Veteran Hong Kong director Tsui Hark’s (徐克) murder mystery Detective Dee and the Mystery of the Phantom Flame (通天神探狄仁傑) was the biggest winner at the 30th Hong Kong Film Awards on Sunday.
The Tang Dynasty drama featuring famous Chinese detective Di Renjie scooped six awards, including best director, best actress, best art direction, best sound design, best visual effects and best costume and make-up design.
“The whole team has worked really hard and put in a lot of effort to make this a spectacular production,” Tsui said after receiving the award. “This award is to be shared with everyone involved.”
Photo: AFP
The moviemaker’s latest hit was nominated for the top Golden Lion Award at the Venice Film Festival last year.
Carina Lau (劉嘉玲), crowned best actress for her role as the powerful Chinese empress Wu Zetian (武則天) in Tsui’s drama, said: “After being nominated so many times and not winning, I didn’t think it would really happen to me.”
She beat fellow contenders Miriam Yeung (楊千嬅), Fiona Sit (薛凱琪), Tang Wei (湯唯), and Josie Ho (何超儀), daughter of Macau casino magnate Stanley Ho (何鴻燊).
Gallants (打擂臺), a rollicking homage to Hong Kong kung fu movies in the 1970s, was the dark horse of the night and the second biggest winner, scooping awards for best film, best supporting actor, best supporting actress and best original film score.
Long-time actor-director-singer Teddy Robin (關維鵬) bagged the honors for best supporting actor for his role in the comedy.
“Over the past 30 years, I’ve had a lot of nominations, but not wins. This time round, it’s finally my turn,” he told reporters.
“This is an affirmation that I am a good actor too,” he added.
Best actor went to singer-cum-actor Nicholas Tse (謝霆鋒) for his role in the gritty action-packed cop drama The Stool Pigeon (線人), beating early favorite and veteran actor Chow Yun-fat (周潤發) as the great Chinese thinker Confucius.
Prolific filmmaker Pang Ho-cheung (彭浩翔) and Heiward Mak (麥曦茵) won the award for best screenplay for the light-hearted romantic film Love in a Puff (志明與春嬌), a movie about a cosmetics saleswoman who develops a romance with a fellow smoker.
Oscar-winning director of photography Peter Pau (鮑德熹) bagged the honors for best cinematography for his work in Confucius (孔子: 決戰春秋), a biopic that follows the life of the legendary Chinese philosopher, tracing his journey around small kingdoms in China preaching his beliefs.
“I was deeply influenced by Chow Yun-fat during this movie,” Pau said while receiving the award on stage. “He embodies the very values Confucius teaches and is a very dedicated actor.”
Rising star Hanjin Tan (陳奐仁) was named best new performer for his role in the biopic Bruce Lee, My Brother (李小龍), which tells the story of martial arts legend Bruce Lee (李小龍) in his youth, while Felix Chong (莊文強) took home best new director.
Best Asian film went to the Japanese thriller Confessions.
The award for best film editing went to Cheung Ka-fai (張嘉輝), who worked on Ip Man 2 (葉問2), a sequel to the 2008 film on the life of the legendary kung-fu master starring Donnie Yen (甄子丹).
Together with Taiwan’s Golden Horse Awards, the Hong Kong Film Awards ceremony is one of the Chinese film industry’s most prestigious events, as the southern Chinese city remains a rich source of film talent.
Its stars still enjoy huge popularity across Asia. There have been increasing collaborations between Hong Kong and Chinese filmmakers in recent years targeting the large market of moviegoers in China.
This month the government ordered a one-year block of Xiaohongshu (小紅書) or Rednote, a Chinese social media platform with more than 3 million users in Taiwan. The government pointed to widespread fraud activity on the platform, along with cybersecurity failures. Officials said that they had reached out to the company and asked it to change. However, they received no response. The pro-China parties, the Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP), immediately swung into action, denouncing the ban as an attack on free speech. This “free speech” claim was then echoed by the People’s Republic of China (PRC),
Exceptions to the rule are sometimes revealing. For a brief few years, there was an emerging ideological split between the Democratic Progressive Party (DPP) and Chinese Nationalist Party (KMT) that appeared to be pushing the DPP in a direction that would be considered more liberal, and the KMT more conservative. In the previous column, “The KMT-DPP’s bureaucrat-led developmental state” (Dec. 11, page 12), we examined how Taiwan’s democratic system developed, and how both the two main parties largely accepted a similar consensus on how Taiwan should be run domestically and did not split along the left-right lines more familiar in
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
Many people in Taiwan first learned about universal basic income (UBI) — the idea that the government should provide regular, no-strings-attached payments to each citizen — in 2019. While seeking the Democratic nomination for the 2020 US presidential election, Andrew Yang, a politician of Taiwanese descent, said that, if elected, he’d institute a UBI of US$1,000 per month to “get the economic boot off of people’s throats, allowing them to lift their heads up, breathe, and get excited for the future.” His campaign petered out, but the concept of UBI hasn’t gone away. Throughout the industrialized world, there are fears that