For the last decade, Taipei’s punk scene has been pretty dead, while the metalheads have just cliquishly brooded in their own musical corner, kind of like they would at any high school. But then earlier this week, I got into a conversation with my Shida music dudes about how indie-rock kids are once again developing some creeping affections for hard, heavy, guitar-crunching bands. It might have to do with bombastic, high-energy shows by touring legends like Napalm Death, and it might also have to do with bands inching out of old genres and finding new cross-over crowds. That’s what seems to be happening with a new wave of bands, who are turning their backs on post-punk, postrock and shoegaze and instead making a conscious effort to look, act and sound “very rocker.”
Sleaze (湯湯水水) is one of the better bands in this growing scene, and they’ll release their first CD next Friday, Sept. 21 at Underworld, to be followed by three other shows through the end of the month. When I sat down with them earlier this week, the interview immediately turned into one of those interminable discussions of musical genre.
“Before, I listened to hardcore and screamo,” says Sleaze vocalist Norton Lin (林書緯). “Then I started listening to stoner [rock], and I really wanted to play stoner, but we weren’t really stoner. We were just some strange music, I don’t know what to call it.”
Photo courtesy of Sleazy
“I don’t really want to think about our band as being a certain genre,” he said. Then 10 minutes later, “I think Sleaze is a hardcore band.” And 20 minutes later, “If you have to say we’re some genre, say ‘psychedelic.’”
At this, guitarist King Kong Guan (官靖剛) started laughing. “Dude, we’re definitely not psychedelic. What, you think we’re Pink Floyd?”
“Oh,” said Lin. “Well then, maybe just forget about it.”
What they are is a group that started off in punk, hardcore and screamo. (Lin and Guan both loved the Japanese band Envy.) Three years ago, the different bands they were playing in broke up at around the same time. So they got together in 2009 and began by jamming off of heavy riffs, then followed those riffs into heavy grooves. Now, Sleaze forms its music around a core of extended jams that hearken back to late-70s hard rock, but they also weave in explosive punk riffs and spaced-out sections of bleary-eyed dub. There’s even the odd saxophone solo.
Lin also has a very interesting back-story, having started out as something of a child prodigy. Before the age of 10, his mother trained him to sing, dance and play the piano, before launching him into the world of TV singing competitions, including the most famous of the time, Wu Deng Jiang (五燈獎) (literally: Five Lights Awards). She also had him perform at weddings for NT$10,000 a pop. This is much less than he now makes delivering low, gutteral groans as lead singer of Sleaze. Still, he claims that the influence of Taiwanese pop singing legends like Wen Xia (文夏) and Liu Jia-chang (劉家昌) has not left him. And Guan, incredibly enough, claims that old pre-90s Mandopop influences his guitar arrangements. I will have to take their word for it.
■ Sleaze plays Fri, Sept. 21, 9pm at Underworld (地下社會), B1, 45 Shida Rd, Taipei City (台北市師大路45號B1). Admission: NT$300. They also play Sept. 22 at the Nangang Bottlecap Factory (南港瓶蓋工廠), Sept. 29 at Emerge Livehouse in Taichung (浮現藝文展演空間) and Sept. 30 at the Wall, Taipei.
In business news, Funky Brothers (放客兄弟) claims to be Taiwan’s first band to have used crowdfunding to raise money to produce an album. To thank their fans, they’ll play a free show at Revolver next Wednesday. Using the website FlyingV.cc, they raised NT$380,000 from 272 supporters, each of whom will get gifts — CDs, release party tickets and t-shirts — depending on the level of support.
Funky Brothers started five years ago as a four-piece, but has now expanded to become a 10-piece and one of Taiwan’s favorite party bands. Vocalist Airy Liu (劉怡伶) says there are now three very young crowdfunding websites in Taiwan. They chose crowdfunding after three years of failed applications for government recording subsidies, and she’s much happier with this solution.
“If we get money from the government, then finishing the album becomes just like finishing your homework. But if we get the money from our friends and our fans, it just makes more sense. In this case, we make the album for the people who want the music,” said Liu.
■ Funky Brothers play Revolver, 1-2, Roosevelt Rd Sec 1, Taipei City (台北市羅斯福路一段1-2號), near Chiang Kai-shek Memorial Hall MRT Station (中正紀念堂捷運站) Exit 4. Tel: (02) 3393-1678, on Sept 19 at 10pm. Admission is free.
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
June 1 to June 7 "If all Taiwanese were as afraid of dying as you, then what would happen?” Physician Shih Chiang-nan (施江南) reportedly said this to his wife Chen Chiao-tung (陳焦桐) after she urged him to stop intervening on behalf of Taiwanese soldiers stranded overseas after serving in the Japanese Army during World War II. Shih had clashed with high-ranking officials over the issue, engaged in several heated arguments with Taiwan governor-general Chen Yi (陳儀) and allegedly shouted at general Ko Yuan-fen (柯遠芬), chief of staff of the Taiwan Garrison Command, over
“Taiwan’s Opposition Leader Comes to US With a Message Straight Out of Beijing” read a May 31 headline in the Wall Street Journal. Top US administration officials and members of Congress almost certainly read the WSJ, and if there was a bullet point takeaway that people in Washington should absorb ahead of Chinese Nationalist Party (KMT) Chair Cheng Li-wun’s (鄭麗文) arrival in DC on June 9, that headline is it. The last few columns have discussed this very topic, and the timing is not coincidental. While those top officials likely do not read the Taipei Times, judging by the number
RSS