roots date back to the fight against Nazi propaganda — he quickly attracted support from figures not used to aligning themselves with any US administration. Trump had ordered the US Agency for Global Media, the federal agency that funds VOA and other groups promoting independent journalism overseas, to be “eliminated to the maximum extent consistent with applicable law.” The decision suddenly halted programming in 49 languages to more than 425 million people. In Moscow, Margarita Simonyan, the hardline editor-in-chief of the