On a breezy early afternoon at a workshop held on the campus of National Chengchi University a couple of weeks ago, the dozen or so participating students were called, one by one, onto the stage to speak in front of the audience. It could have been a stressful experience for any student unprepared for the exercise, but the atmosphere was supportive and welcoming. French lecturer Jean-Loup Fayolle congratulated everyone who went up on stage. And instead of techniques, the emphasis was placed on expressing oneself freely and without fear.
The touring workshop in communication skills is designed to prepare students for the upcoming English Speech Contest (ESC) organized by the Rotary Club of Taipei.
The contest will take place on Saturday, with “light” as the main topic to be discussed.
Photo courtesy of Rotary Club of Taipei
“It is not a competition in the traditional sense,” says Gabriele Seewald, the chairwoman of the ESC committee this year.
“Students are encouraged to come, participate, enjoy the experience and realize that there is really nothing to be afraid of [when speaking publicly]. There is nothing you can do wrong.”
Tomorrow is the deadline for registration, and complete details can be found online at: www.rctaipei.org.tw/ESC2015.
Photo courtesy of Rotary Club of Taipei
LONG-ESTABLISHED CONTEST
In its 61st edition, the annual contest is open to college and university students in Taiwan.
Prizes include a scholarship to study English at Canada’s Niagara College Canada, including homestay accommodation and airfare, and internships at ICRT and the British Chamber of Commerce in Taiwan.
This year’s awards also include summer internships at organic farms in Queensland, Australia and the town of Die in southern France.
A committee is chosen every year by club members to be in charge of the contest. A team of 50 to 60 judges, all Taiwanese and expat volunteers, are assembled for the competition consisting of prepared speeches in rounds one and two, and impromptu speeches for the final round.
Seewald says the main goal of the contest, which is to help students further their English-language skills and develop the ability to express themselves.
TALKING POINTS
For first-time contestant Eric Lee (李佑軒), a second year Spanish major at NCCU, the competition provides him with the opportunity to express himself and communicate with others.
Lee, who has participated in speech contests since he was young, says he has a passion for learning languages, and communicating with people is a source of fulfillment.
“I like to make friends from all over the world and use different languages to communicate with them... Every time I learn a new language, I feel happy and fulfilled,” Lee says.
Lee also sees the contest as a challenge.
“Of course I was a bit nervous, worrying whether or not I could prepare in a short period of time. But you just have to be brave, sign up and do it… I think it is very important to keep challenging yourself,” Lee says.
A sophomore at NCCU’s Department of Journalism, Stephonne Chien (簡卉萱) took first place last year. The biggest gain from participating is to learn from others.
“There is a big difference between speech contests in high school and college. At the college level, you can’t just recite a speech. It is more like a TED talk. You need to take pauses ... and be expressive,” Chien says.
And what advice does Chien give to this year’s competitors?
“Don’t worry too much about losing. Everyone in that small room [where the final round is held] is very good and feels very confident about themselves. If you slip, take a breath and move on to the next sentence. No need to beat yourself up over mistakes,” Chien says.
Seewald says independent thinking is also a key to success. From her experience as an ESC judge for the past two years, a promising development has already taken place.
“When I first participated a judge, I thought that the students’ English speaking ability was excellent, but most of them felt like they were giving a speech that was written by someone else,” Seewald says.
“Last year, I noticed there were already more students who were able to express their own ideas. It’s not their parents or teachers who told them what to say and how to say it,” she adds.
Last year, Chien earned the opportunity to attend a summer English program at the University of Canberra in Australia. It was her first time living abroad, and the experience, enriched by the time spent with her classmates and Australian host family, was eye-opening.
“The point is really not to study English but to open yourself up to a different culture.”
The 2015 ESC is set to take place at Taipei European School, located at 727, Wenlin Road, Taipei City (台北市文林路727號). The deadline for application is tomorrow. For more details and registration, go to www.rctaipei.org.tw/ESC2015.
When the Dutch began interacting with the indigenous people of Taiwan, they found that their hunters classified deer hide quality for trade using the Portuguese terms for “head,” “belly,” and “foot.” The Portuguese must have stopped here more than once to trade, but those visits have all been lost to history. They already had a colony on Macao, and did not need Taiwan to gain access to southern China or to the trade corridor that connected Japan with Manila. They were, however, the last to look at Taiwan that way. The geostrategic relationship between Taiwan and the Philippines was established
Sept. 9 to Sept. 15 The upgrading of sugarcane processing equipment at Ciaozaitou Sugar Factory (橋仔頭) in 1904 had an unintended but long-lasting impact on Taiwan’s transportation and rural development. The newly imported press machine more than doubled production, leading to an expansion of the factory’s fields beyond what its original handcarts and oxcarts could handle. In 1905, factory manager Tejiro Yamamoto headed to Hawaii to observe how sugarcane transportation was handled there. They had trouble finding something suitable for Taiwan until they discovered a 762mm-gauge “miniature” railroad at a small refinery in the island of Maui. On
“Once you get there, you think, that’s a little embarrassing or revealing or scary... but ultimately, I learned that is where the good stuff is,” says Taiwanese-American director Sean Wang about writing indie breakout Didi (弟弟), which debuted at Sundance Film Festival Asia 2024 in Taipei last month. Didi is a heartwarming coming-of-age story centered on the Asian American experience. Not just a 2000s teenage nostalgia piece, but a raw, unflinching look at immigrant families and adolescent identity struggles. It quickly became the centerpiece of the event, striking a chord with not only those sharing similar backgrounds but anyone who’s ever
“Magical,” “special,” a “total badass:” step forward Kamala Harris, the 59-year-old dynamo who has rebranded her country at lightning speed, offering it up as a nation synonymous with optimism, hope and patriotism. For the rest of us, Kamala’s gift is her joy and vibrancy — and the way she is smashing it just months away from her seventh decade, holding up 60 in all its power and glory. Welcome to the new golden age. Hers is the vibrancy of a woman who owns her power, a woman who is manifesting her experience and expertise, a woman who knows her time has