Tadaaki Kuwayama’s artwork is the type that you look at and think, “What’s so great about this? I could have painted it.” But there was a time in the 1960s, when painting an entire 110cm x 110cm canvas in blue or beige paint, was mind-blowingly revolutionary. Born in Nagoya in 1932, Kuwayama was trained in traditional Japanese painting on silk. It wasn’t until he moved to New York in the late 1950s that he started experimenting with his signature minimalistic-style monochrome paintings outlined with aluminum strips. A selection of his works from this period, From the ‘60s Til Today (60年代至今日), are currently on view at Taipei’s Galerie Grand Siecle.
■ Galerie Grand Siecle (新苑藝術), 17, Alley 51, Ln 12, Bade Rd Sec 3, Taipei City (台北市八德路三段12巷51弄17號), tel: (02) 2578-5630. Open Tuesdays to Sundays from 1pm to 6pm
■ Until Sept. 4
Photo courtesy of VT Art Salon
After two decades living and working in London and exhibiting her works at the Guggenheim in New York and the National Gallery in London, Suling Wang (王淑鈴) has returned to her hometown on the outskirts of Taichung. Making Waves, which opens at The 201 Art on Tuesday and derives influence from abstraction and Chinese landscape painting, attempts to reconnect with the natural landscape of Taiwan. She paints outdoors, using bamboo as her canvas and capturing seeds, leaves, twigs and other foliage, embedding them within layers of paint, in the process. The result is both calming and vibrant.
■ The 201 Art, 201, Wensin Rd Sec 2, Taichung City (台中市文心路二段201號), tel: (04) 2254-6455. Open Tuesdays to Sundays from 1pm to 7pm
■ Opens Tuesday. Until Sept. 4
Photo courtesy of Internacional Errorista/ TFAM
Second Hand Emotion, currently on display at VT Art Salon, is a joint exhibition by Alexander Laner from Germany and the Berlin-based Danish artist Sofie Bird Moller. The title is derived from the lyrics of the 1984 Tina Turner song, What’s Love Got to do With It, alluding to the two-faced nature of love, how it can be exhilarating and spiteful. Both artists toy with the notion of aesthetic beauty, employing dark humor in their works. Laner, whose installations involve cars, grand pianos and big, clunky machine parts, considers himself a “sculptor.” In one piece, he builds his own kinetic cart from the engine of a motorcycle — you know, things that normal sculptors do. By contrast, Moller is known for tearing up and disfiguring the pages of fashion magazines and painting over them. She does this in an effort to force viewers to think that women are more than the sum of their sexuality.
■ VT Art Salon (非常廟藝文空間), B1, 47 Yitong St, Taipei City (台北市伊通街47號B1), tel: (02) 2516-1060. Open Tuesdays to Thursdays from 1:30pm to 9pm, and Fridays and Saturdays from 1:30pm to 10pm
■ Until Sept. 17
Photo courtesy of Cai Guoqiang/ TFAM
The works of American artist Carol Prusa are back at Taipei’s Bluerider Art. Infinite Cosmos: The Known and Unknown includes a selection of her well-known drawings of giant silver domes. Constructed with the painstaking precision of a mathematician, Prusa’s drawings take on a transcendent quality while at the same time showing us how the real world is created by geometric principles. Originally a chemistry major, Prusa switched to art and her work suggests that both artists and scientists are essentially dreamers.
■ Bluerider Art (藍騎士藝術空間), 9F, 25-1, Renai Rd Sec 4, Taipei City (台北市仁愛路四段25-1號9樓), tel: (02) 2752-2238. Open Tuesdays to Saturdays from 9am to 6pm
■ Until Oct. 1
Photo courtesy of Suling Wang
Declaration/ Documentation: Taipei Biennial, 1996-2014 (朗誦/文件:台北雙年展1996-2014) documents all of the past Taipei biennials held at TFAM. This year’s biennial, which starts on Sept. 10, revolves around the theme of archives and memory, and is meant to be viewed in conjunction to this retrospective. Declaration/ Documentation also shows how contemporary art in Taiwan has evolved throughout the last two decades, particularly how it’s grown to be more global. It also serves to remind us the importance of remembering the past.
■ Taipei Fine Arts Museum (TFAM, 台北市立美術館), 181, Zhongshan N Rd Sec 3, Taipei (台北市中山北路三段181號), tel: (02) 2595-7656. Open Tuesdays to Sundays from 9:30am to 5:30pm and until 8:30pm on Saturdays
■ Until Feb. 5
Photo courtesy of Galerie Grand Siecle
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
There are shadowy cabals plotting to sell out Taiwan to be annexed by China, by invasion if necessary. Fortunately, they are buffoons. In 2019, former Bamboo Union gangster and founder of the China Unification Promotion Party (CUPP), Chang An-le (張安樂, colorfully known as “White Wolf”), led a protest at the Legislative Yuan against comments made by then-premier Su Tseng-chang (蘇貞昌) that in the event of an attack by China, he would never surrender, but would protect the nation by fighting to the end, even if he only had a broom. Chang had party members bring a wooden casket that they
June 1 to June 7 "If all Taiwanese were as afraid of dying as you, then what would happen?” Physician Shih Chiang-nan (施江南) reportedly said this to his wife Chen Chiao-tung (陳焦桐) after she urged him to stop intervening on behalf of Taiwanese soldiers stranded overseas after serving in the Japanese Army during World War II. Shih had clashed with high-ranking officials over the issue, engaged in several heated arguments with Taiwan governor-general Chen Yi (陳儀) and allegedly shouted at general Ko Yuan-fen (柯遠芬), chief of staff of the Taiwan Garrison Command, over