Once a squatter community composed primarily of war veterans who retreated to Taiwan with the Chinese Nationalist Party (KMT) government, Treasure Hill Artist Village (寶藏巖國際藝術村) in Taipei’s Gongguan District (公館) has gradually been transformed into a weekend hot spot frequented by camera-wielding visitors, with a youth clubhouse, the latest addition to the artist village, slated to open later this year.
Now, the past and present transformations of the site are being explored with Landscape of Spectacle (如畫美景), a group exhibition that opened on the eve of the Lantern Festival last month as part of the Lunar New Year celebrations and is currently on display at Treasure Hill. It features works by 11 individual artists and groups using different media such as light, sound and found objects to express their heterogeneous ideas and feelings toward the historical community.
According to Hsiao Shu-wen (蕭淑文), director of the artist village, the inspiration for the exhibition comes from an art project completed in 2003 by visiting Finnish artist and architect Marco Casagrande, who envisioned the former veterans’ settlement as an “attic of the city where memories are stored,” Hsiao said, quoting the artist.
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
“A decade later, Treasure Hill has become a cultural attraction,” the director said. “This is a site of historical and political significance. We are not here to criticize, but use art as a medium to explore the multiple meanings of the space.”
As exhibited art works are scattered in the labyrinth of piecemeal buildings built on the hill, visitors are encouraged to wander through the meandering alleys and narrow passageways to experience, contemplate and raise their own questions about the place, Hsiao added.
Located on a meadow near the village’s entrance, Out in Force (傾巢而出的漫遊) attracts attention with a large number of colorful light fixtures remodeled to resemble humans escaping from what appears to be a sinking house on the lawn.
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
“We try to use a cute and somewhat comic way to respond to past incidents [that happedened at the village],” explained Lin Chien-yu (林建佑), one of the artists who made Out in Force.
Lin refers to Treasure Hill’s previous incarnation as an illegal settlement. Designated a historical site in 2004, the area went through renovations begun by the city’s Department of Cultural Affairs in 2007. Most of the tenants were relocated, and only 20 households of original residents remain in the community. The artist village was officially put into operation in 2010 under the management of Department of Artist-in-residence, Taipei Culture Foundation.
Whisper on Treasure Hill (集光片語) by architect and artist Chen Chien-chih (陳建智) further examines people’s relationship with their home through an architectural work composed of a structure made of bamboo and the scaffolding that encloses it. Walking through the scaffold structure and into the building hand-built by the artist and his assistant, visitors circumnavigate the building and arrive at the “inner room,” a space surrounded by bamboo and exuding a sense of calm. Along the way, hung light bulbs glimmer as they play the artist’s pre-recorded sounds out of tiny speakers. Each light tells a different story: one repeats the sounds coming from and elderly tenant’s television; another plays the bustling ambience of the community’s celebration in which former residents rejoined the villagers to host a year-end banquet.
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
“The protagonists are the stories told by the lights in quiet murmurs. This piece expresses the idea that the preservation of a place should include all the people who live in it,” Chen said.
Other works such as The Solar — Treasure Hill Artist Village (日光浴–寶藏巖國際藝術村) by four-member art group LuxuryLogico (豪華朗機工) approach the historical settlement with lyrical, imaginative musing. Composed of more than 220 recycled street lamps, LuxuryLogico’s large-scale light installation is intended to simulate the sun or the moon appearing to rise over the hilly village.
“You can sit on the lawn facing Sindian River (新店溪) and contemplate the luminary as it waxes and wanes,” said LuxuryLogico’s Chang Keng-hau (張耿豪).
Photo Courtesy of Department of Artist-in-residence, Taipei Culture Foundation
As all participating artists use light as their main creative element, the exhibition is intended for nighttime. The works are lit from 5pm to 9:30pm, with guided tours of the exhibition starting at 7pm on weekdays and 6pm and 8pm on weekends. Group tours can be arranged in advance by filling out the reservation form available online at www.artistvillage.org.
The breakwater stretches out to sea from the sprawling Kaohsiung port in southern Taiwan. Normally, it’s crowded with massive tankers ferrying liquefied natural gas from Qatar to be stored in the bulbous white tanks that dot the shoreline. These are not normal times, though, and not a single shipment from Qatar has docked at the Yongan terminal since early March after the Strait of Hormuz was shuttered. The suspension has provided a realistic preview of a potential Chinese blockade, a move that would throttle an economy anchored by the world’s most advanced and power-hungry semiconductor industry. It is a stark reminder of
May 11 to May 17 Traversing the southern slopes of the Yushan Range in 1931, Japanese naturalist Tadao Kano knew he was approaching the last swath of Taiwan still beyond colonial control. The “vast, unknown territory,” protected by the “fierce” Bunun headman Dahu Ali, was “filled with an utterly endless jungle that choked the mountains and valleys,” Kano wrote. He noted how the group had “refused to submit to the measures of our authorities and entrenched themselves deep in these mountains … living a free existence spent chasing deer in the morning and seeking serow in the evening,” even describing them as
As a different column was being written, the big news dropped that Chinese Nationalist Party (KMT) caucus whip Fu Kun-chi (傅?萁) announced that negotiations within his caucus, with legislative speaker Han Kuo-yu (韓國瑜) of the KMT, party Chair Cheng Li-wun (鄭麗文), Taichung Mayor Lu Shiow-yen (盧秀燕) and Taiwan People’s Party (TPP) Chair Huang Kuo-chang (黃國昌) had produced a compromise special military budget proposal. On Thursday morning, prior to meeting with Cheng over a lunch of beef noodles, Lu reiterated her support for a budget of NT$800 or NT$900 billion — but refused to comment after the meeting. Right after Fu’s
What government project has expropriated the most land in Taiwan? According to local media reports, it is the Taoyuan Aerotropolis, eating 2,500 hectares of land in its first phase, with more to come. Forty thousand people are expected to be displaced by the project. Naturally that enormous land grab is generating powerful pushback. Last week Chen Chien-ho (陳健和), a local resident of Jhuwei Borough (竹圍) in Taoyuan City’s Dayuan District (大園) filed a petition for constitutional review of the project after losing his case at the Taipei Administrative Court. The Administrative Court found in favor of nine other local landowners, but
RSS