Hong Kong’s Art Week will consume the city for the next few days but creative displays will not be confined to galleries and exhibition halls — they will also be splashed across plates and in cocktail glasses.
The city’s restaurants and bars have drawn up their own culinary canvas to tap into the growing interest surrounding Art Week, which centers around Hong Kong’s Art Basel fair and sees art shows pop up all over town.
More than 65,000 people from across the world are expected to attend Art Basel from yesterday — the biggest art show in Asia — and thousands more will visit satellite events.
Photo: AFP / Philippe Lopez
But visitors increasingly expect their creative experience to extend beyond the main event, says chef Uwe Opocensky of the city’s Michelin-starred Mandarin Grill + Bar, at the Mandarin Oriental Hotel.
Opocensky has created an Asian art-inspired menu with dishes including “Jade” — what look like vivid green gems on a grey rock but are actually salmon and scallops covered in gelatin flavoured with yuzu, an Asian citrus fruit; or “Warrior” — a chocolate dedication to the Terracotta Army in China’s Xian.
“It is not just artists or gallerists or collectors that come here for the special menu. We have businessmen, young couples, ladies who lunch. Even if you are not directly involved in Art Basel, I think people like feel they are still taking part,” he says.
At rival luxury hotel The Peninsula, chef Yoshiharu Kaji of its Felix restaurant has put together five courses celebrating the arts, including a replica of the Taj Mahal.
The Mira Hotel — made famous when American whistleblower Edward Snowden used it as his initial refuge after his explosive leak of National Security documents — is serving drinks inspired by Andy Warhol and a dedicated Art Basel menu based on the different elements of the exhibition.
Prices for most art-inspired set menus start from around HK$1,000 (US$129) per person and wine pairings will add around 50 percent to the bill.
“Perhaps they won’t buy an expensive piece from a gallery, but they can buy some art on a plate,” Opocensky says.
SENSORY EXPERIENCE
With smartphones an almost requisite utensil in Hong Kong as diners take pictures of their food, photogenic dishes explode across social media and are a valuable marketing tool.
“In a social media world where cameras take the first bite or sip, it’s important to work on new ways to wow and intrigue,” says Victoria Chow, co-owner of The Woods bar. Her venue has created cocktails inspired by Damien Hirst, Mark Rothko and Andy Warhol to coincide with Art Basel, but she says the fusion of art and food in the city has been growing for a while.
“Eating and drinking are becoming multi-sensory experiences. People expect more from their plate. We frequently turn to art, architecture and designers to influence our presentation,” she told AFP.
Hong Kong is now the world’s third-largest art market by auction sales and the number of galleries has grown from fewer than 10 to 90 in the past 15 years, government figures say.
Greater China, grouping the mainland, Hong Kong and Taiwan, maintained its market-leader status in 2014, accounting for US$5.6 billion in global art sales according to data firm Artprice.
The boom has fed through to other industries in the city, with the fusion of art and eating a prime example.
New French restaurant Bibo is packed with works by some of the art world’s biggest names, including Jeff Koons, Banksy and Takashi Murakami — and with just 14 tables diners are guaranteed a blockbuster view.
Duddell’s — a two Michelin-starred Chinese restaurant, which is part members club, part gallery — displays rare collectors’ pieces and has hosted exhibitions curated by internationally acclaimed artists including Amelie von Wedel, Ai Weiwei (艾未未), and Danh Vo.
“It’s not just about hanging a few pretty pictures on the wall,” says Duddell’s co-owner Alan Lo.
“From day one we strived to present an exhibition program that is both international and critical, to instigate conversations and debates.”
INNOVATION OR GIMMICK
On the flip-side, galleries such as The Popsy Room are using food to help get people talking more about art.
Owner Jennifer Chung runs a nightly eight-course dinner where each course is paired with a different piece of art. The pieces are hung around the gallery and as each dish is served guests are given a talk on the art it goes with.
“I wanted to create an environment where people feel relaxed and less intimidated by the arts,” says Chung.
“The dining environment creates the right atmosphere and I think it’s more effective than art talks or panel discussions.”
But while fusing food and art is a trend that shows no signs of diminishing, Duddell’s Lo says that to reap the best creative rewards, it’s important to avoid flash-in-the pan “gimmicks.”
“To make a real impact you need to engage with the creative community year round,” he says.
And for restaurants, the food should come first. “Beautiful food is always the draw — you want to like the look of what you’re eating as well,” he says.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,