Once a squatter community composed primarily of war veterans who retreated to Taiwan with the Chinese Nationalist Party (KMT) government, Treasure Hill Artist Village (寶藏巖國際藝術村) in Taipei’s Gongguan District (公館) has gradually been transformed into a weekend hot spot frequented by camera-wielding visitors, with a youth clubhouse, the latest addition to the artist village, slated to open later this year.
Now, the past and present transformations of the site are being explored with Landscape of Spectacle (如畫美景), a group exhibition that opened on the eve of the Lantern Festival last month as part of the Lunar New Year celebrations and is currently on display at Treasure Hill. It features works by 11 individual artists and groups using different media such as light, sound and found objects to express their heterogeneous ideas and feelings toward the historical community.
According to Hsiao Shu-wen (蕭淑文), director of the artist village, the inspiration for the exhibition comes from an art project completed in 2003 by visiting Finnish artist and architect Marco Casagrande, who envisioned the former veterans’ settlement as an “attic of the city where memories are stored,” Hsiao said, quoting the artist.
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
“A decade later, Treasure Hill has become a cultural attraction,” the director said. “This is a site of historical and political significance. We are not here to criticize, but use art as a medium to explore the multiple meanings of the space.”
As exhibited art works are scattered in the labyrinth of piecemeal buildings built on the hill, visitors are encouraged to wander through the meandering alleys and narrow passageways to experience, contemplate and raise their own questions about the place, Hsiao added.
Located on a meadow near the village’s entrance, Out in Force (傾巢而出的漫遊) attracts attention with a large number of colorful light fixtures remodeled to resemble humans escaping from what appears to be a sinking house on the lawn.
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
“We try to use a cute and somewhat comic way to respond to past incidents [that happedened at the village],” explained Lin Chien-yu (林建佑), one of the artists who made Out in Force.
Lin refers to Treasure Hill’s previous incarnation as an illegal settlement. Designated a historical site in 2004, the area went through renovations begun by the city’s Department of Cultural Affairs in 2007. Most of the tenants were relocated, and only 20 households of original residents remain in the community. The artist village was officially put into operation in 2010 under the management of Department of Artist-in-residence, Taipei Culture Foundation.
Whisper on Treasure Hill (集光片語) by architect and artist Chen Chien-chih (陳建智) further examines people’s relationship with their home through an architectural work composed of a structure made of bamboo and the scaffolding that encloses it. Walking through the scaffold structure and into the building hand-built by the artist and his assistant, visitors circumnavigate the building and arrive at the “inner room,” a space surrounded by bamboo and exuding a sense of calm. Along the way, hung light bulbs glimmer as they play the artist’s pre-recorded sounds out of tiny speakers. Each light tells a different story: one repeats the sounds coming from and elderly tenant’s television; another plays the bustling ambience of the community’s celebration in which former residents rejoined the villagers to host a year-end banquet.
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
“The protagonists are the stories told by the lights in quiet murmurs. This piece expresses the idea that the preservation of a place should include all the people who live in it,” Chen said.
Other works such as The Solar — Treasure Hill Artist Village (日光浴–寶藏巖國際藝術村) by four-member art group LuxuryLogico (豪華朗機工) approach the historical settlement with lyrical, imaginative musing. Composed of more than 220 recycled street lamps, LuxuryLogico’s large-scale light installation is intended to simulate the sun or the moon appearing to rise over the hilly village.
“You can sit on the lawn facing Sindian River (新店溪) and contemplate the luminary as it waxes and wanes,” said LuxuryLogico’s Chang Keng-hau (張耿豪).
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
As all participating artists use light as their main creative element, the exhibition is intended for nighttime. The works are lit from 5pm to 9:30pm, with guided tours of the exhibition starting at 7pm on weekdays and 6pm and 8pm on weekends. Group tours can be arranged in advance by filling out the reservation form available online at www.artistvillage.org.
June 2 to June 8 Taiwan’s woodcutters believe that if they see even one speck of red in their cooked rice, no matter how small, an accident is going to happen. Peng Chin-tian (彭錦田) swears that this has proven to be true at every stop during his decades-long career in the logging industry. Along with mining, timber harvesting was once considered the most dangerous profession in Taiwan. Not only were mishaps common during all stages of processing, it was difficult to transport the injured to get medical treatment. Many died during the arduous journey. Peng recounts some of his accidents in
What does the Taiwan People’s Party (TPP) in the Huang Kuo-chang (黃國昌) era stand for? What sets it apart from their allies, the Chinese Nationalist Party (KMT)? With some shifts in tone and emphasis, the KMT’s stances have not changed significantly since the late 2000s and the era of former president Ma Ying-jeou (馬英九). The Democratic Progressive Party’s (DPP) current platform formed in the mid-2010s under the guidance of Tsai Ing-wen (蔡英文), and current President William Lai (賴清德) campaigned on continuity. Though their ideological stances may be a bit stale, they have the advantage of being broadly understood by the voters.
Artifacts found at archeological sites in France and Spain along the Bay of Biscay shoreline show that humans have been crafting tools from whale bones since more than 20,000 years ago, illustrating anew the resourcefulness of prehistoric people. The tools, primarily hunting implements such as projectile points, were fashioned from the bones of at least five species of large whales, the researchers said. Bones from sperm whales were the most abundant, followed by fin whales, gray whales, right or bowhead whales — two species indistinguishable with the analytical method used in the study — and blue whales. With seafaring capabilities by humans
In a high-rise office building in Taipei’s government district, the primary agency for maintaining links to Thailand’s 108 Yunnan villages — which are home to a population of around 200,000 descendants of the Chinese Nationalist Party (KMT) armies stranded in Thailand following the Chinese Civil War — is the Overseas Community Affairs Council (OCAC). Established in China in 1926, the OCAC was born of a mandate to support Chinese education, culture and economic development in far flung Chinese diaspora communities, which, especially in southeast Asia, had underwritten the military insurgencies against the Qing Dynasty that led to the founding of
RSS