Developing games for major consoles such as the Sony PlayStation, Microsoft Xbox and Nintendo Wii has traditionally been the domain of professionals. Independent, student or hobbyist game developers have always been more or less locked out from the exciting world of console development. To work on the big machines requires enough clout and funds to afford development kits and licenses and secure an agreement. But Microsoft has completely obliterated these barriers to entry with a solution called XNA Game Studio.
XNA Game Studio 3.0, released just over a month ago, is a completely free set of tools for creating computer games. Touted as “easy-to-use, approachable tools for hobbyists, academics and indie game developers,” XNA is able to produce commercial-grade games for the Xbox 360, Windows PC and even the Microsoft Zune handheld device.
Once a game has been developed, it can be submitted to Xbox Live, an online gaming and entertainment service run by Microsoft, as a “Community Game,” a new section of Xbox Live for games made using XNA Game Studio. This means that once a game is accepted and processed, it will be available to anyone who has an Xbox 360 linked to the Internet. Developers who submit games can select their own price (or make their game free) and receive 70 percent of the proceeds from sales.
Microsoft has now opened up the world of commercial game development, publishing and distribution. It has removed all costs from the process and given developers a top-notch set of tools and a decent cut of the profits. So what’s the snag? Well, there really isn’t one to speak of — developers will need an Xbox 360 machine to ultimately play test and submit their game, and they will need to pay the XNA Creators Club membership fee (US$100 per year), but after that the game will be available on Xbox Live in the Community Games section.
This is a quantum leap in terms of console development support and a very exciting one too — the only barrier to entry left is the skill set required. Developing games is never going to be easy per se, considering a commercial game requires programmers, artists, musicians and 3D modelers — each of these is a career in itself. However, for existing independent game studios (or hobbyists) who are developing for mobile phones, personal computers, etc, already, XNA could be the perfect solution. Since it supports the very Java-like and already popular C# programming language, as well as all of the de facto standards in 3D graphics, independent studios should be able to move over to using XNA relatively painlessly. The main incentives for doing this, of course, are access to the global market, high profit share and effortless distribution, all of which are handled by Microsoft.
For aspiring game designers there has never been a better time to start. The Xbox 360’s hardware is incredibly powerful, incorporating a state-of-the-art graphics processing unit, or GPU, as well as a multi-core central processing unit, or CPU, which makes it more or less the same power as a PlayStation 3 or high-specification PC. The fact that XNA Game Studio can output an Xbox 360 version and a Windows PC version with no extra effort further simplifies the process — not to mention the ability to also output for the Zune handheld — as usually companies will take at least half a year to move their console games over to the PC or vice versa, and a lot longer to make a handheld version.
In conclusion, Microsoft’s XNA Game Studio has virtually no drawbacks if you already have some knowledge in programming or game development. If not, the abstraction level has simplified things more than ever, meaning there has never been a better time to dip your toe in the water. Considering the price tag of zero and the wealth of tutorials on the Net, it’s surely worth checking out.
— GARETH MURFIN IS A FREELANCE
DEVELOPER AND CONSULTANT
WWW.GARETHMURFIN.CO.UK
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,