VIEW THIS PAGE Tricked out in leather and heavy metal hair, the British actor Michael Sheen takes a lively break from his usual high-crust duties to bring wit, actual acting and some unexpected musculature to the goth-horror flick Underworld: Rise of the Lycans The film, a prehistory to the first two Underworld movies, rewinds time to when the werewolves, or Lycans, led by Lucian (Sheen), began rattling the chains clamped on them by their vampire masters, a louche crowd that answers to Viktor (the British actor Bill Nighy).
Set primarily in the lair of the vampires, a dark castle bathed in moon-blue light and dappled with pools of black shadow, the film offers few surprises other than Sheen’s vigorous, physical performance. Although the presence of Sheen — who can be seen twinkling as David Frost in Frost/Nixon and is probably best known for playing Prime Minister Tony Blair in The Queen — is initially distracting, it soon becomes the movie’s greatest asset. There is, as it turns out, some benefit to having a real performance even in a formulaic entertainment like this, as shown by Sheen’s commitment here and by the lackluster star turn of Kate Beckinsale in the previous movies.
Unlike Nighy, who puts an amusing camp spin on his every line and gesture, Sheen appears to have taken his monster duties seriously: his eyes pop with menace, and he howls up a mighty storm. Though the director, Patrick Tatopoulos, clearly likes the looks of the female lead, Rhona Mitra as Sonja, Viktor’s daughter and Lucian’s lover, he gives Sheen plenty of face time. The actor’s value is particularly evident during the various fight sequences, which — because they are underlighted and, as is too often the case in contemporary genre cinema, overedited — come across as needlessly chaotic. It’s at moments like these that Sheen’s bright eyes become beacons, two points of light in the murky dark. VIEW THIS PAGE
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
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