Vincent Tsai (蔡偉靖) wanted to bring gypsy jazz to Taiwan ever since he visited France to attend the Festival Django Reinhardt, named after the legendary guitarist who died in 1953 but continues to inspire musicians to take up the genre today. In 2015, Tsai found the perfect person to help him put together the Taipei Gypsy Jazz Festival: Denis Chang (張宏睿), a Montreal native of Taiwanese descent who has learned from well-known gypsy jazz players such as Fapy Lafertin of Belgium and Ritary Gaguenetti of France.
Chang has put together an impressive international lineup for this year’s festival, recruiting violinist and singer Tcha Limberger from Belgium, guitarist Antoine Boyer from France and double-bassist Kumiko Imakyurei from Japan to hold workshops, jam nights and a finale concert on Sunday that pays tribute to Reinhardt.
While gypsy jazz is still relatively obscure in Taiwan, Chang says that he has played with the Dark Eyes Gypsy Jazz Band in Taipei in the past, always to enthusiastic response from the crowd. While Dark Eyes is the only band he knows in Taipei that is trying to recreate the music as it is originally played, Chang is open to fusing it with other styles — he says he would love to see people combine old Taiwanese swing with the genre.
Photo courtesy of Taipei Gypsy Jazz Festival
■ Django in Taiwan concert is on Sunday from 7:30pm to 9:30pm at Eslite Performance Hall (誠品表演廳), B2 Eslite Spectrum Shopping Mall, 88 Tobacco Factory Road, Taipei City (台北市菸廠路88號B2)
■ Tickets are NT$1,000, NT$1,200 and NT$1,500; for more information and full program, visit gypsyjazztaipei.weebly.com
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she