Deemed a tough sell in a youth and beauty-obsessed society, the elderly are usually overlooked in mainstream Taiwanese cinema.
Foreign films such as Late Bloomers (2006) and Young@Heart (2007), however, have hit local screens and through inspiring drama and heart-warming comedy have struck a chord.
In Step by Step (練•戀•舞), experienced female documentary director Kuo Chen-ti (郭珍弟), whose Viva Tonal (跳舞時代), a documentary about the Taiwanese pop music scene during the 1930s, won a Golden Horse Award, takes a similar approach. Starring promising actor Joseph Chang (張孝全) and supermodel Janel Tsai (蔡淑臻), the film weds star charisma with comedy in a dance genre package and winds up a lively story about a group of nursing-home residents.
Chang plays Biran, a young male nurse working in a small-town old people’s home in Yunlin. Never the type to follow the caregiver’s manual, Biran is custodian, friend and family to the group of aging eccentrics who are no longer interested in or excited by life.
Ruping (Tsai), a new dance teacher in town, catches Biran’s eye and heart. Cold and detached, the mysterious woman reluctantly agrees to teach the residents at the nursing home. New steps, beats and rhythm bring refreshing joy to all but Old Tang (Tien Ming, 田明), a retired military commander who harbors a secret that has been gnawing away at his mind for decades.
A specter of doom looms when the insidious head of the nursing home plans to close down the establishment and sell the property to a big enterprise. Determined to leave without regret, the residents train for the upcoming national ballroom dance competition. Meanwhile, both Biran and Ruping learn to heal emotional wounds and help their geriatric friends make the most of life.
Mostly shot in Hsilo (西螺) Township, Yunlin County, the film radiates a countryside charm, and the colonial Baroque-style architecture, which is used as the site for the nursing home, exudes a nostalgic sentiment that reflects the mood of the film’s senior characters.
While model-turned-actress Tsai turns in a passable big-screen debut performance and Chang tackles the role of the young caretaker with ease, the stars of the film are the group of veteran actors including Chang Fu-chien (張復建), Hung Ming-li (洪明麗) and Hsiao Hu-tou (小戽斗).
Mostly remembered for serious and righteous roles, Chang Fu-chien is a delightful surprise as he plays a likable elder who suffers from mild Parkinson’s disease. Tien’s character, a retired officer, may bring tears to viewers’ eyes when the reason behind his bitterness and longing for a family is revealed towards the end of the movie.
In Step, Kuo has blended a series of characterizations into a commercial genre flick. Yet, the film lacks the necessary dramatic tension that makes a dance movie captivating and enthralling. The dance scenes mostly involve Tsai’s elegant moves and svelte body. The elders are depicted as clumsy novices at tango at first, but their transformation in the ballroom is never shown, which hinders audiences from building up anticipation and makes the final dance competition nothing more than a show of feebleness.
Step by Step opens a new path in terms of subject matter, yet the lack of narrative transition and climax prohibit the film from fully developing into the piece of entertainment it sets out to be.
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
This is a deeply unsettling period in Taiwan. Uncertainties are everywhere while everyone waits for a small army of other shoes to drop on nearly every front. During challenging times, interesting political changes can happen, yet all three major political parties are beset with scandals, strife and self-inflicted wounds. As the ruling party, the Democratic Progressive Party (DPP) is held accountable for not only the challenges to the party, but also the nation. Taiwan is geopolitically and economically under threat. Domestically, the administration is under siege by the opposition-controlled legislature and growing discontent with what opponents characterize as arrogant, autocratic
When Lisa, 20, laces into her ultra-high heels for her shift at a strip club in Ukraine’s Kharkiv, she knows that aside from dancing, she will have to comfort traumatized soldiers. Since Russia’s 2022 invasion, exhausted troops are the main clientele of the Flash Dancers club in the center of the northeastern city, just 20 kilometers from Russian forces. For some customers, it provides an “escape” from the war, said Valerya Zavatska — a 25-year-old law graduate who runs the club with her mother, an ex-dancer. But many are not there just for the show. They “want to talk about what hurts,” she