1. Ann Bai (白安) and What’s next? (接下來是什麼) with 25 percent of sales
2. Elva Hsiao (蕭亞軒) and Shut Up And Kiss Me (不解釋親吻) with 12.8% of sales
3. Henry Hsu (許富凱) and Yicunzhenxin (一寸真心) with 8.06% of sales
4. A-mei (張惠妹) and Faces of Paranoia (偏執面) with 5.45% of sales
5. SpeXial and Break it Down with 5.33% of sales
Album chart compiled from G-Music (www.g-music.com.tw), based on retail sales
Many people noticed the flood of pro-China propaganda across a number of venues in recent weeks that looks like a coordinated assault on US Taiwan policy. It does look like an effort intended to influence the US before the meeting between US President Donald Trump and Chinese dictator Xi Jinping (習近平) over the weekend. Jennifer Kavanagh’s piece in the New York Times in September appears to be the opening strike of the current campaign. She followed up last week in the Lowy Interpreter, blaming the US for causing the PRC to escalate in the Philippines and Taiwan, saying that as
Nov. 3 to Nov. 9 In 1925, 18-year-old Huang Chin-chuan (黃金川) penned the following words: “When will the day of women’s equal rights arrive, so that my talents won’t drift away in the eastern stream?” These were the closing lines to her poem “Female Student” (女學生), which expressed her unwillingness to be confined to traditional female roles and her desire to study and explore the world. Born to a wealthy family on Nov. 5, 1907, Huang was able to study in Japan — a rare privilege for women in her time — and even made a name for herself in the
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