The Council of Grand Justices’ landmark ruling in May that a ban on same-sex marriage is unconstitutional demonstrates Taiwan’s increasingly progressive stance towards LGBTQ rights and anticipates Spectrosynthesis — Asian LGBT Issues and Art Now, an exhibition currently on view at Taipei’s Museum of Contemporary Art (MOCA, Taipei).
The exhibition, which runs until Nov. 5 and features 51 works by 22 artists from Taiwan, China, Hong Kong, Singapore, the US and Canada, displays paintings, installations, videos and sound recordings about the history and life stories of LGBTQ people in the “greater Chinese community.”
Photo courtesy of MOCA, Taipei
PHALLIC ART
The male member is possibly the most privately cherished and publicly reviled body part. And yet it would seem to be the most celebrated asset of the LGBTQ community.
Martin Wong’s (黃馬鼎) Mi Vida Loca (我的瘋狂人生) is, to put it bluntly, a huge cock-and-balls painting within an ornate, grandiose frame. Towering over the viewer, the sculpture represents physical interactions and exchanges, the stars in the background implying the hopes, desires and dreams of an often isolated community.
Hsi Shih-Pin’s (席時斌) Buck of Freedom (自由之鹿) installation is a metallic creature of silver and gold that seems both grand and grotesque. At the exhibition opening he points out the blue pistol between the buck’s hind legs and says the merging of these different parts symbolizes the synthesis of our image and idea of identity that can appear violent yet fascinating.
SEEING THEIR VOICE
There’s more, howerver, to the exhibit than aesthetic penises, embodying an ongoing dialogue between the LGBTQ community and broader society.
Some of the artworks show pained past experiences, such as Xi Ya Die’s (西亞蝶) Chinese paper cut series that gives us a glimpse of his personal journey from internal shame to later discovery of his freedom and self-expression.
Su Hui-yu’s (蘇匯宇) somber and dreamlike video Nue Quan (虐犬) was inspired by a well-known murder case in Taipei 16 years ago, which the media relentlessly sensationalized due to the unusual circumstances surrounding the crime involving cybersex, homosexuality and S&M. The video invites viewers to ponder the case and reflect on their feelings about the sexual practices it depicts.
QUEER DREAMS
Some works drift towards the eccentric. Wang Haiyang’s (王海洋) Wall Dust (牆上的塵埃) is mesmerizing in its surreal fantastical animation, as the soft pastel animation plays out absurd and sexual scenes.
Observing the dreamlike paintings of the late Ku Fu-Sheng (顧福生) with men floating nude through their surroundings in Blue Sky (青空), Poppy Dream (罌粟夢) and Resting Place (休息站), I recall what it means to be naked in your dreams, whether that be a sense of insecurity or freedom. Our clothes identify us, but also conceal who we are. Perhaps there is some freedom in being laid bare, free of fabric constraints, allowing the world to witness the naked truth.
By contrast, one of his paintings, The Room at The Top of the Stairs (秘密房間), is hung within its own room that can only be viewed through a window, distant and out of reach. The two men in the painting stand facing away from a bed, undressed and unmoving. Perhaps they are uncertain of themselves — an awkward moment within a private space. The viewer serves as a kind of voyeur of this intimate situation.
PUBLIC REFLECTION
Walking into Hou Chun-ming’s (侯俊明) Man Hole (男洞) series, as part of his Body Image Series (身體圖), felt like entering a temple dedicated to 13 body images on two-sided paper hung in rows from the ceiling. The subjects are members of the LGBTQ community who the artist met online and agreed to draw a self-portrait on the white side of the paper hung from ceiling, while the artist gives his own representation of them on the other side. The result is an image of how the subjects perceive themselves and how they are perceived by the artist.
The exhibition offers a glimpse of the LGBTQ story — one that remains largely misunderstood by broader public. It may or may not diminish the public divide on the touchy subject of same-sex marriage and rights, but I can understand the community’s desire to be allowed the same privileges many take for granted, to love and be loved without boundaries and arbitrary limits.
Water management is one of the most powerful forces shaping modern Taiwan’s landscapes and politics. Many of Taiwan’s township and county boundaries are defined by watersheds. The current course of the mighty Jhuoshuei River (濁水溪) was largely established by Japanese embankment building during the 1918-1923 period. Taoyuan is dotted with ponds constructed by settlers from China during the Qing period. Countless local civic actions have been driven by opposition to water projects. Last week something like 2,600mm of rain fell on southern Taiwan in seven days, peaking at over 2,800mm in Duona (多納) in Kaohsiung’s Maolin District (茂林), according to
It’s Aug. 8, Father’s Day in Taiwan. I asked a Chinese chatbot a simple question: “How is Father’s Day celebrated in Taiwan and China?” The answer was as ideological as it was unexpected. The AI said Taiwan is “a region” (地區) and “a province of China” (中國的省份). It then adopted the collective pronoun “we” to praise the holiday in the voice of the “Chinese government,” saying Father’s Day aligns with “core socialist values” of the “Chinese nation.” The chatbot was DeepSeek, the fastest growing app ever to reach 100 million users (in seven days!) and one of the world’s most advanced and
The latest edition of the Japan-Taiwan Fruit Festival took place in Kaohsiung on July 26 and 27. During the weekend, the dockside in front of the iconic Music Center was full of food stalls, and a stage welcomed performers. After the French-themed festival earlier in the summer, this is another example of Kaohsiung’s efforts to make the city more international. The event was originally initiated by the Japan-Taiwan Exchange Association in 2022. The goal was “to commemorate [the association’s] 50th anniversary and further strengthen the longstanding friendship between Japan and Taiwan,” says Kaohsiung Director-General of International Affairs Chang Yen-ching (張硯卿). “The first two editions
It was Christmas Eve 2024 and 19-year-old Chloe Cheung was lying in bed at home in Leeds when she found out the Chinese authorities had put a bounty on her head. As she scrolled through Instagram looking at festive songs, a stream of messages from old school friends started coming into her phone. Look at the news, they told her. Media outlets across east Asia were reporting that Cheung, who had just finished her A-levels, had been declared a threat to national security by officials in Hong Kong. There was an offer of HK$1m (NT$3.81 million) to anyone who could assist
RSS