Deemed a tough sell in a youth and beauty-obsessed society, the elderly are usually overlooked in mainstream Taiwanese cinema.
Foreign films such as Late Bloomers (2006) and Young@Heart (2007), however, have hit local screens and through inspiring drama and heart-warming comedy have struck a chord.
In Step by Step (練•戀•舞), experienced female documentary director Kuo Chen-ti (郭珍弟), whose Viva Tonal (跳舞時代), a documentary about the Taiwanese pop music scene during the 1930s, won a Golden Horse Award, takes a similar approach. Starring promising actor Joseph Chang (張孝全) and supermodel Janel Tsai (蔡淑臻), the film weds star charisma with comedy in a dance genre package and winds up a lively story about a group of nursing-home residents.
Chang plays Biran, a young male nurse working in a small-town old people’s home in Yunlin. Never the type to follow the caregiver’s manual, Biran is custodian, friend and family to the group of aging eccentrics who are no longer interested in or excited by life.
Ruping (Tsai), a new dance teacher in town, catches Biran’s eye and heart. Cold and detached, the mysterious woman reluctantly agrees to teach the residents at the nursing home. New steps, beats and rhythm bring refreshing joy to all but Old Tang (Tien Ming, 田明), a retired military commander who harbors a secret that has been gnawing away at his mind for decades.
A specter of doom looms when the insidious head of the nursing home plans to close down the establishment and sell the property to a big enterprise. Determined to leave without regret, the residents train for the upcoming national ballroom dance competition. Meanwhile, both Biran and Ruping learn to heal emotional wounds and help their geriatric friends make the most of life.
Mostly shot in Hsilo (西螺) Township, Yunlin County, the film radiates a countryside charm, and the colonial Baroque-style architecture, which is used as the site for the nursing home, exudes a nostalgic sentiment that reflects the mood of the film’s senior characters.
While model-turned-actress Tsai turns in a passable big-screen debut performance and Chang tackles the role of the young caretaker with ease, the stars of the film are the group of veteran actors including Chang Fu-chien (張復建), Hung Ming-li (洪明麗) and Hsiao Hu-tou (小戽斗).
Mostly remembered for serious and righteous roles, Chang Fu-chien is a delightful surprise as he plays a likable elder who suffers from mild Parkinson’s disease. Tien’s character, a retired officer, may bring tears to viewers’ eyes when the reason behind his bitterness and longing for a family is revealed towards the end of the movie.
In Step, Kuo has blended a series of characterizations into a commercial genre flick. Yet, the film lacks the necessary dramatic tension that makes a dance movie captivating and enthralling. The dance scenes mostly involve Tsai’s elegant moves and svelte body. The elders are depicted as clumsy novices at tango at first, but their transformation in the ballroom is never shown, which hinders audiences from building up anticipation and makes the final dance competition nothing more than a show of feebleness.
Step by Step opens a new path in terms of subject matter, yet the lack of narrative transition and climax prohibit the film from fully developing into the piece of entertainment it sets out to be.
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
There are shadowy cabals plotting to sell out Taiwan to be annexed by China, by invasion if necessary. Fortunately, they are buffoons. In 2019, former Bamboo Union gangster and founder of the China Unification Promotion Party (CUPP), Chang An-le (張安樂, colorfully known as “White Wolf”), led a protest at the Legislative Yuan against comments made by then-premier Su Tseng-chang (蘇貞昌) that in the event of an attack by China, he would never surrender, but would protect the nation by fighting to the end, even if he only had a broom. Chang had party members bring a wooden casket that they
June 1 to June 7 "If all Taiwanese were as afraid of dying as you, then what would happen?” Physician Shih Chiang-nan (施江南) reportedly said this to his wife Chen Chiao-tung (陳焦桐) after she urged him to stop intervening on behalf of Taiwanese soldiers stranded overseas after serving in the Japanese Army during World War II. Shih had clashed with high-ranking officials over the issue, engaged in several heated arguments with Taiwan governor-general Chen Yi (陳儀) and allegedly shouted at general Ko Yuan-fen (柯遠芬), chief of staff of the Taiwan Garrison Command, over