The first time Shinichi Osawa visited Taipei was in 2009 after the American release of his album The One on Dim Mak Records.
At the time, people were so high on Dim Mak that word spread quick that Osawa, a Dim Mak affiliated DJ from Japan, was playing in Taipei.
As Osawa prepares to play in Taipei again tonight, the relationship between his music and Dim Mak is about as far off as the moon, thank god. Instead, he is a recluse in his approach to the music industry, minding his own business and making music. In fact, he seems relatively unfazed at the scene that thrives around him.
Photo courtesy of Shinichi Osawa
“I don’t really know about Japan’s current underground music scene or Taiwan’s EDM boom either. Where there are fans, there is a scene,” he told the Taipei Times.
He wasn’t your typical dance music DJ from the get-go. In 1991, he led the band Mondo Grosso, for whom he played bass. The band was active in Kyoto and when it disbanded four years later, his transition to house music began. It was, at the time, heavily influenced by R&B and acid jazz.
Shortly after, the golden era of electro peaked and Osawa’s sound evolved with it. He even played Electric Daisy Carnival in 2008. For a Japanese DJ, breaking out is a dream come true but something still wasn’t right for Osawa. His music suit the culture but the culture didn’t suit him.
Osawa released another groundbreaking album in 2010 called SO2, but things have significantly quieted down since then when compared to his earlier activity. He’s collaborated with a few Japanese pop stars and done some production work, but as far as the dance music industry goes, he’s been mostly putting out remixes and less original work.
“They are the same in terms of creation,” Osawa says, “but I prefer remixes because there is a given theme and it’s easier that way.”
It seems that instead of the industry standard of full immersion, Osawa has chosen a path free of disturbances and only surfaces to the world when he needs to — like when he released the Breaking Through the Night on the French label Kitsune last year.
It’s quite possible that we will see some original live music from Osawa before we see him put out another studio album.
“I’m definitely interested in it. Maybe again someday because I’m actually thinking of making another band now.”
Osawa’s DJ game is still strong. He’s been playing regularly around Japan while pumping out podcasts and radio shows at the same time. The veteran DJ is regarded as an idol to other artists in the region, although he humbly brushed off the label.
Osawa’s performance tonight should take party goers on a journey through his disparate approach to dance music rather than the sound he was once known to make.
■ Shinichi Osawa plays tonight from 10pm to 4am at Myst, 9F, 12, Songshou Rd, Taipei City (台北市松壽路12號9樓). Admission is NT$800 in advance and NT$1,000 at the door, inclusive of two drinks.
Nothing like the spectacular, dramatic unraveling of a political party in Taiwan has unfolded before as has hit the Taiwan People’s Party (TPP) over recent weeks. The meltdown of the New Power Party (NPP) and the self-implosion of the New Party (NP) were nothing compared to the drama playing out now involving the TPP. This ongoing saga is so interesting, this is the fifth straight column on the subject. To catch up on this train wreck of a story up to Aug. 20, search for “Donovan’s Deep Dives Ko Wen-je” in a search engine. ANN KAO SENTENCED TO PRISON YET AGAIN,
President William Lai’s (賴清德) vision for Taiwan to become an “AI island” has three conditions: constructing advanced data centers, ensuring a stable and green energy supply, and cultivating AI talent. However, the energy issue supply is the greatest challenge. To clarify, let’s reframe the problem in terms of the Olympics. Given Taiwan’s OEM (original equipment manufacturer) roles in the technology sector, Taiwan is not an athlete in the AI Olympics, or even a trainer, but rather a training ground for global AI athletes (AI companies). In other words, Taiwan’s semiconductor ecosystem provides world-class training facilities and equipment that have already attracted
Despite her well-paying tech job, Li Daijing didn’t hesitate when her cousin asked for help running a restaurant in Mexico City. She packed up and left China for the Mexican capital last year, with dreams of a new adventure. The 30-year-old woman from Chengdu, the Sichuan provincial capital, hopes one day to start an online business importing furniture from her home country. “I want more,” Li said. “I want to be a strong woman. I want independence.” Li is among a new wave of Chinese migrants who are leaving their country in search of opportunities, more freedom or better financial prospects at a
During her final years of high school, Chinese teenager Xu Yunting found an unusual way to make some pocket money: transforming herself into male video game characters and taking their female devotees on dates. The trend, called “cos commissioning,” has gained traction in China recently, with social media posts garnering millions of views as an increasing number of young women use their purchasing power to engineer a meeting with their dream man in real life. One early morning in Shanghai last month, Xu carefully inserted contacts to enlarge her irises and adjusted a tangerine wig to transform into “Jesse,” a character from