It was a battle of two crooners last week in Hong Kong — but there was little music heard in this rumble. Golden Melody Award-winning singer Gary Tsao (曹格) upheld his reputation as a psychotic drunk by beating up his friend, Canto-pop singer Justin Lo (側田), in an extended brawl that started at a bar, continued in a taxi and ended on the street.
The following is Pop Stop’s blow-by-blow account of their night on the town, as told by the China Times, United Daily News, the Liberty Times (the Taipei Times’ sister paper) and Hong Kong paparazzi.
Round 1: Tsao and Lo are hanging out in a Central District jazz club. Lo tries to crash the stage for an impromptu performance with the house band, but is stopped by another bar patron. Feeling like they have “lost face,” Tsao steps up to confront the patron, only to be stopped by Lo.
Round 2: The two start arguing as they leave the bar (“I wanted to stand up for you,” said Tsao, “Why did you stop me?”). Tsao takes a swing at Lo, and the two wrestle each other to the ground. Lo and Tsao’s friends eventually break up the fisticuffs. The two make up and decide to share a taxi home, each accompanied by a member of their respective entourages. But the truce doesn’t last long.
Round 3: Hong Kong paparazzi hot on the trail film their taxi stopping in the middle of the road, with Tsao jumping out and “bouncing around like Bruce Lee.” The door is left open but Lo refuses to come out. Tsao charges at the cab and executes a “flying kick” on Lo while he’s still in the car.
Round 4: The cab pulls over, next to a roadside construction site. The paparazzi report hearing Lo’s “screams of pain” from inside the taxi. Lo gets out of the car, holding his midsection. Tsao grabs a road sign from the construction site and is about to strike when Lo and Tsao’s friends convince him to put it down. The two part ways in separate taxis.
A rueful Tsao held a press conference a few days later to apologize for the ruckus, saying that he would be seeking professional help for his drinking.
The incident is only the latest in a string of drunken escapades for the Malaysian-born Tsao, who is sometimes called the “Prince of the Ballad” in the Mando-pop world. In July, he was admitted to the hospital with a puffy face and cut finger after getting into a fight at a Taipei nightclub. Even though Lo says his friendship with Tsao remains “unchanged,” some damage has already been done: after the incident, Hong Kong promoter BMA canceled a concert next month featuring Tsao, which was entitled “Welcome to My World, Part II.”
Pop rockers Mayday (五月天) have set a new record at the Taipei Arena. The band accrued NT$1.7 million in fines for playing past the 11pm cutoff time each night during its four-night run at the venue, according to the Liberty Times. But the rock idols shrugged off the penalty, which pales in comparison to the NT$86 million they took from the concerts.
In case you were wondering, the boys haven’t been spending that cash on a lavish rock ’n’ roll lifestyle, at least when it comes to food. Lead singer A-hsin (阿信) and bassist Masa (瑪莎) were spotted chowing down at a cheap teppanyaki joint on Sanmin Road (三民路) after their show on Saturday night. The night before, the after-show menu was also down-home and humble: braised pork rice (滷肉飯) and spare rib soup (排骨酥湯).
One item on Eason Chan’s (陳奕迅) menu lately is humble pie. According to the Apple Daily, the Mando-pop star’s latest album, Fifth Floor’s Happiness (上五樓的快活), has received mixed reviews on PTT (批踢踢), Taiwan’s largest online bulletin board. Apple Daily suggests the divided opinion was unwittingly egged on by Chan’s record label, Universal Music. The company’s marketing strategy included gimmicky advertisements that read: “If it doesn’t sound good, then it won’t cost anything. Return for a full refund within five days” (不好聽不用錢,5天內退貨免費). A spokesperson from Universal said the company had “indeed received many telephone inquiries about returns, but those people didn’t seem like loyal fans.”
TV entertainer Jacky Wu (吳宗憲) has been trying to play matchmaker for newscaster-turned-celebrity Patty Hou (侯佩岑). The Liberty Times reports that Wu had tried to set her up with a 30-year-old doctor with “eyes like Jay Chou (周杰倫).” But Hou, who used to date Chou, has shown no interest and remains tight-lipped about her dating life, which she says consists of talking on the phone given her busy schedule of late.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she