Sometime in the autumn of 2010, the Vaccines pretty much came out of nowhere. And suddenly, in the UK music scene, they were everywhere. By the beginning of last year, they were on the cover of NME with the headline “The Return of the Great British Guitar Band.” They placed third in the BBC’s Sound of 2011 poll, played around the UK with the NME Awards Tour, and were nominated for an MTV Award for “Best New Band of 2011.” And all of this happened on the strength of just two singles.
If this is all too much to resist, check them out for yourself tonight in Taipei, when the Vaccines play at Legacy. The concert comes as part of a new music series by the Hong Kong promoters Untitled Entertainment, which is trying to string together concert tours through Southeast Asia and introduce hot indie bands even as they are still breaking into the scene.
The Vaccines are indeed a young band, now formed just over two years ago and with all four members in their early 20s. Lead singer and guitarist Justin Young used to perform as an alt-folk troubadour under the name of Jay Jay Pistolet, and the band’s other guitarist, Freddie Cowan, is the younger brother of Tom Cowan, who plays in the slightly more established and similarly noisy indie group, The Horrors. (The Horrors will also play at Legacy next week, on Feb. 17.)
Photo Courtesy of Untitled Entertainment
The media blitz that has so far surrounded the Vaccines has drawn comparisons to the debuts of Franz Ferdinand and the Arctic Monkeys. The Guardian called it “the kind of hyperbole that hits British pop once or twice a decade.” The band even seemed to take a preemptive shot at all the hype with the title of its first album, So What Did You Expect From the Vaccines?, released in March last year.
Part of the reason behind the expectations may be that this is a guitar band, and British music media certainly has a hardened old-school clique of “rockist” critics and music editors who are always ready to tout punk-tinged bands as the next big thing.
The Vaccines’ sound harkens back to the noisy guitars of the Jesus and Mary Chain. The band compares well to other middle-class Brit guitar bands like Arctic Monkeys or British Sea Power. (There has been a mild debate on whether it matters that they are “posh.”)
The band’s second single Post Break-up Sex charted well in the UK and is the kind of well-crafted song that probably won’t be extremely long-lived, but still hits a nice balance between being totally dumb and believably earnest: “Post break-up sex/that helps you forget your ex/What did you expect from post break-up sex?”
Expect the song early on in the Vaccine’s set in Taipei, as it is a bit of a sing-along. For the closer, they generally rock out on the much faster punk tune Norgaard.
Justin Sweeting, the music director at Untitled Entertainment, said he booked the band because the music invariably “gets people going. They pretty much guarantee a good time,” he said.
After seeing the band at SXSW last year, as well as in several European festivals, Sweeting further credits the group with potential to crossover from rock to pop audiences.
“The fact that they’ve managed to break into something akin to a more mainstream audience is an accomplishment in itself. They’re introducing new generations of fans to the live band sound which bodes well for the future,” he said.
I have only seen the Vaccines once, at Fuji Rock last year. I enjoyed the few songs that I heard, though I was hardly bowled over. This might have something to do with my being American and/or buffered from the British music press. Generally, North American audiences have, like me, been a bit cooler in their support of this London sensation. Taipei music bloggers, meanwhile, have taken a shine. Several have been pumping the band heartily, so you can expect solid support from Taipei’s indie regulars. And if the last show at Legacy put together by Untitled (Metronomy, Bombay Bicycle Club, the Naked and Famous, and the Jezabels) is any indication, this should be another good night for indie rock in Taiwan.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
RSS